Maggie O'Farrell · 341 pages
Rating: (11.5K votes)
“You young people are always so obsessed with truth. The truth is often overrated.”
― Maggie O'Farrell, quote from The Hand That First Held Mine
“Listen. The trees in this story are stirring, trembling, readjusting themselves. A breeze is coming in gusts off the sea, and it is almost as if the trees know, in their restlessness, in their head-tossing impatience, that something is about to happen.”
― Maggie O'Farrell, quote from The Hand That First Held Mine
“And we forget because we must.”
― Maggie O'Farrell, quote from The Hand That First Held Mine
“There on the landing sits the typewriter. It is clogged with dust, the ribbon dried and flimsy. Looking at it gives Felix a feeling close to vertigo. He realises he can replicate in his head the exact sound it used to make. The clac-clac-a-clac of the metal letters hitting the paper, the ribbon raising itself each time to make the impression. The machine-gun fire of it, when the work was going well. The stops and pauses when it wasn't, to allow for a sigh, a draw on a cigarette. The ding every time the carriage reached its limit. The whirr as the page was snatched out, then the rolling ratcheting as a new one was wound in.”
― Maggie O'Farrell, quote from The Hand That First Held Mine
“He is momentarily filled with a kind of pity for his son. What a task lies ahead of him: to learn literally everything.”
― Maggie O'Farrell, quote from The Hand That First Held Mine
Maggie O'Farrell
Born place: Coleraine, Ireland
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“Some things you remember, and some you forget. Of the things you remember, you have to wonder what’s real and what’s translated into a memory from a story you heard.”
― Bill Konigsberg, quote from The Porcupine of Truth
“Except I do care about being pretty. Der. I don't think there's a single person in the world who doesn't care about being pretty. Any female, at any rate.”
― Meg Cabot, quote from Prom Nights from Hell
“Whats beauty anyway but ugliness if it hurts you?”
― Jean Toomer, quote from Cane
“Beside himself with shame and despair, the utterly ruined though perfectly just Mr. Golyadkin dashed headlong away, wherever fate might lead him; but with every step he took, with every thud of his foot on the granite of the pavement, there leapt up as though out of the earth a Mr. Golyadkin precisely the same, perfectly alike, and of a revolting depravity of heart. And all these precisely similar Golyadkins set to running after one another as soon as they appeared, and stretched in a long chain like a file of geese, hobbling after the real Mr. Golyadkin, so there was nowhere to escape from these duplicates — so that Mr. Golyadkin, who was in every way deserving of compassion, was breathless with terror; so that at last a terrible multitude of duplicates had sprung into being; so that the whole town was obstructed at last by duplicate Golyadkins, and the police officer, seeing such a breach of decorum, was obliged to seize all these duplicates by the collar and to put them into the watch-house, which happened to be beside him . . . Numb and chill with horror, our hero woke up, and numb and chill with horror felt that his waking state was hardly more cheerful . . . It was oppressive and harrowing . . . He was overcome by such anguish that it seemed as though some one were gnawing at his heart.”
― Fyodor Dostoyevsky, quote from The Double
“There is no real education that does not respond to felt need; anything else acquired is trifling display.”
― Allan Bloom, quote from The Closing of the American Mind
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