“Il n'y a pas de hors-texte.”
― Jacques Derrida, quote from Of Grammatology
“Let us narrow the arguments down further. In certain respects, the theme of supplementarity is certainly no more than one theme among others. It is in a chain, carried by it. Perhaps one could substitute something else for it. But it happens that this theme describes the chain itself, the being-chain of a textual chain, the structure of substitution, the articulation of desire and of language, the logic of all conceptual oppositions taken over by Rousseau…It tells us in a text what a text is, it tells us in writing what writing it, in Rousseau’s writing it tells us Jean-Jacque’s desire etc…the concept of the supplement and the theory of writing designate textuality itself in Rousseau’s text in an indefinitely multiplied structure—en abyme.”
― Jacques Derrida, quote from Of Grammatology
“There are things like reflecting pools, and images, an infinite reference from one to the other, but no longer a source, a spring. There is no longer any simple origin. For what is reflected it split in itself and not only as an addition to itself of its image. The reflection, the image, the double, splits what it doubles. The origin of the speculation becomes a difference. What can look at itself is not one; and the law of the addition of the origin to its representation, or the thing to its image, is that one plus one makes at least three.”
― Jacques Derrida, quote from Of Grammatology
“Er is niets buiten de tekst.”
― Jacques Derrida, quote from Of Grammatology
“For the concept of the supplement - which here determines that of the representative image - harbors within itself two significations whose cohabitation is as strange as it is necessary. The supplement adds itself, it is a surplus, a plenitude enriching another plenitude, the fullest measure of presence. But the supplement supplements. It adds only to replace. It intervenes or insinuates itself in-the-place-of; if it fills, it is as one fills a void. If it represents and makes an image, it is by the anterior default of a presence. The sign is always the supplement of the thing itself. The supplement will always be the moving of the tongue or acting through the hands of others. In it everything is brought together: Progress as the possibility of perversion, regression toward an evil that is not natural and that adheres to the power of substitution, that permits us to absent ourselves and act by proxy, through the hands of others. Through the written. This substitution always has the form of the sign. The scandal is that the sign, the image, or the representer, become forces and make "the world move". Blindness to the supplement is the law. We must begin wherever we are and the thought of the trace, which cannot take the scent into account, has already taught of the trace, which cannot not take the scent into account, has already taught us that it was impossible to justify a point of departure absolutely, Wherever we are: in a text where we already believe ourselves to be.”
― Jacques Derrida, quote from Of Grammatology
Jacques Derrida
Born place: in El Biar, Algeria
Born date July 15, 1930
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“what if the person you're meant to be with lives in another time?”
― Alexandra Monir, quote from Timeless
“Do you know what courage is? It's being afraid and doing it anyway.”
― Lynda Mullaly Hunt, quote from One for the Murphys
“Tako obično biva. Oni koje želimo da vidimo ne dolaze u časovima kad na njih mislimo i kad ih najviše očekujemo, a pojavljuju se u nekom trenutku kad smo mislima najdalje od njih. I našoj radosti zbog ponovnog viđenja tada treba malo vremena da se digne s dna, gde je potisnuta, i pojavi na površini.”
― Ivo Andrić, quote from Prokleta avlija
“Logan points to each of his brothers in turn e smiles. stumble a little as he sets me upright, when all the blood rushes back to and motions for them to talk. “Paul,” the biggest one says as he extends his hand. “I remember you,” I say. “I’ll never forget you,” he says, with a laugh as he smacks Logan on the shoulder. “And neither will his nose.” He feints as Logan makes like he’s going to punch him. But he doesn’t. He stops right before he gets to his face. The second to largest guy—and they’re all big boys—sticks out his hand and says, “Matthew.” Matthew looks tired and a little green. I look at Logan, and he nods subtly. This is the one who has cancer and is going through chemo. Paul slaps Matthew’s hand away and says, “You’re not supposed to be sharing any germs right now.” “Fuck you,” Matthew says, and then he walks toward the hallway and goes into what I guess is his bedroom and closes the door. He doesn’t look back at me, but I don’t mind. The last two brothers have to be twins. They’re younger than Logan, but not by much, and they look identical. “Sam and Pete,” Paul says. They huddle around me, and I end up sandwiched between them, which they think is hilarious. They jiggle me around for a minute until Paul barks at them. “Let her go,” he says. He pops them both on the backs of their heads and says, “They don’t know how to act when company comes over.” Company? That’s what I am? “Nice to meet you,” I say. I’m a bit overwhelmed. This is a lot of testosterone in one room.”
― quote from Tall, Tatted and Tempting
“Jack wrapped his arms around her, pulling her close. He whispered in her ear. “He’s not getting near you again, baby, I promise. No one’s laying a finger on you ever again.”
― Julie James, quote from Something About You
The Witch Hunter
Play It Safe
The Bar Code Tattoo
Fear of Falling
Provinces of Night
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