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The Last Collection: A Novel of Elsa Schiaparelli and Coco Chanel

by Jeanne Mackin · 2019

An American woman becomes entangled in the intense rivalry between iconic fashion designers Coco Chanel and Elsa Schiaparelli in this captivating novel from the acclaimed author of The Beautiful American. Paris, 1938.… more

7 quotes ★ 3.97 (2,880) Historical

Quotes from the Book

Women don't age if their age if their clothes stay new.
1
It’s good to sometimes let things go. And people, too,” she added.
1
We leaned even closer and pressed our foreheads together for consolation, as a promise, fingers entwined, and it was like the last application of color to the canvas, the moment when you know this is what had been waiting to be completed, this is what had existed somewhere, even if just in your imagination. You have brought it isn't the richness of being. Layer up on layer of color, and when the final one is applied, gold bursts upon the back of your closed eyelids.
We both believe in beauty and elegance. In strong women who know their own minds. No one will look good in her clothes if she doesn't walk as if she owns the world. Remember that, Lily. It's ours, all the beauty we want, if we want it hard enough.
An artist must do what she was put on this earth to do. I do not give up and go into my little safe cocoon.
Bundists marched regularly in Times Square, demanding that all “foreigners” be sent back to their own countries and no more admitted; New York had its own share of Nazi sympathizers and American Aryanists.
Death can do that, make reality as hard to hold on to as water dripping through your fingers.

About Jeanne Mackin

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About the book

An American woman becomes entangled in the intense rivalry between iconic fashion designers Coco Chanel and Elsa Schiaparelli in this captivating novel from the acclaimed author of The Beautiful American.

Paris, 1938. Coco Chanel and Elsa Schiaparelli are fighting for recognition as the most successful and influential fashion designer in France, and their rivalry is already legendary. They oppose each other at every turn, in both their politics and their designs: Chanel's are classic, elegant, and practical; Schiaparelli's bold, experimental, and surreal.

When Lily Sutter, a recently widowed young American teacher, visits her brother, Charlie, in Paris, he insists on buying her a couture dress--a Chanel. Lily, however, prefers a Schiaparelli. Charlie's beautiful and socially prominent girlfriend soon begins wearing Schiaparelli's designs as well, and much of Paris follows in her fo

Book details

First published
2019
Goodreads rating
3.97 (3k ratings)

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