“Il n'y a pas de hors-texte.”
― Jacques Derrida, quote from Of Grammatology
“Let us narrow the arguments down further. In certain respects, the theme of supplementarity is certainly no more than one theme among others. It is in a chain, carried by it. Perhaps one could substitute something else for it. But it happens that this theme describes the chain itself, the being-chain of a textual chain, the structure of substitution, the articulation of desire and of language, the logic of all conceptual oppositions taken over by Rousseau…It tells us in a text what a text is, it tells us in writing what writing it, in Rousseau’s writing it tells us Jean-Jacque’s desire etc…the concept of the supplement and the theory of writing designate textuality itself in Rousseau’s text in an indefinitely multiplied structure—en abyme.”
― Jacques Derrida, quote from Of Grammatology
“There are things like reflecting pools, and images, an infinite reference from one to the other, but no longer a source, a spring. There is no longer any simple origin. For what is reflected it split in itself and not only as an addition to itself of its image. The reflection, the image, the double, splits what it doubles. The origin of the speculation becomes a difference. What can look at itself is not one; and the law of the addition of the origin to its representation, or the thing to its image, is that one plus one makes at least three.”
― Jacques Derrida, quote from Of Grammatology
“Er is niets buiten de tekst.”
― Jacques Derrida, quote from Of Grammatology
“For the concept of the supplement - which here determines that of the representative image - harbors within itself two significations whose cohabitation is as strange as it is necessary. The supplement adds itself, it is a surplus, a plenitude enriching another plenitude, the fullest measure of presence. But the supplement supplements. It adds only to replace. It intervenes or insinuates itself in-the-place-of; if it fills, it is as one fills a void. If it represents and makes an image, it is by the anterior default of a presence. The sign is always the supplement of the thing itself. The supplement will always be the moving of the tongue or acting through the hands of others. In it everything is brought together: Progress as the possibility of perversion, regression toward an evil that is not natural and that adheres to the power of substitution, that permits us to absent ourselves and act by proxy, through the hands of others. Through the written. This substitution always has the form of the sign. The scandal is that the sign, the image, or the representer, become forces and make "the world move". Blindness to the supplement is the law. We must begin wherever we are and the thought of the trace, which cannot take the scent into account, has already taught of the trace, which cannot not take the scent into account, has already taught us that it was impossible to justify a point of departure absolutely, Wherever we are: in a text where we already believe ourselves to be.”
― Jacques Derrida, quote from Of Grammatology
Jacques Derrida
Born place: in El Biar, Algeria
Born date July 15, 1930
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“So I suggest you cut the cackle and come to the horses.”
― Agatha Christie, quote from The Body in the Library
“How could he ever sleep, in such a roar of silence, how could he forgo a conscious moment of the bliss of solitude? He stretched arms and legs to all points of the compass and fell asleep almost immediately. He woke and slept, woke and slept, time after time before dawn, each time taking possession again of the dark and the silence.”
― A.S. Byatt, quote from The Children's Book
“I return to problems i can't solve, not because i am an idiot, but because the real problems can't be solved. The universe is expanding. The more we see, the more we discover there is to see. Always a new beginning, a different end.”
― Jeanette Winterson, quote from Weight: The Myth of Atlas and Heracles
“The sand looked so beautiful then, so many little individual grains in the light of the night, giving the watcher the childhood feeling of infinite things finally understood, the humiliating feeling of the watcher's nothingness.”
― Ayi Kwei Armah, quote from The Beautyful Ones Are Not Yet Born
“Bazen Polonya'daki nefret miktarını düşündüğümde çimenlerin hala yeşil kalabilmelerine, ağaçların hala dallarını gökyüzüne uzatabilmelerine şaşırıyordum.
Ama uzatıyorlardı. Savaşla ilgili en büyük ironilerden biri de bu, insanın inana sırt çevirdiği yerde bile doğa başkaldırmıyordu. Çok güzel bahar günlerinde geçen kabuslar yaşıyordum: Kuşlar daldan dala atlayıp böcekleri avlarken, diğer kuşlarla cilveleşirken diğer tarafta yerde, çamur içinde küçük çocuklar ölü yatıyorlardı.”
― Irene Gut Opdyke, quote from In My Hands: Memories of a Holocaust Rescuer
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