“As for himself, however hateful life was, it was hateful in a home and not in the gutter. Many Americans hated their homes. The number of homeless in America couldn't touch the number of Americans who had homes and families and hated the whole thing.”
― Philip Roth, quote from Sabbath's Theater
“Oh Mickey, it was wonderful, it was fun - the whole kitten and kaboozle. It was like living. And to be denied that whole part would be a great loss. You gave it to me. You gave me a double life. I couldn't have endured with just one."
I'm proud of you and your double life."
All I regret", she said, crying again, crying with him, the two of them in tears..."is that we couldn't sleep together too many nights. To commingle with you. Commingle?"
Why not."
I wish tonight you could spend the night."
I do, too. But I'll be here tomorrow night."
I meant it up at the Grotto. I didn't want to fuck any more men even without the cancer. I wouldn't do that even if I was alive."
You are alive. It is here and now. It's tonight. You're alive."
I wouldn't do it. You're the one I always loved fucking. But I don't regret that I have fucked many. It would have been a great loss to have had otherwise. Some of them, they were sort of wasted times. You must have that, too. Haven't you? With women you didn't enjoy?"
Yes."
Yes, I had experiences where the men would just want to fuck you whether they cared about you or not. That was always harder for me. I give my heart, I give my self, in my fucking."
You do indeed."
And then, after just a little drifting, she fell asleep and so he went home - "I'm leaving now" - and within two hours she threw a clot and was dead.
So those were her last words, in English anyway. I give my heart, I give my self, in my fucking. Hard to top that.
To commingle with you, Drenka, to commingle with you now.”
― Philip Roth, quote from Sabbath's Theater
“Either foreswear fucking others or the affair is over.”
― Philip Roth, quote from Sabbath's Theater
“Too late, but I understand. That we don't perish of understanding everything too late, that is a miracle. But we do perish of that -- of just that.”
― Philip Roth, quote from Sabbath's Theater
“I do not say correct or savory. I do not say seemly or even natural. I say serious. Sensationally serious. Unspeakably serious. Solemnly, recklessly, blissfully serious.”
― Philip Roth, quote from Sabbath's Theater
“Many farcical, illogical, incomprehensible transactions are subsumed by the mania of lust.”
― Philip Roth, quote from Sabbath's Theater
“But from within the carton, Morty's American flag - which I know is folded there, at the very bottom, in the official way - tells me, "It's against some Jewish law," and so, on into the car he went with the carton, and then he drove it down to the beach, to the boardwalk, which was no longer there. The boardwalk was gone. Good-bye, boardwalk. The ocean had finally carried it away. The Atlantic is a powerful ocean. Death is a terrible thing. That's a doctor I never heard of. Remarkable. Yes, that's the word for it. It was all remarkable. Good-bye, remarkable. Egypt and Greece good-bye, and good-bye, Rome!”
― Philip Roth, quote from Sabbath's Theater
“She had been stopped when Morty was killed, stopped from going forward, and all the logic went out of her life. She wanted life, as all people do, to be logical and linear, as orderly as she made the house and her kitchen and the boy's bureau drawers. She had worked so hard to be in control of a household's destiny. All her life she waited not only for Morty but for the explanation from Morty: Why? The question haunted Sabbath. Why? Why? If only someone will explain to us why, maybe we could accept it. Why did you die? Where did you go? However much you may have hated me, why don't you come back so we can continue with our linear, logical life like all the other couples who hate each other?”
― Philip Roth, quote from Sabbath's Theater
“You don't have to work in a mental hospital to know about husbands and wives.”
― Philip Roth, quote from Sabbath's Theater
“Under the sad end-of-days spell of the smoky dusk and the waning year, of the moon and its ostentatious superiority to the trashy, petty claptrap of his sublunar existence, why does he even hesitate? The Kamizakis are your enemies whether you do or not, so you might as well do it. Yes, yes, if you can still do something, you must do it - that is the golden rule of sublunar existence, whether you are a worm cut in two or a man with a prostate like a billiard ball. If you can still do something, then you must do it! Anything living can figure that out.”
― Philip Roth, quote from Sabbath's Theater
“You are America. Yes, you are, my wicked boy. When we flew to New York and drove in on the highway, whatever the highway is, and those graveyards that are surrounded by cars and the traffic, and that was very confusing and frightening to me. I said do Matija, 'I don't like this'. I was crying. Motorized America with all the endless cars that never stop, and then, suddenly, the place of rest is between that. And they are thrown a little here and a little there. It's so very scary to me, so extremely opposite and different that I couldn't understand it. Through you it is all different now. Do you know? Through you I can think of those stones with understading now. I only wish now I went places with you. I was wishing today, all day, thinking of the places."
"Which places?"
"To where you were born. I would have liked to go to the Jersey shore."
"We should have gone. I should have taken you."
Shoulda, Woulda, Coulda. The three blind mice.
"Even to New York City. To show it to me through your eyes. I would have liked that. Wherever we went, we always went to hide. I hate hiding. I wouldn't mind to go to New Mexico with you. To California with you. But mainly to New Jersey, to see the sea where you grew up."
"I understand." Too late, but I understand. That we don't perish of understanding everything too late, that is a miracle.”
― Philip Roth, quote from Sabbath's Theater
“I can’t really tell objectively how sorry I should feel for myself. I don’t give the same credibility to my being that other people give to theirs. Everything feels acted.”
“Everything is acted.”
“Whatever. With me there’s some glue missing, something fundamental to everyone else that I don’t have. My life never seems real to me.”
― Philip Roth, quote from Sabbath's Theater
“Madeline displayed the bright sadder-but-wiser outlook of an alert first grader who’d discovered the alphabet in a school where Ecclesiastes is the primer—life is futility, a deeply terrible experience, but the really serious thing is reading.”
― Philip Roth, quote from Sabbath's Theater
“You are America. Yes, you are, my wicked boy. When we flew to New York and drove in on the highway, whatever the highway is, and those graveyards that are surrounded by cars and the traffic, and that was very confusing and frightening to me. I said to Matija, 'I don't like this'. I was crying. Motorized America with all the endless cars that never stop, and then, suddenly, the place of rest is between that. And they are thrown a little here and a little there. It's so very scary to me, so extremely opposite and different that I couldn't understand it. Through you it is all different now. Do you know? Through you I can think of those stones with understading now. I only wish now I went places with you. I was wishing today, all day, thinking of the places."
"Which places?"
"To where you were born. I would have liked to go to the Jersey shore."
"We should have gone. I should have taken you."
Shoulda, Woulda, Coulda. The three blind mice.
"Even to New York City. To show it to me through your eyes. I would have liked that. Wherever we went, we always went to hide. I hate hiding. I wouldn't mind to go to New Mexico with you. To California with you. But mainly to New Jersey, to see the sea where you grew up."
"I understand." Too late, but I understand. That we don't perish of understanding everything too late, that is a miracle.”
― Philip Roth, quote from Sabbath's Theater
“For a pure sense of being tumultuously alive, you can't beat the nasty side of existence.”
― Philip Roth, quote from Sabbath's Theater
“Yes, yes, yes, he felt uncontrollable tenderness for his own shit-filled life. And a laughable hunger for more. More defeat! More disappointment! More deceit! More loneliness! More arthritis! More missionaries! God willing, more cunt! More disastrous entanglement in everything. For a pure sense of being tumultuously alive, you can't beat the nasty side of existence.”
― Philip Roth, quote from Sabbath's Theater
Philip Roth
Born place: in Newark, New Jersey, The United States
Born date March 19, 1933
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“You can't numb those hard feelings without numbing the other affects, our emotions. You cannot selectively numb. So when we numb those, we numb joy, we numb gratitude, we numb happiness. And then we are miserable, and we are looking for purpose and meaning, and then we feel vulnerable, so then we have a couple of beers and a banana nut muffin. And it becomes this dangerous cycle.”
― Brené Brown, quote from The Power of Vulnerability: Teachings of Authenticity, Connections and Courage
“Looks like you suck at volleyball just as much as you do at making late night phone calls.”
― E.J. Squires, quote from Wraithsong
“Have nothing to do with foolish, ignorant q controversies; you know that they breed quarrels.”
― quote from Study Bible-ESV
“Ask Americans “How similar are you to others?” and on average they will answer “Not very.” Ask the same question in reverse—“How similar are others to you?”—and their judgment of similarity increases noticeably.
The two answers should be exactly the same because the questions are, in essence, identical, but we manage to delude ourselves, just as we all claim to be above average or wholly unsusceptible to social influence. Time and time again, each one of us assumes that he or she stands out. What is it that makes us believe we’re more unique than everyone else?”
― Sheena Iyengar, quote from The Art of Choosing
“The summer my cousins return from Nairobi, we sit in a circle by the oak tree in my aunt’s garden. They look older. Amel’s hardened nipples push through the paisley of her blouse, minarets calling men to worship.”
― Warsan Shire, quote from Teaching My Mother How to Give Birth
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