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The Knight and the Moth

by Rachel Gillig · 2025

The Knight and the Moth is a gothic romantic fantasy and the first book in Rachel Gillig's Stonewater Kingdom series. It follows Sybil Delling, one of six foundling girls who serve as Diviners in the great Aisling Cathedral… more

First published 2025 · 400 pages · The Stonewater Kingdom #1 · English

28 quotes ★ 4.22 (239,455) Fantasy

Quotes from the Book

You don’t have to be good, or useful, for someone to care about you.
129
People who love you for your usefulness don't love you at all.
90
When you do the right thing for the wrong reason, no one praises you. When you do the wrong thing for the right reason, everyone does, even though what is right and wrong depends entirely on the story you’re living in. And no one says they need recognition or praise or love, but we all hunger for it. We all want to be special.
87
Which is more intricate?” he mused. “The designs of men, trying to reach gods, or that of gods, trying to reach men?” My hammer collided with a chunk of granite. “What is either to the intricacies of women, who reach both?
80
You want to throw me down. And I, prideful, disdainful, godless, want to drag you into the dirt with me.
68
It's hard to see who I am when I am lost in what's expected of me.
67
You know this story, Bartholomew, though you do not remember it. I'll tell it to you as best I can and promise to be honest in my talebearing. If I'm not, that's hardly my fault. To tell a story is in part to tell a lie, isn't it?
65
It is easier, swearing ourselves to someone else's cause than to sit with who we are without one.
54
To the child in each of us, yearning to be special. Take my hand, you strange little creature, and together we shall walk beyond the wall.
51
If you only ever look up at something, can you ever see it clearly?
46
I cannot decide which I like best. The sunrise, or the sunset. They are like life, and her quiet companion, death.
43
It sounds awful when I say it out loud.” “True things often do.
41
I confess horses are not the intelligent beasts I imagined them to be. Though I don’t think that merits the abuse they suffer postmortem.” That one took me a moment. “No one actually beats dead horses, gargoyle. It’s an expression.” “Really? How morbid.
41
To tell a story is in some part to tell a lie, isn’t it?
40
I was losing my faith in everything. But the two of us meeting… it felt almost divine.
38
You are more special than you realize. I don’t even know your name”—he drew in a breath—“and I would do anything for you.
35
How undignified.” The gargoyle let out a whimper. “Did anyone see me fall?
30
Just as well. Sometimes, Bartholomew, I think her quite the bitch.
30
No honor among thieves, and even less among gods.
23
Please, Rory. Take it off. I want someone to see me.” I whispered against his lips. “I want it to be you.
22
My armor may dent, my sword may break, but I will never diminish.
18
She's a guest of the king's. Affront her in any way, the knighthood will answer. Attempt to look beneath her shroud, and she and the gargoyle will respond as they see fit. With full immunity to any carnage tended." The gargoyle batted his eyes. "Oh, Bartholomew. He's dreamy.
18
Once, there was a foundling boy who didn’t believe in anything. He grew up, became a worldly knight, and still he struggled to believe. He bore hardly any hope, and a mountain of disdain. And that should have been the end.” He took my hand, squeezed it, tightening my hold on my hammer. “But then he came to a cathedral upon a tor, and met a woman there. And all the tales he’d troubled himself with about cruelty, about unfairness and godlessness… he started to forget. He was afforded another chance, as if by magic, to believe in something. He’d never be a very good knight, but every time he looked at the woman, he had the distinct faith”—his eyes roved my face—“that things could be better than they’d been.
17
I washed the Divining robes this morning." The gargoyle led me down the nave. On the final pew, six silk robes waited. "It was an abundant chore. I am within myself with fatigue." "Beside," I murmured, peeling off my clothes. " 'Beside myself with fatigue' is the proper expression." The gargoyle's stone brow knit. "If I were beside myself, there would be two of me, and the washing would have taken half the time.
16
I’ll do anything you ask of me.
16
The pretty one.” Rory’s eyes flitted to me. But the King’s finger, the knighthood’s collective gaze, was trained on Four.
15
You want to throw me down,” Rory said, eyelids dropping as he whispered into my parted lips. “And I, prideful, disdainful, godless, want to drag you into the dirt with me.
14
He held me in his gaze like he needed to. “Do you want to know how it ends?” “Does it end?” He nodded. “It ends a handful of minutes from now. After you’ve won, and there is one less Omen in the world.” He grinned. “It ends when you kiss me.” “You mean it ends after I’ve won, and there is one less Omen in the world—and I hit you as hard as I can.” “With your mouth.
14

Did you know?

  • The novel debuted at number one on the New York Times Hardcover Fiction bestseller list.
  • It also reached number one on the Sunday Times, USA Today, and Indie bestseller lists.
  • It is the first book in Rachel Gillig's Stonewater Kingdom series.
  • The protagonist Sybil Delling is one of six Diviner girls and is nicknamed 'Six.'
  • A sequel, The Knave and the Moon, is scheduled to follow.
  • It was nominated for the Goodreads Choice Award in the Romantasy category in 2025.

About Rachel Gillig

Rachel Gillig is a New York Times bestselling American fantasy author, known for her gothic romantic fantasy The Shepherd King duology (One Dark Window and Two Twisted Crowns). She lives in California.

More about the author →

About the book

The Knight and the Moth is a gothic romantic fantasy and the first book in Rachel Gillig's Stonewater Kingdom series. It follows Sybil Delling, one of six foundling girls who serve as Diviners in the great Aisling Cathedral, receiving prophetic visions from six mysterious figures known as Omens in exchange for a decade of shelter. As her years of service near their end, a heretical and irreverent knight named Rodrick Myndacious arrives, and when Sybil's fellow Diviners vanish she is forced to leave the cathedral and journey with him into the wider kingdom of Traum to uncover what has become of them.

The novel weaves together themes of faith and doubt, devotion versus free will, and the cost of belief, set against an atmospheric world of windswept moors, cathedrals, and uneasy gods. Gillig pairs a slow-burn enemies-to-allies romance with a mystery about the true nature of the Omens, leaning into eerie, gothic imagery and questions about who controls the future and at what price.

The book was a commercial success, debuting at number one on the New York Times Hardcover Fiction bestseller list and topping the Sunday Times, USA Today, and Indie bestseller lists as well. It was nominated for the Goodreads Choice Award in the Romantasy category. Critical reception highlighted its vivid, gothic worldbuilding, with Paste Magazine scoring it highly, while some reviewers noted pacing issues in the middle of the novel and a romance that develops relatively late.

Key characters

  • Sybil DellingA foundling Diviner of Aisling Cathedral, nicknamed 'Six,' who receives prophetic visions
  • Sir Rodrick MyndaciousA heretical, irreverent knight who becomes Sybil's reluctant companion and love interest
  • King Benedict Castor IIIThe king whose arrival at the cathedral sets events in motion
  • BartholomewA gargoyle who accompanies Sybil on her journey

Book details

First published
2025
Length
400 pages
Series
The Stonewater Kingdom #1
Reading time
6 hours
Genre
Fantasy
Goodreads rating
4.22 (239k ratings)

Critical reception

  • Debuted at number one on the New York Times Hardcover Fiction bestseller list.
  • Paste Magazine praised it as uniquely gothic, scoring it 9.0 out of 10.
  • Publishers Weekly called the premise fresh but noted pacing problems in the middle and a late-arriving romance.
  • Reviewers widely praised the eerie, vivid gothic worldbuilding.

Series & reading order

  1. 1 The Knight and the Moth
  2. 2 The Knave and the Moon

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