Quotes from The Melancholy of Resistance

“Catastrophe! Of course! Last judgement! Horseshit! It's you that are the catastrophe, you're the bloody last judgement, your feet don't even touch the ground, you bunch of sleepwalkers. I wish you were dead, the lot of you. Let's make a bet,' and here he shook Nadaban by the shoulders, ‘that you don't even know what I'm talking about!! Because you don't talk, you "whisper" or "expostulate"; you don't walk down the street but "proceed feverishly"; you don't enter a place but "cross its threshold", you don't feel cold or hot, but "find yourselves shivering" or "feeling the sweat pour down you"! I haven't heard a straight word for hours, you can only mew and caterwaul; because if a hooligan throws a brick through your window you invoke the last judgement, because your brains are addled and filled up with steam, because if someone sticks your nose in shit all you do is sniff, stare and cry "sorcery!”
― László Krasznahorkai, quote from The Melancholy of Resistance

“you have every cause for anxiety. we are on the threshold of a more searching, more honest, more open society. there are new times just around the corner”
― László Krasznahorkai, quote from The Melancholy of Resistance

“He gained height, grew thin, the hair on his temples had begun to grey, but, now as then, he had none of that useful sense of proportion, nor could he ever develop anything of the sort, which might have helped him distinguish between the continuous flux of the universe of which he constituted a part (though a necessarily fleeting part) and the passage of time, the perception of which might have led to an intuitive and wise acceptance of fate. Despite vain efforts to understand and experience what precisely his 'dear friends' wanted from each other, he confronted the slow tide of human affairs with a sad incomprehension, dispassionately and without any sense of personal involvement, for the greater part of his consciousness, the part entirely given over to wonder, had left no room for more mundane matters, and (to his mother's inordinate shame and the extreme amusement of the locals) had ever since then trapped him in a bubble of time, in one eternal, impenetrable and transparent moment. He walked, he trudged, he flitted - as his great friend once said, not entirely without point - 'blindly and tirelessly... with the incurable beauty of his personal cosmos' in his soul [...]”
― László Krasznahorkai, quote from The Melancholy of Resistance

“[...] for it was the approaching dawn that held him in its spell, that 'promise kept each morning' that the earth, along with the town and his own person, would emerge from beneath the shadow of the night, and that the delicate glimmer of dawn would yield to the bright light of day...”
― László Krasznahorkai, quote from The Melancholy of Resistance

“[...] he would see that birth and death were only two tremendous moments in an eternal waking, and his face would glow with amazement as he understood this; he would feel - gently he grasped the copper handle of the door - the warmth of the mountains, woods, rivers and valleys, would discover the hidden depths of human existence, would finally understand that the unbreakable ties that bound him to the world were not imprisoning chains and condemnation but a kind of clinging to an indestructible sense that he had a home; and he would discover the enormous joys of mutuality which embraced and animated everything: rain, wind, sun and snow, the flight of a bird, the taste of fruit, the scent of grass; and he would suspect that his anxieties and bitterness were merely cumbersome ballast required by the live roots of his past and the rising airship of his certain future, and, then - he started opening the door - he would finally know that our every moment is passed in a procession across dawns and day's-ends of the orbiting earth, across successive waves of winter and summer, threading the planets and the stars. Suitcase in hand, he stepped into the room and stood there blinking in the half-light.”
― László Krasznahorkai, quote from The Melancholy of Resistance

“No more showing off. I will be quiet at last, perfectly quiet.”
― László Krasznahorkai, quote from The Melancholy of Resistance

“jacket, linked the fingers of his hands together behind his neck, and, as he noticed the feeble ticking of his watch, suddenly realized that he had been escaping all his life, that life had been a constant escape, escape from meaninglessness into music, from music to guilt, from guilt and self-punishment into pure ratiocination, and finally escape from that too, that it was retreat after retreat, as if his guardian angel had, in his own peculiar fashion, been steering him to the antithesis of retreat, to an almost simple-minded acceptance of things as they were, at which point he understood that there was nothing to be understood, that if there was reason in the world it far transcended his own, and that therefore it was enough to notice and observe that which he actually possessed. And he really had ‘retreated into an almost simple-minded acceptance of things as they were’,”
― László Krasznahorkai, quote from The Melancholy of Resistance

“Faith, thought Eszter . . . is not a matter of believing something, but believing that somehow things could be different; in the same way, music was not the articulation of some better part of ourselves, or a reference to some notion of a better world, but a disguising of the fact of our irredeemable selves and the sorry state of the world, but no, not merely a disguising but a complete, twisted denial of such facts: it was a cure that did not work, a barbiturate that functioned as an opiate.”
― László Krasznahorkai, quote from The Melancholy of Resistance

“To be more accurate, Eszter continued, it was only a shadow in the mirror, a mirror where the image and the mirror wholly coincided though the shadow nevertheless tried to separate them, to separate two things that had from eternity been the same and could not be separated or cut into two, thereby losing the weightless delight of being swept along with it, substituting, he thought as he stepped away from the drawing-room window, a solid eternity purchased with knowledge for the sweet song of participating in eternity, a song so airy it was lighter than a feather.”
― László Krasznahorkai, quote from The Melancholy of Resistance

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“الحزن أمر غريب! إنه يتخذ أشكالاً وألواناً متعددة. تساءلت دوماً هل تمكن أحد من تحديدها كلها وإعطائها أسماءً وهمية.”
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“Opening the door, he nearly did a double take into the mirror behind
him.
Hooch. Hooch, pushing his shades back up onto his head, and re-shouldering the bergan. Hooch, standing in the doorway.
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Two words, more than usual.
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Six, speech worthy of a national holiday.
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Eleven, whole fucking fireworks.
"Central station.”
Thirteen, and the heavens came down for Matt.
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Sixteen, and the world stopped spinning.
Matt stood thinking for a while, not a muscle in his face twitched. Then
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“Returning my voice to a conversational level, I called back, “Nora, I’m not
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