Rinsai Rossetti · 290 pages
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“He had an extraordinarily casual air about him. I'd noticed that before, when he had tossed himself out the window.”
― Rinsai Rossetti, quote from The Girl with Borrowed Wings
“I frowned. Evidently, Sangris wasn't a cat who could shape-shift. It was more difficult than that. He was a nothing who occasionally pretended to be a cat. "I wish I could know what it's like for myself, that's all," I said. I felt rather the way a jail inmate would if a bird flew up and shouted through her window bars: This freedom thing? Yeah, not so great.”
― Rinsai Rossetti, quote from The Girl with Borrowed Wings
“I used to come here to think," he told me, landing beside the tree. It was so short that my head was only a few inches above his.
"Sangris," I said in shock, "you think? When did this start?”
― Rinsai Rossetti, quote from The Girl with Borrowed Wings
“Then I got to my feet, and, taking my arms, he drew me out of my picture frame, into the darkness and the heat, to a place where the ground was frighteningly, thrillingly far away, and the sunless sky was burning and trembling all around us.”
― Rinsai Rossetti, quote from The Girl with Borrowed Wings
“I rely on a backbone of books and, for the most part, it's enough to keep me quiet, half-drugged with dreams of imaginary worlds.”
― Rinsai Rossetti, quote from The Girl with Borrowed Wings
Rinsai Rossetti
Born place: in Chiang Mai, Thailand
Born date November 9, 2018
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“I don't think there's a good reason to run unless someone's chasing me. Seriously.”
― Janet Gurtler, quote from I'm Not Her
“Is this what normal is?" Jay asks as we continue to watch the show.
"What part?"
"All of it. Having a shitty day and coming home to someone who takes care of you. Making love to that person. Sharing your day. Realizing everyday can suck if it means your evenings end up like this."
"I don't know" I answer truthfully. "My parents either avoided each other or argued."
Jay doesn't respond, just cuddles more of me under him.
"I hope this is our normal." He quietly confides after a few more minutes.”
― quote from Becoming Noah Baxter
“Once a King, always a King. But once a Knight is enough!”
― Ian Fleming, quote from From Russia With Love
“Someone tells me I’ve been touched by Jesus, I remember.”
“Not Jesus,” he said in all seriousness. “The hand of God.”
― Gretchen McNeil, quote from Possess
“We all know the elementary form of politeness, that of the empty symbolic gesture, a gesture-an offer-which is meant to be rejected. In John Irving's A Prayer for
Owen Meany, after the little boy Owen accidentally kills John's-his best friend's, the narrator's-mother, he is, of course, terribly upset, so, to show how sorry he is, he discreetly delivers to John a gift of the complete collection of color photos of baseball stars, his most precious possession; however, Dan, John's delicate stepfather, tells him that the proper thing to do is to return the gift. What we have here is symbolic exchange at its purest: a gesture made to be rejected; the point, the "magic" of symbolic exchange, is that, although at the end we are where we were at the beginning, the overall result of the operation is not zero but a distinct gain for both parties, the pact of solidarity. And is not something similar part of our everyday mores? When, after being engaged in a fierce competition for a job promotion with my closest friend, I win, the proper thing to do is to offer to withdraw, so that he will get the promotion, and the proper thing for him to do is to reject my offer-in this way, perhaps, our friendship can be saved....
Milly's offer is the very opposite of such an elementary gesture of politeness: although it also is an offer that is meant to be rejected, what makes hers different from the symbolic empty offer is the cruel alternative it imposes on its addressee: I offer you wealth as the supreme proof of my saintly kindness, but if you accept my offer, you will be marked by an indelible stain of guilt and moral corruption; if you do the right thing and reject it, however, you will also not be simply righteous-your very rejection will function as a retroactive admission of your guilt, so whatever Kate and Densher do, the very choice Milly's bequest confronts them with makes them guilty.”
― Slavoj Žižek, quote from The Parallax View
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