“Love was like piloting a jet through a mountain range, blind. It was freeing and exhilarating, but at the same time, at any second the person risking their life piloting that plane could crash and burn, shattering into nothing but dust - all for one glorious ride.”
― Lydia Michaels, quote from Coming Home
“Sometimes victory is won by
surrendering something great. And in surrender, we unburden ourselves so clarity can come through.”
― Lydia Michaels, quote from Coming Home
“All of my life I’ve had one cardinal rule: the only person I can trust is myself. I’m the only person I can count on to truly look out for me without ulterior motives. That’s what I’m doing now, looking out. I don’t need your hotel. I don’t need your damn limo to give me a ride. And I don’t need you.” He stared at her, a blank expression on his face for a long moment. Finally, he whispered, “But I need you.”
― Lydia Michaels, quote from Coming Home
“I don’t know what hurts more,” he said. “Worrying about you or knowing you don’t worry about me.”
― Lydia Michaels, quote from Coming Home
“realized home, for either of them, did not come in the shape of walls, but in the sense of heart. He showed her how to love and she, somehow, taught him the same.”
― Lydia Michaels, quote from Coming Home
“And it will be a great boon to your friend. He’ll get the security he’s been searching for, the
confidence he never had, and I’ll get the rest of my life with you. Sometimes victory is won by
surrendering something great. And in surrender, we unburden ourselves so clarity can come through.
We’re all just men hiding behind curtains and impressive toys, Evelyn. He can have whatever trinket
validates his struggles, but he’ll never have your heart. That’s mine. I’ll surrender everything, except for you.”
― Lydia Michaels, quote from Coming Home
Lydia Michaels
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“After listening for almost twenty-five years to the stories my patients tell me about sociopaths who have invaded and injured their lives, when I am asked, “How can I tell whom not to trust?” the answer I give usually surprises people. The natural expectation is that I will describe some sinister-sounding detail of behavior or snippet of body language or threatening use of language that is the subtle giveaway. Instead, I take people aback by assuring them that the tip-off is none of these things, for none of these things is reliably present. Rather, the best clue is, of all things, the pity play. The most reliable sign, the most universal behavior of unscrupulous people is not directed, as one might imagine, at our fearfulness. It is, perversely, an appeal to our sympathy.”
― Martha Stout, quote from The Sociopath Next Door
“The components of a philosophy must stand or fall on their own internal consistency or empirical support, regardless of the founder’s or followers’ personality quirks or moral inconsistencies.”
― Michael Shermer, quote from Why People Believe Weird Things: Pseudoscience, Superstition, and Other Confusions of Our Time
“There was a click of high heels in the hall behind us, and a young woman appeared. She was pretty enough, I suspected, but in the tight black dress, black hose, and with her hair slicked back like that, it was sort of threatening. She gave me a slow, cold look and said, "So. I see that you’re keeping low company after all, Ravenius."
Ever suave, I replied, "Uh. What?"
"’Ah-ree," Thomas said.
I glanced at him.
He put his hand flat on the top of his head and said, "Do this."
I peered at him.
He gave me a look.
I sighed and put my hand on the top of my head.
The girl in the black dress promptly did the same thing and gave me a smile. "Oh, right, sorry. I didn’t realize."
"I will be back in one moment," Thomas said, his accent back. "Personal business."
"Right," she said, "sorry. I figured Ennui had stumbled onto a subplot." She smiled again, then took her hand off the top of her head, reassumed that cold, haughty expression, and stalked clickety-clack back to the bistro.
I watched her go, turned to my brother while we both stood there with our hands flat on top of our heads, elbows sticking out like chicken wings, and said, "What does this mean?"
"We’re out of character," Thomas said.
"Oh," I said. "And not a subplot."
"If we had our hands crossed over our chests," Thomas said, "we’d be invisible."
"I missed dinner," I said. I put my other hand on my stomach. Then, just to prove that I could, I patted my head and rubbed my stomach. "Now I’m out of character—and hungry.”
― Jim Butcher, quote from Side Jobs: Stories from the Dresden Files
“C'è qualcosa di più nel nome astratto (bellezza, libertà) rispetto alle qualità (bello, libero) attribuite a persone, cose o condizioni particolari. L'universale sostantivo allude a qualità che sorpassano ogni esperienza particolare ma persistono nella mente, non come una finzione della immaginazione e neppure come possibilità più logiche, bensì come il materiale di cui consiste il nostro mondo.”
― Herbert Marcuse, quote from One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society
“PROMETHEUS: 'Oh, it is easy for the one who stands outside the prison-wall of pain to exhort and teach the one who suffers”
― Aeschylus, quote from Prometheus Bound
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