Quotes from The Black Stallion

Walter Farley ·  275 pages

Rating: (64.3K votes)


“I believe that half the trouble in the world comes from people asking 'What have I achieved?' rather than 'What have I enjoyed?' I've been writing about a subject I love as long as I can remember--horses and the people associated with them, anyplace, anywhere, anytime. I couldn't be happier knowing that young people are reading my books. But even more important to me is that I've enjoyed so much the writing of them.”
― Walter Farley, quote from The Black Stallion


“You've never in your life seen a horse run so fast! He's all power-all beauty.”
― Walter Farley, quote from The Black Stallion


“On his office wall he had a note to himself: 'Money is necessary--but it isn't too important.' Money meant for him to keep on writing and to go his own way.”
― Walter Farley, quote from The Black Stallion


“beautiful head. The head was that of the wildest of all wild creatures—a stallion born wild—and it was beautiful, savage, splendid. A stallion with a wonderful physical perfection that matched his savage, ruthless spirit.”
― Walter Farley, quote from The Black Stallion


“Its hold was loaded with coffee, rice, tea, oil seeds and jute. Black smoke poured from its one stack, darkening the hot cloudless sky. Alexander”
― Walter Farley, quote from The Black Stallion



“Alexander Ramsay, known to his friends back home in New York City as Alec,”
― Walter Farley, quote from The Black Stallion


“Arabia—where the greatest horses in the world were bred!”
― Walter Farley, quote from The Black Stallion


About the author

Walter Farley
Born place: in Syracuse, New York, The United States
Born date June 26, 1915
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“Between them all the poor little Rabbit was made to feel himself very insignificant and commonplace, and the only person who was kind to him at all was the Skin Horse.

The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it.

"What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?"


"Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real."

"Does it hurt?" asked the Rabbit.

"Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt."

"Does it happen all at once, like being wound up," he asked, "or bit by bit?"

"It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept.

Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."

"I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive.

But the Skin Horse only smiled.”
― Margery Williams Bianco, quote from The Velveteen Rabbit


“I’m sorry.” I know it’s the universal default, but the problem is, one’s first knee-jerk response when someone says “I’m sorry” is to say “It’s okay.” We are programmed from kindergarten, from the first time the inevitable snot-nosed kid knocks over our blocks, to forgive. And it’s not okay, it’s as far from okay as it can really get, but there you are, tricked by a sociolinguistic tic into affirming that it is.”
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