“Il n'y a pas de hors-texte.”
― Jacques Derrida, quote from Of Grammatology
“Let us narrow the arguments down further. In certain respects, the theme of supplementarity is certainly no more than one theme among others. It is in a chain, carried by it. Perhaps one could substitute something else for it. But it happens that this theme describes the chain itself, the being-chain of a textual chain, the structure of substitution, the articulation of desire and of language, the logic of all conceptual oppositions taken over by Rousseau…It tells us in a text what a text is, it tells us in writing what writing it, in Rousseau’s writing it tells us Jean-Jacque’s desire etc…the concept of the supplement and the theory of writing designate textuality itself in Rousseau’s text in an indefinitely multiplied structure—en abyme.”
― Jacques Derrida, quote from Of Grammatology
“There are things like reflecting pools, and images, an infinite reference from one to the other, but no longer a source, a spring. There is no longer any simple origin. For what is reflected it split in itself and not only as an addition to itself of its image. The reflection, the image, the double, splits what it doubles. The origin of the speculation becomes a difference. What can look at itself is not one; and the law of the addition of the origin to its representation, or the thing to its image, is that one plus one makes at least three.”
― Jacques Derrida, quote from Of Grammatology
“Er is niets buiten de tekst.”
― Jacques Derrida, quote from Of Grammatology
“For the concept of the supplement - which here determines that of the representative image - harbors within itself two significations whose cohabitation is as strange as it is necessary. The supplement adds itself, it is a surplus, a plenitude enriching another plenitude, the fullest measure of presence. But the supplement supplements. It adds only to replace. It intervenes or insinuates itself in-the-place-of; if it fills, it is as one fills a void. If it represents and makes an image, it is by the anterior default of a presence. The sign is always the supplement of the thing itself. The supplement will always be the moving of the tongue or acting through the hands of others. In it everything is brought together: Progress as the possibility of perversion, regression toward an evil that is not natural and that adheres to the power of substitution, that permits us to absent ourselves and act by proxy, through the hands of others. Through the written. This substitution always has the form of the sign. The scandal is that the sign, the image, or the representer, become forces and make "the world move". Blindness to the supplement is the law. We must begin wherever we are and the thought of the trace, which cannot take the scent into account, has already taught of the trace, which cannot not take the scent into account, has already taught us that it was impossible to justify a point of departure absolutely, Wherever we are: in a text where we already believe ourselves to be.”
― Jacques Derrida, quote from Of Grammatology
Jacques Derrida
Born place: in El Biar, Algeria
Born date July 15, 1930
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“as I began to write this book, I realized that without the whole truth my life would have no power, no real meaning.”
― Yeonmi Park, quote from In Order to Live: A North Korean Girl's Journey to Freedom
“It's hard to believe that this is how it's done. That this is how we get here into the world, by accident or design, the microscopic pieces of ourselves borne by fluids and blood and growing into a tiny kingdom of cells inside someone else's body. It seems so difficult to become alive. So improbable. . .
How can it be possible? she wonders. How can you come to understand your life when even the beginning is so complicated: a single cell imprinted with the color of your eyes and the shape of your face, the pattern on your palm and the moods that will shadow you through your life. How can you be alive when every choice you make breaks the world into a thousand filaments, each careless step branching into long tributaries of alternate lives, shuddering outward and outward like sheet lightning.”
― Dan Chaon, quote from You Remind Me of Me
“What was your secret?"
That brought another smile. "Learn to laugh, otherwise, you'll beat them to death with a hammer first chance”
― Nora Roberts, quote from Blood Brothers
“My boyfriend and I are badasses. ”
― Nora Roberts, quote from The Pagan Stone
“The unpainted walls of the long rectangular room were soaked with the smell of greasy chicken and warm, headless beer. The brown and pink faces floated above the trails of used cigarette smoke like bodiless carnival balloons.”
― Gloria Naylor, quote from The Women of Brewster Place
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