Quotes from The Girl with Borrowed Wings

“He had an extraordinarily casual air about him. I'd noticed that before, when he had tossed himself out the window.”
― Rinsai Rossetti, quote from The Girl with Borrowed Wings

“I frowned. Evidently, Sangris wasn't a cat who could shape-shift. It was more difficult than that. He was a nothing who occasionally pretended to be a cat. "I wish I could know what it's like for myself, that's all," I said. I felt rather the way a jail inmate would if a bird flew up and shouted through her window bars: This freedom thing? Yeah, not so great.”
― Rinsai Rossetti, quote from The Girl with Borrowed Wings

“I used to come here to think," he told me, landing beside the tree. It was so short that my head was only a few inches above his.
"Sangris," I said in shock, "you think? When did this start?”
― Rinsai Rossetti, quote from The Girl with Borrowed Wings

“Then I got to my feet, and, taking my arms, he drew me out of my picture frame, into the darkness and the heat, to a place where the ground was frighteningly, thrillingly far away, and the sunless sky was burning and trembling all around us.”
― Rinsai Rossetti, quote from The Girl with Borrowed Wings

“I rely on a backbone of books and, for the most part, it's enough to keep me quiet, half-drugged with dreams of imaginary worlds.”
― Rinsai Rossetti, quote from The Girl with Borrowed Wings

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Popular quotes

“Give a thing a name and it will somehow come to be.”
― George R.R. Martin, quote from Dying of the Light

“En la extraña anomalía de mi existencia, los sentimientos en mí nunca venían del corazón, y las pasiones siempre venían de la inteligencia.”
― Edgar Allan Poe, quote from Berenice

“When finally the sky grew ink-black, the trees were visible only as their swaying branches blotted out the stars that crossed in blazing showers, as sometimes they do. The language of the stars, seldom read and heeded less, told beautifully and in silence of all the victories that had ever been won and all the defeats ever suffered. In uncountable lines of light across the widest sphere, the stars spoke of everything notable even down to a leaf blowing rhythmically in the wind.”
― Mark Helprin, quote from Freddy and Fredericka

“The Bostonians is special because it never was ‘titivated’ for the New York edition, for its humour and its physicality, for its direct engagement with social and political issues and the way it dramatized them, and finally for the extent to which its setting and action involved the author and his sense of himself. But the passage above suggests one other source of its unique quality. It has been called a comedy and a satire – which it is. But it is also a tragedy, and a moving one at that. If its freshness, humour, physicality and political relevance all combine to make it a peculiarly accessible and enjoyable novel, it is also an upsetting and disturbing one, not simply in its treatment of Olive, but also of what she tries to stand for. (Miss Birdseye is an important figure in this respect: built up and knocked down as she is almost by fits and starts.) The book’s jaundiced view of what Verena calls ‘the Heart of humanity’ (chapter 28) – reform, progress and the liberal collectivism which seems so essential an ingredient in modern democracy – makes it contentious to this day. An aura of scepticism about the entire political process hangs about it: salutary some may say; destructive according to others. And so, more than any other novel of James’s, it reminds us of the literature of our own time. The Bostonians is one of the most brilliant novels in the English language, as F. R. Leavis remarked;27 but it is also one of the bleakest. In no other novel did James reveal more of himself, his society and his era, and of the human condition, caught as it is between the blind necessity of progress and the urge to retain the old. It is a remarkably experimental modern novel, written by a man of conservative values. It is judgemental about people with whom its author identified, and lenient towards attitudes hostile to large areas of James’s own intellectual and personal inheritance. The strength of the contradictions embodied in the novel are a guarantee of the pleasure it has to give.”
― Henry James, quote from The Bostonians

“Ter a porta fechada, os lábios fechados: mas o meu silêncio proclama ordens."tu não dizes nada, e eu vou" ou "não dizes nada, e eu não vou". Toda a minha presença é palavra. Avança então, avança no lodo da noite. Decide. Eu decidi a tua morte e não estamos pagos. Mais ainda. Queria pedir misericórdia: não há misericórdia.”
― Simone de Beauvoir, quote from The Blood of Others

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About BookQuoters

BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.

We thoughtfully gather quotes from our favorite books, both classic and current, and choose the ones that are most thought-provoking. Each quote represents a book that is interesting, well written and has potential to enhance the reader’s life. We also accept submissions from our visitors and will select the quotes we feel are most appealing to the BookQuoters community.

Founded in 2023, BookQuoters has quickly become a large and vibrant community of people who share an affinity for books. Books are seen by some as a throwback to a previous world; conversely, gleaning the main ideas of a book via a quote or a quick summary is typical of the Information Age but is a habit disdained by some diehard readers. We feel that we have the best of both worlds at BookQuoters; we read books cover-to-cover but offer you some of the highlights. We hope you’ll join us.