“For a torture to be effective, the pain has to be spread out; it has to come at regular intervals, with no end in sight. The water falls , drop after drop after drop, like the second hand of a watch, carving up time. The shock of each individual drop is insignificant, but the sensation is impossible to ignore. At first, one might manage to think about other things, but after five hours, after ten hours, it becomes unendurable. The repeated stimulation excites the nerves to a point where they literally explode, and every sensation in the body is absorbed into that one spot on the forehead---indeed, you come to feel that you are nothing but a forehead, into which a fine needle is being forced millimeter by millimeter. You can’t sleep or even speak, hypnotized by a suffering that is greater than any mere pain. In general, the victim goes mad before a day has passed.”
― Yōko Ogawa, quote from Revenge
“When I’m curled up in his arms like this, I can never tell how my body looks to him. I worry that I seem completely ridiculous, but I have the ability to squeeze into any little space he leaves for me. I fold my legs until they take up almost no room at all, and curl in my shoulders until they’re practically dislocated. Like a mummy in a tomb. And when I get like this, I don’t care if I never get out; or maybe that’s exactly what I hope will happen.”
― Yōko Ogawa, quote from Revenge
“She began to sing, but I could not make out the words. It must have been a love song, to judge from the slightly pained expression on her face, and the way she tightly gripped the microphone. I noticed a flash of white skin on her neck. As she reached the climax of the song, her eyes half closed and her shoulders thrown back, a shudder passed through her body. She moved her arm across her chest to cradle her heart, as though consoling it, afraid it might burst. I wondered what would happen if I held her tight in my arms, in a lovers’ embrace, melting into one another, bone on bone… her heart would be crushed. The membrane would split, the veins tear free, the heart itself explode into bits of flesh, and then my desire would contain hers - it was all so painful and yet so utterly beautiful to imagine.”
― Yōko Ogawa, quote from Revenge
“Are you eating?" I asked. "You have to keep up your strength."
"All of a sudden you're grown and worrying about me, instead of the other way around. Seems like yesterday you were just a little boy.”
― Yōko Ogawa, quote from Revenge
“I worried that if she were forced to say more, she might shrink farther away and disappear altogether.”
― Yōko Ogawa, quote from Revenge
“It shocked me to realize that he suddenly seemed old -- so frail that the slightest push would have sent him tumbling. The body I had felt when I'd gone searching for my hidden presents had been sturdier; and though I had always thought of him as tall, e was now much shorter than me.
I realized I had no idea how old he was -- I suppose I'd thought that something as mundane as age could never apply to him.”
― Yōko Ogawa, quote from Revenge
“The desires of the human heart know no reason or rules.”
― Yōko Ogawa, quote from Revenge
“The door that would not open no matter how hard you pushed, no matter how long you pounded on it. The screams no one heard. Darkness, hunger, pain. Slow suffocation. One day it occurred to me that I needed to experience the same suffering he had.”
― Yōko Ogawa, quote from Revenge
“I was afraid that if she went on much longer, her fingers would scrape away my skin, rip my flesh, crush my bones. The pillow was damp with saliva, and I wanted to scream.”
― Yōko Ogawa, quote from Revenge
“Bet she looks as good inside as out – warm, red, inviting, all those little wrinkles tempting you deeper and deeper…”
― Yōko Ogawa, quote from Revenge
“-Excuse me,- I said, but my voice seemed to disappear into the dark.
It was my body. In this gloomy, cramped box, I had eaten poison plants and died, hidden away from prying eyes.
Crouching down at the door, I wept. For my dead self.”
― Yōko Ogawa, quote from Revenge
Yōko Ogawa
Born place: in Okayama, Japan
Born date March 30, 1962
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“And then I opened the door to my room and saw you standing there in the parking lot, in the rain, and I just thought, 'This. This is what the perfect time feels like. It's not about the milestones; its about the person.”
― Dahlia Adler, quote from Just Visiting
“Erica…I love you…all of you. Even your scars.”
― Meredith Wild, quote from Hard Limit
“How would you draw the line between women with something and women with nothing in them?”
― Thomas Hardy, quote from A Pair of Blue Eyes
“We have a saying in Tibet: If a problem can be solved there is no use worrying about it. If it can't be solved, worrying will do no good.”
― Heinrich Harrer, quote from Seven Years in Tibet (Paladin Books)
“Mas don Rigoberto sabia que não havia outro remédio, tinha que se resignar e esperar. Provavelmente as únicas brigas do casal ao longo de todos os anos que estavam juntos foram causadas pelos atrasos de Lucrecia sempre que iam sair, para onde fosse, um cinema, um jantar, uma exposição, fazer compras, uma operação bancária, uma viagem. No começo, quando começaram a morar juntos, recém-casados, ele pensava que sua mulher demorava por mera inapetência e desprezo pela pontualidade. Tiveram discussões, desavenças, brigas por causa disso. Pouco a pouco, do Rigoberto, observando-a, refletindo, entendeu que esses atrasos da esposa na hora de sair para qualquer compromisso não eram uma coisa superficial, um desleixo de mulher orgulhosa. Obedeciam a algo mais profundo, um estado ontológico da alma, porque, sem que ela tivesse consciência do que lhe ocorria, toda vez que precisava sair de algum lugar, da sua própria casa, a de uma amiga que estava visitando, o restaurante onde acabara de jantar, era dominada por uma inquietação recôndita, uma insegurança, um medo obscuro, primitivo, de ter que ir embora, sair dali, mudar de lugar, e então inventava todo tipo de pretextos - pegar um lenço, trocar a bolsa, procurar as chaves, verificar se as janelas estavam bem fechadas, a televisão desligada, se o fogão não estava acesso ou o telefone fora do gancho -, qualquer coisa que atrasasse por alguns minutos ou segundos a pavorosa ação de partir.
Ela sempre foi assim? Quando era pequena também? Não se atreveu a perguntar. Mas já havia constatado que, com o passar dos anos, esse prurido, mania ou fatalidade se acentuava, a tal ponto que Rigoberto às vezes pensava, com um calafrio, que talvez chegasse o dia que Lucrecia, com a mesma benignidade do personagem de Melville, ia contrair a letargia ou indolência metafísica de Bartleby e decidir não mais sair da sua casa, quem sabe do seu quarto e até da sua cama. "Medo de abandonar o ser, de perder o ser, de ficar sem seu ser", pensou mais uma vez. Era o diagnóstico que havia chegado em relação aos atrasos da esposa.”
― Mario Vargas Llosa, quote from The Time of the Hero
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Letters to a Young A...BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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