“Il n'y a pas de hors-texte.”
― Jacques Derrida, quote from Of Grammatology
“Let us narrow the arguments down further. In certain respects, the theme of supplementarity is certainly no more than one theme among others. It is in a chain, carried by it. Perhaps one could substitute something else for it. But it happens that this theme describes the chain itself, the being-chain of a textual chain, the structure of substitution, the articulation of desire and of language, the logic of all conceptual oppositions taken over by Rousseau…It tells us in a text what a text is, it tells us in writing what writing it, in Rousseau’s writing it tells us Jean-Jacque’s desire etc…the concept of the supplement and the theory of writing designate textuality itself in Rousseau’s text in an indefinitely multiplied structure—en abyme.”
― Jacques Derrida, quote from Of Grammatology
“There are things like reflecting pools, and images, an infinite reference from one to the other, but no longer a source, a spring. There is no longer any simple origin. For what is reflected it split in itself and not only as an addition to itself of its image. The reflection, the image, the double, splits what it doubles. The origin of the speculation becomes a difference. What can look at itself is not one; and the law of the addition of the origin to its representation, or the thing to its image, is that one plus one makes at least three.”
― Jacques Derrida, quote from Of Grammatology
“Er is niets buiten de tekst.”
― Jacques Derrida, quote from Of Grammatology
“For the concept of the supplement - which here determines that of the representative image - harbors within itself two significations whose cohabitation is as strange as it is necessary. The supplement adds itself, it is a surplus, a plenitude enriching another plenitude, the fullest measure of presence. But the supplement supplements. It adds only to replace. It intervenes or insinuates itself in-the-place-of; if it fills, it is as one fills a void. If it represents and makes an image, it is by the anterior default of a presence. The sign is always the supplement of the thing itself. The supplement will always be the moving of the tongue or acting through the hands of others. In it everything is brought together: Progress as the possibility of perversion, regression toward an evil that is not natural and that adheres to the power of substitution, that permits us to absent ourselves and act by proxy, through the hands of others. Through the written. This substitution always has the form of the sign. The scandal is that the sign, the image, or the representer, become forces and make "the world move". Blindness to the supplement is the law. We must begin wherever we are and the thought of the trace, which cannot take the scent into account, has already taught of the trace, which cannot not take the scent into account, has already taught us that it was impossible to justify a point of departure absolutely, Wherever we are: in a text where we already believe ourselves to be.”
― Jacques Derrida, quote from Of Grammatology
Jacques Derrida
Born place: in El Biar, Algeria
Born date July 15, 1930
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“Don’t be afraid of your dark places,” Mom told her. “If you can shine a light on them, you’ll find treasure there.”
― Jeannette Walls, quote from The Silver Star
“She wants me for sex but not for a relationship, okay?”
Aidan’s mouth gaped open. “You mean, she’s acting like…a dude?”
“If you mean that she has pretty much refused to go to dinner with me or any other honourable event that a man and woman can partake in on a date and instead she would rather pursue a strictly physical relationship, then the answer is yes.”
“My God, it’s like she’s turned into the old me,” Aidan muttered.”
― Katie Ashley, quote from The Pairing
“Women are like handfuls of sand. They all rub up under your scales now and then, but the finest ones do put a polish on a man.”
― R. Lee Smith, quote from The Last Hour of Gann
“Perhaps the easiest people to fall in love with are those about whom
we know nothing. Romances are never as pure as those we imagine during
long train journeys, as we secretly contemplate a beautiful person who is
gazing out of the window – a perfect love story interrupted only when the
beloved looks back into the carriage and starts up a dull conversation
about the excessive price of the on-board sandwiches with a neighbour or
blows her nose aggressively into a handkerchief.”
― Alain de Botton, quote from Essays in Love
“Nothing relieves stress like setting things on fire.”
― Chris Cannon, quote from Going Down in Flames
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