“Il n'y a pas de hors-texte.”
― Jacques Derrida, quote from Of Grammatology
“Let us narrow the arguments down further. In certain respects, the theme of supplementarity is certainly no more than one theme among others. It is in a chain, carried by it. Perhaps one could substitute something else for it. But it happens that this theme describes the chain itself, the being-chain of a textual chain, the structure of substitution, the articulation of desire and of language, the logic of all conceptual oppositions taken over by Rousseau…It tells us in a text what a text is, it tells us in writing what writing it, in Rousseau’s writing it tells us Jean-Jacque’s desire etc…the concept of the supplement and the theory of writing designate textuality itself in Rousseau’s text in an indefinitely multiplied structure—en abyme.”
― Jacques Derrida, quote from Of Grammatology
“There are things like reflecting pools, and images, an infinite reference from one to the other, but no longer a source, a spring. There is no longer any simple origin. For what is reflected it split in itself and not only as an addition to itself of its image. The reflection, the image, the double, splits what it doubles. The origin of the speculation becomes a difference. What can look at itself is not one; and the law of the addition of the origin to its representation, or the thing to its image, is that one plus one makes at least three.”
― Jacques Derrida, quote from Of Grammatology
“Er is niets buiten de tekst.”
― Jacques Derrida, quote from Of Grammatology
“For the concept of the supplement - which here determines that of the representative image - harbors within itself two significations whose cohabitation is as strange as it is necessary. The supplement adds itself, it is a surplus, a plenitude enriching another plenitude, the fullest measure of presence. But the supplement supplements. It adds only to replace. It intervenes or insinuates itself in-the-place-of; if it fills, it is as one fills a void. If it represents and makes an image, it is by the anterior default of a presence. The sign is always the supplement of the thing itself. The supplement will always be the moving of the tongue or acting through the hands of others. In it everything is brought together: Progress as the possibility of perversion, regression toward an evil that is not natural and that adheres to the power of substitution, that permits us to absent ourselves and act by proxy, through the hands of others. Through the written. This substitution always has the form of the sign. The scandal is that the sign, the image, or the representer, become forces and make "the world move". Blindness to the supplement is the law. We must begin wherever we are and the thought of the trace, which cannot take the scent into account, has already taught of the trace, which cannot not take the scent into account, has already taught us that it was impossible to justify a point of departure absolutely, Wherever we are: in a text where we already believe ourselves to be.”
― Jacques Derrida, quote from Of Grammatology
Jacques Derrida
Born place: in El Biar, Algeria
Born date July 15, 1930
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“It’s a fine murdering day, (sang Bunch) And as balmy as May And the sleuths from the village are gone.” A rattle of crockery being dumped in the sink drowned the next lines, but as the Rev. Julian Harmon left the house, he heard the final triumphant assertion: “And we’ll all go a’murdering today!”
― Agatha Christie, quote from A Murder Is Announced
“16By this we know love, that d he laid down his life for us, and e we ought to lay down our lives for the brothers.”
― quote from The Holy Bible: English Standard Version
“No" she jerked back, stared up at him.
Her eyes were like thunderclouds. He'd never seen them like that. Shock and fear filled them. Her face was paper white. Her body shuddering.
"Don't you leave me!" She gripped his shirt and tried to shake him, tears falling from her eyes. "Don't you leave Noah."
His head lowered. He touched her lips with his and knew this woman held the best part of him. The memories of the husband he had been, the man he had been. He couldn't destroy that. He refuse to.
He pushed her to Jordan slowly, loath to let her go. To release her. Knowing that releasing her was the only way to save the memories she held.
"Don't you leave me!" She screamed the order, eyes blazing, her lips trembling as tears fell and hysteria threatened to overwhelm her. "If you leave me, Noah Blake, if you don't come back when this is over, don't bother coming back at all.
He touched her cheek. Ran his thumb over her lips. "You are the best part of me," he whispered. "Always remember that, Sabella. The very best part of me."
Before she could grab him, hold him to her, he pulled away, grabbed one of the rifles Mike had set on the table across the room. And left.”
― Lora Leigh, Wild Card”
― Lora Leigh, quote from Wild Card
“She tried to act as though it were nothing to go to the library alone. But her happiness betrayed her. Her smile could not be restrained, and it spread from her tightly pressed mouth, to her round cheeks, almost to the hair ribbons tied in perky bows over her ears.”
― Maud Hart Lovelace, quote from Betsy and Tacy Go Downtown
“We can always hate that which we loved, and with a fire as great as our love once was.”
― Claudia Gray, quote from Afterlife
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