“Il n'y a pas de hors-texte.”
― Jacques Derrida, quote from Of Grammatology
“Let us narrow the arguments down further. In certain respects, the theme of supplementarity is certainly no more than one theme among others. It is in a chain, carried by it. Perhaps one could substitute something else for it. But it happens that this theme describes the chain itself, the being-chain of a textual chain, the structure of substitution, the articulation of desire and of language, the logic of all conceptual oppositions taken over by Rousseau…It tells us in a text what a text is, it tells us in writing what writing it, in Rousseau’s writing it tells us Jean-Jacque’s desire etc…the concept of the supplement and the theory of writing designate textuality itself in Rousseau’s text in an indefinitely multiplied structure—en abyme.”
― Jacques Derrida, quote from Of Grammatology
“There are things like reflecting pools, and images, an infinite reference from one to the other, but no longer a source, a spring. There is no longer any simple origin. For what is reflected it split in itself and not only as an addition to itself of its image. The reflection, the image, the double, splits what it doubles. The origin of the speculation becomes a difference. What can look at itself is not one; and the law of the addition of the origin to its representation, or the thing to its image, is that one plus one makes at least three.”
― Jacques Derrida, quote from Of Grammatology
“Er is niets buiten de tekst.”
― Jacques Derrida, quote from Of Grammatology
“For the concept of the supplement - which here determines that of the representative image - harbors within itself two significations whose cohabitation is as strange as it is necessary. The supplement adds itself, it is a surplus, a plenitude enriching another plenitude, the fullest measure of presence. But the supplement supplements. It adds only to replace. It intervenes or insinuates itself in-the-place-of; if it fills, it is as one fills a void. If it represents and makes an image, it is by the anterior default of a presence. The sign is always the supplement of the thing itself. The supplement will always be the moving of the tongue or acting through the hands of others. In it everything is brought together: Progress as the possibility of perversion, regression toward an evil that is not natural and that adheres to the power of substitution, that permits us to absent ourselves and act by proxy, through the hands of others. Through the written. This substitution always has the form of the sign. The scandal is that the sign, the image, or the representer, become forces and make "the world move". Blindness to the supplement is the law. We must begin wherever we are and the thought of the trace, which cannot take the scent into account, has already taught of the trace, which cannot not take the scent into account, has already taught us that it was impossible to justify a point of departure absolutely, Wherever we are: in a text where we already believe ourselves to be.”
― Jacques Derrida, quote from Of Grammatology
Jacques Derrida
Born place: in El Biar, Algeria
Born date July 15, 1930
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“Joshua looked through the screen and it was as if he saw me clearly with my soapy hands, my wrinkled fingers, my jaw grinding with frustration and self-abasement, and he hated me. Both of us on the cusp of adulthood, and this is how my brother and I understood what it meant to be a woman: working, dour, full of worry. What it meant to be a man: resentful, angry, wanting life to be everything but what it was.”
― Jesmyn Ward, quote from Men We Reaped
“Please follow these instructions:
1. Stack the pages of this letter neatly.
2. Roll the pages up into a cylinder.
3. Smack yourself over the head with it.
4. Repeat. You complete ass.”
― Leah Thomas, quote from Because You'll Never Meet Me
“The farmers, who rent out their house so they can stay afloat, and sleep all together in a studio, but spend their days off outside on a picnic blanket, living the lives they want to live. Drew and Melanie, with their two homes and their horses and their love story. And Rene, traveling across the world, painting temporary masterpieces. Even my uncle Pete has something good worked out with Melinda and his day trips and his best friend, my dad, who has a small nice house in San Francisco and a dozen neighborhood vendors who know him by name.
All of these different ways of living. Even Sophie, with her baby in that apartment, with her record store job and her record collection. I imagine her twirling with her baby across her red carpet with Diana Ross crooning, the baby laughing, the two of them getting older in that apartment, eating meals on red vinyl chairs. Walt, too, as pathetic as his situation is, seems happy in his basement, providing entertainment to Fort Bragg's inner circle. All of them, in their own ways, manage to make their lives work.”
― Nina LaCour, quote from The Disenchantments
“You don't mind giving up your freedom?"
Vivian tilted her head. "You always have to give up some freedom to live in any society.”
― Demitria Lunetta, quote from In the After
“Approaching the forest from the west was no army, but a delegation of Grailsundanian master surgeons on their way to an appendix conference . . . But that isn't the craziest part of the story - oh, no, my boy, for approaching from the east was a party of itinerant watchmakers bound for the pocket-watch fair at Wimbleton . . . But not even that is the craziest part of the story! For apporaching from the south were over a hundred armourers and locksmiths on their way to Florinth, where some power-hungry prince had commissioned them to build a monstrous war machine . . . Well, that would be enough crazy coincedences for an averagely crazy story but the battle of Nurn Forest involved the most improbable coincedences in the history of Zamonia. For entering the forest, this time from the north came a delegation of alchemists.”
― Walter Moers, quote from Rumo: And His Miraculous Adventures
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