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The Lies of Locke Lamora

by Scott Lynch

The Lies of Locke Lamora is Scott Lynch's 2006 debut novel and the opening book of the Gentleman Bastard Sequence. Set in Camorr, a decaying, canal-laced city-state modeled on Renaissance Venice, it follows Locke Lamora and… more

First published 2006 · 499 pages · English

28 quotes ★ 4.30 (353,810) Fiction

Quotes from the Book

Someday, Locke Lamora,” he said, “someday, you’re going to fuck up so magnificently, so ambitiously, so overwhelmingly that the sky will light up and the moons will spin and the gods themselves will shit comets with glee. And I just hope I’m still around to see it.” “Oh please,” said Locke. “It’ll never happen.
There’s no freedom quite like the freedom of being constantly underestimated.
I cut off his fingers to get him to talk, and when he'd confessed everything I wanted to hear, I had his fucking tongue cut out, and the stump cauterized." Everyone in the room stared at him. "I called him an asshole, too," said Locke. "He didn't like that.
I only steal because my dear old family needs the money to live!" Locke Lamora made this proclamation with his wine glass held high; he and the other Gentleman Bastards were seated at the old witchwood table. . . . The others began to jeer. "Liar!" they chorused "I only steal because this wicked world won't let me work an honest trade!" Calo cried, hoisting his own glass. "LIAR!" "I only steal," said Jean, "because I've temporarily fallen in with bad company." "LIAR!" At last the ritual came to Bug; the boy raised his glass a bit shakily and yelled, "I only steal because it's heaps of fucking fun!" "BASTARD!
There are only three people in life you can never fool--pawnbrokers, whores, and your mother. Since your mother's dead, I've taken her place. Hence, I'm bullshit-proof.
I don't have to beat you. I don't have to beat you, motherfucker. I just have to keep you here... until Jean shows up.
When you don't know everything that you could know, it's a fine time to shut your fucking noisemaker and be polite.
I can't wait to have words with the Gray King when this shit is all finished," Locke whispered. "There's a few things I want to ask him. Philosophical questions. Like, 'How does it feel to be dangled out a window by a rope tied around your balls, motherfucker?
I've got kids that enjoy stealing. I've got kids that don't think about stealing one way or the other, and I've got kids that just tolerate stealing because they know they've got nothing else to do. But nobody--and I mean nobody--has ever been hungry for it like this boy. If he had a bloody gash across his throat and a physiker was trying to sew it up, Lamora would steal the needle and thread and die laughing. He...steals too much.
You can't help being young, but it's past time that you stopped being stupid.
We’re a different sort of thief here, Lamora. Deception and misdirection are our tools. We don’t believe in hard work when a false face and a good line of bullshit can do so much more.
To us — richer and cleverer than everyone else!
If reassurances could dull pain, nobody would ever go to the trouble of pressing grapes.
Throwing blondes at Locke Lamora was not unlike throwing lettuce at sharks.
Locke sighed. 'So this is winning,' he said. 'It is,' replied Jean. 'It can go fuck itself,' said Locke.
Just one question, you arrogant fucking cocksucker" said Locke. "I'll grant the Lamora part is easy to spot; the truth is, I didn't know about the apt translation when I took the name. I borrowed it from this old sausage dealer who was kind to me once, back in Catchfire before the plague. I just liked the way it sounded. "But what the fuck" he said slowly, "ever gave you the idea that Locke was the first name I was actually born with?
So that makes us robbers of robbers," said Bug, "who pretend to be robbers working for a robber of other robbers.
You simply collapsed, sir. In layman's terms, your body revoked its permission for you to continue heaping abuse upon it.
What kind of knife is this?” Locke held a rounded buttering utensil up for Chains’ inspection. “It’s all wrong. You couldn’t kill anyone with this.
My name's Jean Tannen, and I'm the ambush.
You're one third bad intentions, one third pure avarice, and one eighth sawdust. What's left, I'll credit, must be brains.
I’m only doing this,” he said, “because I really love hiding in haunted Eldren buildings on dark and creepy nights.” “You’re a liar,” said Jean, slowly. “I’m only doing this because I’ve always wanted to see Bug get eaten by an Eldren ghost.” “Liar,” said Calo. “I’m only doing this because I fucking love hauling half a ton of bloody coins up out of a vault and packing them away on a cart.” “Liar!” Galdo chuckled. “I’m only doing this because while you’re all busy elsewhere, I’m going to go pawn all the furniture in the burrow at No-Hope Harza’s.” “You’re all liars,” said Locke as their eyes turned expectantly to him. “We’re only doing this because nobody else in Camorr is good enough to pull this off, and nobody else is dumb enough to get stuck doing it in the first place.” “Bastard!” They shouted in unison, forgetting their surroundings for a bare moment.
You've got that motherly concern in your eyes, Jean. I must look like I'm hammered as shit," said Locke. "Actually you look like you were executed last week.
It was strange, how readily authority could be conjured with nothing but a bit of strutting jackassery.
Those prancing little pants-wetters come here to learn the colorful and gentlemanly art of fencing, with its many sporting limitations and its proscriptions against dishonorable engagements. You on the other hand, you are going to learn how to kill men with a sword.
Advice," Doña Vorchenza chuckled. "Advice. The years play a sort of alchemical trick, transmuting one's mutterings to a state of respectability. Give advice at forty and you're a nag. Give it at seventy and you're a sage.
When you see the Crooked Warden," said Locke, twisting something in his hands, "tell him that Lock Lamora learns slowly, but he learns well. And when you see my friends, you tell them that there are more of you on the way.
Gods, I love this place," Locke said, drumming his fingers against his thighs. "Sometimes I think this whole city was put here simply because the gods must adore crime. Pickpockets rob the common folk, merchants rob anyone they can dupe, Capa Barsavi robs the robbers and the common folk, the lesser nobles rob nearly everyone, and Duke Nicovante occasionally runs off with his army and robs the shit out of Tal Verarr or Jerem, not to mention what he does to his own nobles and his common folk.

Did you know?

  • It was Scott Lynch's debut novel, purchased by Orion Books in 2004 and published in June 2006.
  • The story is set in Camorr, a fantasy city-state inspired by Renaissance Venice.
  • It is the first book of the Gentleman Bastard Sequence, originally projected as a seven-volume series.
  • The gang of con artists at the center of the story are known as the Gentleman Bastards.
  • Warner Bros. acquired film rights to the novel, but the option lapsed in April 2010.
  • The narrative alternates between a present-day storyline and flashbacks to Locke's childhood.

About Scott Lynch

Scott Lynch (born April 2, 1978) is an American fantasy author, best known for the Gentleman Bastard Sequence, which began with his 2006 debut The Lies of Locke Lamora.

More about the author →

About the book

The Lies of Locke Lamora is Scott Lynch's 2006 debut novel and the opening book of the Gentleman Bastard Sequence. Set in Camorr, a decaying, canal-laced city-state modeled on Renaissance Venice, it follows Locke Lamora and his band of elaborate con artists, the Gentleman Bastards. Trained from childhood by the fence-priest Father Chains, the gang runs intricate confidence schemes against the city's wealthy nobility, quietly defying the Secret Peace that is supposed to shield the aristocracy from the criminal underworld.

The novel braids two timelines: a present-day plot in which a mysterious figure called the Grey King upends Camorr's criminal order and forces Locke into a fight for survival, and flashbacks tracing Locke's orphaned childhood and his education under Father Chains. Alongside his loyal enforcer Jean Tannen, Locke must improvise his way through betrayal, violence, and unraveling schemes as the stakes escalate far beyond a simple heist.

Blending caper storytelling, sharp dialogue, and grimy urban fantasy worldbuilding, the book was widely praised and helped define a wave of character-driven, morally grey fantasy. It was a World Fantasy Award finalist in 2007 and launched a projected multi-volume series, continued in Red Seas Under Red Skies and The Republic of Thieves. Its themes center on loyalty and found family, deception and identity, and the friction between the powerful and the criminals who prey on them.

Key characters

  • Locke LamoraOrphan-turned-con artist who leads the Gentleman Bastards
  • Jean TannenSkilled fighter and Locke's closest, most loyal ally
  • Father ChainsThe fence-priest and mentor who trained the gang
  • Calo and Galdo SanzaIdentical twin members of the Gentleman Bastards
  • BugThe gang's young apprentice
  • The Grey KingMysterious antagonist upending Camorr's criminal underworld

Book details

First published
2006
Length
499 pages
Reading time
15 hours
Genre
Fiction
Goodreads rating
4.30 (354k ratings)

Series & reading order

  1. 1 The Lies of Locke Lamora
  2. 2 Red Seas Under Red Skies
  3. 3 The Republic of Thieves

If you liked this, read…

  1. 1
    Red Seas Under Red SkiesThe direct sequel continuing Locke and Jean's adventures
  2. 2
    The Blade ItselfGritty, character-driven fantasy with morally grey rogues
  3. 3
    The Name of the WindA celebrated debut fantasy with an orphan trickster protagonist

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