“Le anime hanno un loro particolar modo d'intendersi, d'entrare in intimità, fino a darsi del tu, mentre le nostre persone sono tuttavia impacciate nel commercio delle parole comuni, nella schiavitù delle esigenze sociali. Han bisogni lor proprii e le loro proprie aspirazioni le anime, di cui il corpo non si dà per inteso, quando veda l'impossibilità di soddisfarli e di tradurle in atto. E ogni qualvolta due che comunichino fra loro così, con le anime soltanto, si trovano soli in qualche luogo, provano un turbamento angoscioso e quasi una repulsione violenta d'ogni minimo contatto materiale, una sofferenza che li allontana, e che cessa subito, non appena un terzo intervenga. Allora, passata l'angoscia, le due anime sollevate si ricercano e tornano a sorridersi da lontano.”
― Luigi Pirandello, quote from The Late Mattia Pascal
“Tu non le sai, povero ubriaco filosofo, queste cose; non ti passano neppure per la mente. Ma la causa vera di tutti i nostri mali, di questa tristezza nostra, sai qual è? La democrazia, mio caro, la democrazia, cioè il governo della maggioranza. Perché quando il potere è in mano d’uno solo, quest’uno sa d’essere uno e di dover contentare molti; ma quando i molti governano, pensano soltanto a contentar se stessi, e si ha allora la tirannia più balorda e più odiosa: la tirannia mascherata da libertà.”
― Luigi Pirandello, quote from The Late Mattia Pascal
“Lessi così di tutto un po', disordinatamente; ma libri, in ispecie, di filosofia. Pesano tanto:
eppure, chi se ne ciba e se li mette in corpo, vive tra le nuvole.”
― Luigi Pirandello, quote from The Late Mattia Pascal
“Ebbene signor Meis, il destino di Roma è l’identico. I papi ne avevano fatto – a modo loro, s’intende – un’acquasantiera; noi italiani ne abbiamo fatto, a modo nostro, un portacenere.”
― Luigi Pirandello, quote from The Late Mattia Pascal
“Ogni oggetto in noi suol trasformarsi secondo le immagini ch’esso evoca e aggruppa, per così dire, attorno a sé. Certo un oggetto può piacere anche per se stesso, per la diversità delle sensazioni gradevoli che ci suscita in una percezione armoniosa; ma ben più spesso il piacere che un oggetto ci procura non si trova nell’oggetto per sé medesimo. La fantasia lo abbellisce cingendolo e quasi irraggiandolo d’immagini care. Né noi lo percepiamo più qual esso è, ma così, quasi animato dalle immagini che suscita in noi o che le nostre abitudini vi associano. Nell’oggetto, insomma, noi amiamo quel che vi mettiamo di noi, l’accordo, l’armonia che stabiliamo tra esso e noi, l’anima che esso acquista per noi soltanto e che è formata dai nostri ricordi.”
― Luigi Pirandello, quote from The Late Mattia Pascal
“Porque la vida, por todas sus descaradas absurdidades, pequeñas y grandes, de que está felizmente llena, tiene el inestimable privilegio de poder prescindir de esta estupidísima verosimilitud, a la que el arte cree su deber prestar obediencia.
Las absurdidades de la vida no tienen necesidad de parecer verosímiles, porque son verdaderas. Al contrario de las del arte, que, para parecer verdaderas, tienen necesidad de ser verosímiles. Y entonces, al ser verosímiles, ya no son absurdidades.”
― Luigi Pirandello, quote from The Late Mattia Pascal
“-In cuor di donna quanto dura amore? (Ore)
-Ed ella non mi amò quant'io l'amai? (Mai)
-Or chi sei tu sì ti lagni meco? (Eco)”
― Luigi Pirandello, quote from The Late Mattia Pascal
“Lessi così di tutto un po', disordinatamente; ma libri, in ispecie, di filosofia. Pesano tanto: eppure, chi se ne ciba e se li mette in corpo, vive tra le nuvole.”
― Luigi Pirandello, quote from The Late Mattia Pascal
“Siamo o non siamo su un’invisibile trottolina, cui fa da ferza un fil di sole, su un granellino di sabbia impazzito che gira e gira e gira, senza saper perché, senza pervenir mai a destino, come se ci provasse gusto a girar così, per farci sentire ora un po’ più di caldo, ora un po’ più di freddo, e per farci morire – spesso con la coscienza d’aver commesso una sequela di piccole sciocchezze – dopo cinquanta o sessanta giri?”
― Luigi Pirandello, quote from The Late Mattia Pascal
“Si reconocemos que equivocarse es propio del hombre, ¿no es una crueldad sobrehumana la justicia?”
― Luigi Pirandello, quote from The Late Mattia Pascal
“Dalle vette nuvolose delle sue astrazioni il signor Anselmo lasciava spesso precipitar così, come valanghe, i suoi pensieri. La ragione, il nesso, l’opportunità di essi rimanevano lassù, tra le nuvole, dimodochè difficilmente a chi lo ascoltava riusciva di capirci qualche cosa.”
― Luigi Pirandello, quote from The Late Mattia Pascal
“Hai mai pensato di andare via e non tornare mai più? Scappare e far perdere ogni tua traccia, per andare in un posto lontano e ricominiciare a vivere, vivere una vita nuova, solo tua, vivere davvero. Ci hai mai pensato?”
― Luigi Pirandello, quote from The Late Mattia Pascal
“Mi parve anche che questo nome quadrasse bene alla faccia sbarbata e con gli occhiali, ai capelli lunghi, al cappellaccio alla finanziera che avrei dovuto portare. «Adriano Meis. Benone! M›hanno battezzato.»”
― Luigi Pirandello, quote from The Late Mattia Pascal
“dello Sperone ch’era il miglior vigneto della nostra contrada,”
― Luigi Pirandello, quote from The Late Mattia Pascal
Luigi Pirandello
Born place: in Agrigento, Sicily, Italy
Born date June 28, 1867
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“In the dark, my master let down his guard and he was Caleb again. He didn’t correct me. He didn’t punish me. He didn’t push me away emotionally. Caleb was there to hold me until the nightmares passed. He was there to tell me I was beautiful. He was there to tell me I was going to be okay. In the dark, he seduced me. I didn’t want the seduction to end.”
― C.J. Roberts, quote from Seduced in the Dark
“Truth is neither ojectivity nor the balanced view; truth is a selfless subjectivity.”
― Knut Hamsun, quote from Hunger
“Dance with her, and she will forgive much; dance well, and she will forgive anything”
― Robert Jordan, quote from Lord of Chaos
“we learn more by looking for the answer to a question and not finding it than we do from learning the answer itself.”
― Lloyd Alexander, quote from The Book of Three
“When a man seats before his eyes the bronze face of his helmet and steps off from the line of departure, he divides himself, as he divides his ‘ticket,’ in two parts. One part he leaves behind. That part which takes delight in his children, which lifts his voice in the chorus, which clasps his wife to him in the sweet darkness of their bed. “That half of him, the best part, a man sets aside and leaves behind. He banishes from his heart all feelings of tenderness and mercy, all compassion and kindness, all thought or concept of the enemy as a man, a human being like himself. He marches into battle bearing only the second portion of himself, the baser measure, that half which knows slaughter and butchery and turns the blind eye to quarter. He could not fight at all if he did not do this.” The men listened, silent and solemn. Leonidas at that time was fifty-five years old. He had fought in more than two score battles, since he was twenty; wounds as ancient as thirty years stood forth, lurid upon his shoulders and calves, on his neck and across his steel-colored beard. “Then this man returns, alive, out of the slaughter. He hears his name called and comes forward to take his ticket. He reclaims that part of himself which he had earlier set aside. “This is a holy moment. A sacramental moment. A moment in which a man feels the gods as close as his own breath. “What unknowable mercy has spared us this day? What clemency of the divine has turned the enemy’s spear one handbreadth from our throat and driven it fatally into the breast of the beloved comrade at our side? Why are we still here above the earth, we who are no better, no braver, who reverenced heaven no more than these our brothers whom the gods have dispatched to hell? “When a man joins the two pieces of his ticket and sees them weld in union together, he feels that part of him, the part that knows love and mercy and compassion, come flooding back over him. This is what unstrings his knees. “What else can a man feel at that moment than the most grave and profound thanksgiving to the gods who, for reasons unknowable, have spared his life this day? Tomorrow their whim may alter. Next week, next year. But this day the sun still shines upon him, he feels its warmth upon his shoulders, he beholds about him the faces of his comrades whom he loves and he rejoices in their deliverance and his own.” Leonidas paused now, in the center of the space left open for him by the troops. “I have ordered pursuit of the foe ceased. I have commanded an end to the slaughter of these whom today we called our enemies. Let them return to their homes. Let them embrace their wives and children. Let them, like us, weep tears of salvation and burn thank-offerings to the gods. “Let no one of us forget or misapprehend the reason we fought other Greeks here today. Not to conquer or enslave them, our brothers, but to make them allies against a greater enemy. By persuasion, we hoped. By coercion, in the event. But no matter, they are our allies now and we will treat them as such from this moment. “The Persian!”
― Steven Pressfield, quote from Gates of Fire: An Epic Novel of the Battle of Thermopylae
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Babylon's Ark: The I...BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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