Rinsai Rossetti · 290 pages
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“He had an extraordinarily casual air about him. I'd noticed that before, when he had tossed himself out the window.”
― Rinsai Rossetti, quote from The Girl with Borrowed Wings
“I frowned. Evidently, Sangris wasn't a cat who could shape-shift. It was more difficult than that. He was a nothing who occasionally pretended to be a cat. "I wish I could know what it's like for myself, that's all," I said. I felt rather the way a jail inmate would if a bird flew up and shouted through her window bars: This freedom thing? Yeah, not so great.”
― Rinsai Rossetti, quote from The Girl with Borrowed Wings
“I used to come here to think," he told me, landing beside the tree. It was so short that my head was only a few inches above his.
"Sangris," I said in shock, "you think? When did this start?”
― Rinsai Rossetti, quote from The Girl with Borrowed Wings
“Then I got to my feet, and, taking my arms, he drew me out of my picture frame, into the darkness and the heat, to a place where the ground was frighteningly, thrillingly far away, and the sunless sky was burning and trembling all around us.”
― Rinsai Rossetti, quote from The Girl with Borrowed Wings
“I rely on a backbone of books and, for the most part, it's enough to keep me quiet, half-drugged with dreams of imaginary worlds.”
― Rinsai Rossetti, quote from The Girl with Borrowed Wings
Rinsai Rossetti
Born place: in Chiang Mai, Thailand
Born date November 9, 2018
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“The wind on the headland whined softly round them, and although, as they watched, Great-Uncle Merry’s expression did not change, they suddenly knew that some enormous emotion was flooding through him. Like an electric current it tingled the air, exciting and frightening at the same time; though they could not understand what it was.”
― Susan Cooper, quote from Over Sea, Under Stone
“Being nearly four years old, she was certainly a child: and children are human (if one allows the term "human" a wide sense): but she had not altogether ceased to be a baby: and babies are of course not human--they are animals, and have a very ancient and ramified culture, as cats have, and fishes, and even snakes: the same in kind as these, but much more complicated and vivid, since babies are, after all, one of the most developed species of the lower vertebrates.
In short, babies have minds which work in terms and categories of their own which cannot be translated into the terms and categories of the human mind.
It is true that they look human--but not so human, to be quite fair, as many monkeys.
Subconsciously, too, every one recognizes they are animals--why else do people always laugh when a baby does some action resembling the human, as they would at a praying mantis? If the baby was only a less-developed man, there would be nothing funny in it, surely.”
― Richard Hughes, quote from A High Wind in Jamaica
“A clergyman generally dislikes to be met in argument by any scriptural quotation; he feels as affronted as a doctor does, when recommended by an old woman to take some favourite dose,”
― Anthony Trollope, quote from The Warden
“Are the fae ever sane? We live in a world that isn't there half the time. We claim that windmills are giants, and because we say it, it's true. Our lives become myth and legend, until even we can't tell what we truly are from what we're told we ought to be. How can we live that way and be considered sane? My lord was never sane, but he was my love once. He always will be, somewhere. Wherever it is that the once upon a times go when they die.”
― Seanan McGuire, quote from An Artificial Night
“Той харесва това, което прави. Използването на острие е нещо лично. То е гневна постъпка, но също така е акт на удоволствие. Като да убиеш любовница. Единственото по-интимно е да убиваш с голи ръце. С острие убиваш непознатата, която обичаш. Това е знак на уважение, благодарност за смъртта, с която те дарява. - Обгръщам кървавата стая с жест. - Пускането на кръв може да бъде интимно или лично. Кръвта е живот. Режеш непознатата, която обичаш, за да си близо до кръвта, когато започне да тече. Кръвта също така е пътека към смъртта. Източваме кръвта на прасетата по сравнително същия начин. Въпросът е как ги приема той? Като прасета или любовници? Дали са нищо за него, или са всичко?”
― Cody McFadyen, quote from The Face of Death
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