Ayi Kwei Armah · 191 pages
Rating: (2K votes)
“Alone, i am nothing. i have nothing.we have power.but we will never know it,we will never see it work.unless we come together to make it work.”
― Ayi Kwei Armah, quote from The Beautyful Ones Are Not Yet Born
“Disgust with injustice may sharpen the desire for justice. Readers who don’t see this connection merely wish to be entertained, and I have neither skill nor desire to turn the agony of a people into entertainment.”
― Ayi Kwei Armah, quote from The Beautyful Ones Are Not Yet Born
“The sand looked so beautiful then, so many little individual grains in the light of the night, giving the watcher the childhood feeling of infinite things finally understood, the humiliating feeling of the watcher's nothingness.”
― Ayi Kwei Armah, quote from The Beautyful Ones Are Not Yet Born
“True, I used to see a lot of hope. I saw men tear down the veils behind which the truth had been hidden. But then the same men, when they have power in their hands at last, began to find the veils useful. They made many more. Life has not changed. Only some people have been growing, becoming different, that is all. After a youth spent fighting the white man, why should not the president discover as he grows older that his real desire has been to be like the white governor himself, to live above all the blackness in the big old slave castle?”
― Ayi Kwei Armah, quote from The Beautyful Ones Are Not Yet Born
“Outrage alternated with a sweaty fear he had never before felt. Something, it seemed to him was being drained from him, leaving the body feeling like a very dry sponge, very light, completely at the mercy of sly toying gusts of wind.”
― Ayi Kwei Armah, quote from The Beautyful Ones Are Not Yet Born
Ayi Kwei Armah
Born place: Sekondi-Takoradi, Ghana
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“Cyrus is quiet for a momenr. "But-" he beginds, then falls silent. It's the first crack I've seen in his composure. "But," he tries again, "she's special. To me."
His words make me feel light, like ash floating away from a fire.
Johann begins to laugh, bitterly, mirthlessly. "Don't tell me you love her," he spits. "You don't even know her. That's the most irrational thing I've ever heard. And no love can survive immortality."
The room is quiet, filled only with the crackling of the fire, and suddenly I don't want to hear Cyrus's answer. What if he doesn't love me? What am I without him by my side? Some strange creature that no one believes exists, some freak of nature, some threat to the reassuring rhythms of normal life.
Finally, Cyrus speaks. "All I know is that I'm drawn to her. You always told me there's no such thing as destiny, and I believed you. I still do. But she makes me wonder. I fI could love anyone forever, it would be her. When I'm with her, I feel complete.”
― Avery Williams, quote from The Alchemy of Forever
“Great men cultivate love and only little men cherish a spirit of hatred; assistance given to the weak makes the one who gives it strong; oppression of the unfortunate makes one weak.”
― Booker T. Washington, quote from Up from Slavery
“The human brain can only be stretched so far before it breaks.”
― Erin Bowman, quote from Taken
“Not for the first time, I wonder if Drew Evans is the devil—or a close relation. I can picture him offering the fastingChrist a loaf of bread and making it sound completely acceptable for him to take a big ole bite out of it.”
― Emma Chase, quote from Overruled
“Należymy do gatunku składającego słowa jak ryba ikrę, produkujemy więcej kultury, niż jesteśmy w stanie przetrawić. W ciągu ostatnich lat pedantycznie zwalczaliśmy graffiti na stacjach metra, a jednocześnie wydajemy miliony koron na budowę nowych bibliotek narodowych. Tymczasem zapis pamięci narodowej może przyjąć również formę graffiti. Nietzsche porównał człowieka przejedzonego kulturą do węża, który połknął zająca, a teraz drzemie w słońcu, nie będą w stanie się ruszyć. Czas epigramatów już minął. Na przystani w Bryggen w Bergen znaleziono niewielki kawałeczek drewna z takim oto napisem runicznym: Ingebjørg kochała mnie, kiedy byłem w Stavanger. Fakt ten musiał wywrzeć pewne wrażenie na autorze napisu, podobnie zresztą jak na czytelniku, żyjącym osiemset czy dziewięćset lat później. Dzisiaj oszczędny w słowach autor, chcąc uwiecznić jedną schadzkę z Ingebjørg, dorzuciłby do pamięci potomnych czerystustronicową powieść. Albo też zadręczyłby życie swoim współczesnym wpadającymi w ucho popularnymi piosenkami w stylu 'Nie ma jak z Ingebjørg, nie ma jak z Ingebjørg'. Paradoks polega na tym, że gdyby przez wszystkie osiemset lat napisano równie wiele powieści, jak w latach siedemdziesiątych, to nikt z nas nie byłby w stanie przebrnąć przez tak obfitą tradycję piśmiennictwa i nie dotarłby do prostej, lecz przyjemnej historii o Ingebjørg. (...) Namiętna historia miłośna została odarta ze wszystkiego aż do kości, lecz mimo to niesie za sobą mnóstwo konotacji. Ponadto pewnych rzeczy czytelnik może się domyślić. Dostał do ręki coś, nad czym dalej może pracować jego wyobraźnia. Po czterystustronicowej powieści trudno jest samemu coś wymyślić.”
― Jostein Gaarder, quote from The Ringmaster's Daughter
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