“As for himself, however hateful life was, it was hateful in a home and not in the gutter. Many Americans hated their homes. The number of homeless in America couldn't touch the number of Americans who had homes and families and hated the whole thing.”
― Philip Roth, quote from Sabbath's Theater
“Oh Mickey, it was wonderful, it was fun - the whole kitten and kaboozle. It was like living. And to be denied that whole part would be a great loss. You gave it to me. You gave me a double life. I couldn't have endured with just one."
I'm proud of you and your double life."
All I regret", she said, crying again, crying with him, the two of them in tears..."is that we couldn't sleep together too many nights. To commingle with you. Commingle?"
Why not."
I wish tonight you could spend the night."
I do, too. But I'll be here tomorrow night."
I meant it up at the Grotto. I didn't want to fuck any more men even without the cancer. I wouldn't do that even if I was alive."
You are alive. It is here and now. It's tonight. You're alive."
I wouldn't do it. You're the one I always loved fucking. But I don't regret that I have fucked many. It would have been a great loss to have had otherwise. Some of them, they were sort of wasted times. You must have that, too. Haven't you? With women you didn't enjoy?"
Yes."
Yes, I had experiences where the men would just want to fuck you whether they cared about you or not. That was always harder for me. I give my heart, I give my self, in my fucking."
You do indeed."
And then, after just a little drifting, she fell asleep and so he went home - "I'm leaving now" - and within two hours she threw a clot and was dead.
So those were her last words, in English anyway. I give my heart, I give my self, in my fucking. Hard to top that.
To commingle with you, Drenka, to commingle with you now.”
― Philip Roth, quote from Sabbath's Theater
“Either foreswear fucking others or the affair is over.”
― Philip Roth, quote from Sabbath's Theater
“Too late, but I understand. That we don't perish of understanding everything too late, that is a miracle. But we do perish of that -- of just that.”
― Philip Roth, quote from Sabbath's Theater
“I do not say correct or savory. I do not say seemly or even natural. I say serious. Sensationally serious. Unspeakably serious. Solemnly, recklessly, blissfully serious.”
― Philip Roth, quote from Sabbath's Theater
“Many farcical, illogical, incomprehensible transactions are subsumed by the mania of lust.”
― Philip Roth, quote from Sabbath's Theater
“But from within the carton, Morty's American flag - which I know is folded there, at the very bottom, in the official way - tells me, "It's against some Jewish law," and so, on into the car he went with the carton, and then he drove it down to the beach, to the boardwalk, which was no longer there. The boardwalk was gone. Good-bye, boardwalk. The ocean had finally carried it away. The Atlantic is a powerful ocean. Death is a terrible thing. That's a doctor I never heard of. Remarkable. Yes, that's the word for it. It was all remarkable. Good-bye, remarkable. Egypt and Greece good-bye, and good-bye, Rome!”
― Philip Roth, quote from Sabbath's Theater
“She had been stopped when Morty was killed, stopped from going forward, and all the logic went out of her life. She wanted life, as all people do, to be logical and linear, as orderly as she made the house and her kitchen and the boy's bureau drawers. She had worked so hard to be in control of a household's destiny. All her life she waited not only for Morty but for the explanation from Morty: Why? The question haunted Sabbath. Why? Why? If only someone will explain to us why, maybe we could accept it. Why did you die? Where did you go? However much you may have hated me, why don't you come back so we can continue with our linear, logical life like all the other couples who hate each other?”
― Philip Roth, quote from Sabbath's Theater
“You don't have to work in a mental hospital to know about husbands and wives.”
― Philip Roth, quote from Sabbath's Theater
“Under the sad end-of-days spell of the smoky dusk and the waning year, of the moon and its ostentatious superiority to the trashy, petty claptrap of his sublunar existence, why does he even hesitate? The Kamizakis are your enemies whether you do or not, so you might as well do it. Yes, yes, if you can still do something, you must do it - that is the golden rule of sublunar existence, whether you are a worm cut in two or a man with a prostate like a billiard ball. If you can still do something, then you must do it! Anything living can figure that out.”
― Philip Roth, quote from Sabbath's Theater
“You are America. Yes, you are, my wicked boy. When we flew to New York and drove in on the highway, whatever the highway is, and those graveyards that are surrounded by cars and the traffic, and that was very confusing and frightening to me. I said do Matija, 'I don't like this'. I was crying. Motorized America with all the endless cars that never stop, and then, suddenly, the place of rest is between that. And they are thrown a little here and a little there. It's so very scary to me, so extremely opposite and different that I couldn't understand it. Through you it is all different now. Do you know? Through you I can think of those stones with understading now. I only wish now I went places with you. I was wishing today, all day, thinking of the places."
"Which places?"
"To where you were born. I would have liked to go to the Jersey shore."
"We should have gone. I should have taken you."
Shoulda, Woulda, Coulda. The three blind mice.
"Even to New York City. To show it to me through your eyes. I would have liked that. Wherever we went, we always went to hide. I hate hiding. I wouldn't mind to go to New Mexico with you. To California with you. But mainly to New Jersey, to see the sea where you grew up."
"I understand." Too late, but I understand. That we don't perish of understanding everything too late, that is a miracle.”
― Philip Roth, quote from Sabbath's Theater
“I can’t really tell objectively how sorry I should feel for myself. I don’t give the same credibility to my being that other people give to theirs. Everything feels acted.”
“Everything is acted.”
“Whatever. With me there’s some glue missing, something fundamental to everyone else that I don’t have. My life never seems real to me.”
― Philip Roth, quote from Sabbath's Theater
“Madeline displayed the bright sadder-but-wiser outlook of an alert first grader who’d discovered the alphabet in a school where Ecclesiastes is the primer—life is futility, a deeply terrible experience, but the really serious thing is reading.”
― Philip Roth, quote from Sabbath's Theater
“You are America. Yes, you are, my wicked boy. When we flew to New York and drove in on the highway, whatever the highway is, and those graveyards that are surrounded by cars and the traffic, and that was very confusing and frightening to me. I said to Matija, 'I don't like this'. I was crying. Motorized America with all the endless cars that never stop, and then, suddenly, the place of rest is between that. And they are thrown a little here and a little there. It's so very scary to me, so extremely opposite and different that I couldn't understand it. Through you it is all different now. Do you know? Through you I can think of those stones with understading now. I only wish now I went places with you. I was wishing today, all day, thinking of the places."
"Which places?"
"To where you were born. I would have liked to go to the Jersey shore."
"We should have gone. I should have taken you."
Shoulda, Woulda, Coulda. The three blind mice.
"Even to New York City. To show it to me through your eyes. I would have liked that. Wherever we went, we always went to hide. I hate hiding. I wouldn't mind to go to New Mexico with you. To California with you. But mainly to New Jersey, to see the sea where you grew up."
"I understand." Too late, but I understand. That we don't perish of understanding everything too late, that is a miracle.”
― Philip Roth, quote from Sabbath's Theater
“For a pure sense of being tumultuously alive, you can't beat the nasty side of existence.”
― Philip Roth, quote from Sabbath's Theater
“Yes, yes, yes, he felt uncontrollable tenderness for his own shit-filled life. And a laughable hunger for more. More defeat! More disappointment! More deceit! More loneliness! More arthritis! More missionaries! God willing, more cunt! More disastrous entanglement in everything. For a pure sense of being tumultuously alive, you can't beat the nasty side of existence.”
― Philip Roth, quote from Sabbath's Theater
“40. The giantess old | in Ironwood sat, In the east, and bore | the brood of Fenrir; Among these one | in monster's guise Was soon to steal | the sun from the sky.”
― quote from The Poetic Edda
“The exclusive focus of the reform movement on Leopold’s Congo seems even more illogical if you reckon mass murder by the percentage of the population killed. By these standards, the toll was even worse among the Hereros in German South West Africa, today’s Namibia. The killing there was masked by no smokescreen of talk about philanthropy. It was genocide, pure and simple, starkly announced in advance.”
― Adam Hochschild, quote from King Leopold's Ghost
“Late in the afternoon, thunder growling, that same old green pickup rolled in and he saw Jack get out of the truck, beat up Resistol tilted back. A hot jolt scalded Ennis and he was out on the landing pulling the door closed behind him. Jack took the stairs two and two. They seized each other by the shoulders, hugged mightily, squeezing the breath out of each other, saying, son of a bitch, son of a bitch, then, and easily as the right key turns the lock tumblers, their mouths came together, and hard, Jack’s big teeth bringing blood, his hat falling to the floor, stubble rasping, wet saliva welling, and the door opening and Alma looking out for a few seconds at Ennis’s straining shoulders and shutting the door again and still they clinched, pressing chest and groin and thigh and leg together, treading on each other’s toes until they pulled apart to breathe and Ennis, not big on endearments, said what he said to his horses and his daughters, little darlin.”
― Annie Proulx, quote from Brokeback Mountain
“This is shaping up even worse than you anticipated. Still, you feel a measure of detachment, as if you had suffered everything already and this were just a flashback. You wish that you had paid more attention when a woman you met at Heartbreak told you about Zen meditation. Think of all of this as an illusion. She can't hurt you. Nothing can hurt the samurai wh enters combat fully resolved to die. You have already accepted the inevitability of termination, as they say. Still, you'd rather not have to sit through this.”
― Jay McInerney, quote from Bright Lights, Big City
“We are not as impervious as we think we are. - Dr Maura Isles”
― Tess Gerritsen, quote from Body Double
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