“Nobody's happy. What's happy? Happiness is over when the lights come on."
The older woman poured herself a glass of sangria. "Screw that," she said quietly.
"What?"
"Screw that. Wash your mouth out. Who taught you that half-assed existential drivel?”
― Armistead Maupin, quote from Tales of the City
“Mona knocked at the wrong time.
“Uh…yeah…wait a minute, Mona -- ”
Mona shouted through the door. “Room service, gentlemen. Just pull the covers up.”
Michael grinned at Jon. “My roommate. Brace yourself.”
Seconds later, Mona burst through the doorway with a tray of coffee and croissants.
“Hi! I’m Nancy Drew! You must be the Hardy Boys!”
― Armistead Maupin, quote from Tales of the City
“Garbage, you know, is very revealing.It beats the shit out of tarot cards.”
― Armistead Maupin, quote from Tales of the City
“Somepeople drink to foregt, I smoke to remember" Anna Madrigal in Tales of the City...”
― Armistead Maupin, quote from Tales of the City
“Down the Peninsula at Cypress Lawn Cemetery, a woman in a paisley turban climbed out of a battered automobile and trudged up the hillside to a new grave.
She stood there for a moment, humming to herself, then removed a joint from a tortoise-shell cigarette case and laid it gently on the grave.
"Have fun," she smiled. "It's Colombian.”
― Armistead Maupin, quote from Tales of the City
“Hey, you look at your tits; I'll look at mine! (Michael Tolliver, Tales of the City)”
― Armistead Maupin, quote from Tales of the City
“Mona … lots of things are more binding than sex. They last longer too.”
― Armistead Maupin, quote from Tales of the City
“We’re gonna be … I mean people like you and me … we’re gonna be fifty-year-old libertines in a world full of twenty-year-old Calvinists.”
― Armistead Maupin, quote from Tales of the City
“if you’re going to be degenerate, you might as well be a lady about it, don’t you think?”
― Armistead Maupin, quote from Tales of the City
“we’re gonna be fifty-year-old libertines in a world full of twenty-year-old Calvinists.”
― Armistead Maupin, quote from Tales of the City
“Could you conjugate that? To sleaze. I sleaze. You sleaze. We all have sleazen.”
― Armistead Maupin, quote from Tales of the City
“Well … everything gets old after a while. I personally get a little sick of wrecking my liver at The Lion for the privilege of tricking with some guy whose lover is in L.A. for the weekend.”
― Armistead Maupin, quote from Tales of the City
“Well … not exactly together. He’d buy a sofa and I’d buy a couple of matching chairs. One has to plan on divorce at all times … still, it was a landmark of sorts. I’d never gotten to the furniture-buying stage before.”
― Armistead Maupin, quote from Tales of the City
“Small world, huh?”
She grinned lewdly. “Not particularly. I’d say you’ve just run out of material.”
― Armistead Maupin, quote from Tales of the City
“There’s a theory,” said Anna, handing him a cup of tea as she climbed back into bed, “that we are all Atlanteans.” “Who?” “Us. San Franciscans.” Edgar grinned indulgently, bracing himself for another yarn. Anna caught it. “Do you want to hear it … or are you getting stuffy on me?” “Go ahead. Tell me a story.” “Well … in one of our last incarnations, we were all citizens of Atlantis. All of us. You, me, Frannie, DeDe, Mary Ann…” “Are you sure she’s out of the building?” “She’s gone to her switchboard. Will you relax?” “O.K. I’m relaxed.” “All right, then. We all lived in this lovely, enlightened kingdom that sank beneath the sea a long time ago. Now we’ve come back to this special peninsula on the edge of the continent … because we know, in a secret corner of our minds, that we must return together to the sea.” “The earthquake.” Anna nodded. “Don’t you see? You said the earthquake, not an earthquake. You’re expecting it. We’re all expecting it.” “So what does that have to do with Atlantis?” “The Transamerica Pyramid, for one thing.” “Huh?” “Don’t you know what dominated the skyline of Atlantis, Edgar … the thing that loomed over everything?” He shook his head. “A pyramid! An enormous pyramid with a beacon burning at the top!”
― Armistead Maupin, quote from Tales of the City
“The rules of a well-ordered life were never enough when other people refused to obey them.”
― Armistead Maupin, quote from Tales of the City
“Uh … you know, strict.” “With occasional lapses into lacto and ovo, huh?” “Yes. Except on weekends and nights when I’m stoned. Then I’m a steako-lacto-ovo … or maybe a porkchopo-lacto-ovo…”
― Armistead Maupin, quote from Tales of the City
“A half-hour conversation with Binky was like eating a Whitman Sampler in one sitting.”
― Armistead Maupin, quote from Tales of the City
“THERE WERE MORNINGS WHEN VINCENT FELT LIKE THE last hippie in the world. The Last Hippie. The phrase assumed a kind of tragic grandeur as he stood in the bathroom of his Oak Street flat, fluffing his amber mane to conceal his missing ear. If”
― Armistead Maupin, quote from Tales of the City
“He gave her a sly, sideways look. "Did you
bring it?"
"My list? Heavens, no. What can you be thinking?"
His smile widened. "I brought mine."
Daphne gasped. "You didn't!"
"I did. Just to torture Mother. I'm going peruse it right in front of her, pull out my quizzing glass—"
"You don't have a quizzing glass."
He grinned—the slow, devastatingly wicked smile that all Bridgerton males seemed to possess. "I bought one just for this occasion."
"Anthony, you absolutely cannot. She will kill you. And then, somehow, she'll find a way to blame me."
"I'm counting on it.”
― Julia Quinn, quote from The Duke and I
“Can you enter a house uninvited?"
"No."
"Why?"
"That would be rude.”
― Abigail Gibbs, quote from Dinner with a Vampire
“How did you get to be so wise?” Squirrelpaw asked her sister fondly. “How did you become so brave and noble?” Leafpaw teased, flicking Squirrelpaw’s flank with her tail.”
― Erin Hunter, quote from Dawn
“Baggy and the boys were in the Bar Room on the third floor, not directly under the cupola, but not far from it. In fact, they were probably the closest humans to the sniper when he began his target practice. After the shooting resumed for the ninth or tenth time, they evidently became even more frightened and, convinced they were about to be slaughtered, decided they had to take matters into their own hands. Somehow they managed to pry open the intractable window of their little hideaway. We watched as an electrical cord was thrown out and fell almost to the ground, forty feet below. Baggy’s right leg appeared next as he flung it over the brick sill and wiggled his portly body through the opening. Not surprisingly, Baggy had insisted on going first. “Oh my God,” Wiley said, somewhat gleefully, and raised his camera. “They’re drunk as skunks.” Clutching the electrical cord with all the grit he could muster, Baggy sprung free from the window and began his descent to safety. His strategy was not apparent. He appeared to give no slack on the cord, his hands frozen to it just above his head. Evidently there was plenty of cord left in the Bar Room, and his cohorts were supposed to ease him down. As his hands rose higher above his head, his pants became shorter. Soon they were just below his knees, leaving a long gap of pale white skin before his black socks bunched around his ankles. Baggy wasn’t concerned about appearances—before, during, or after the sniper incident. The shooting stopped, and for a while Baggy just hung there, slowly twisting against the building, about three feet below the window. Major could be seen inside, clinging fiercely to the cord. He had only one leg though, and I worried that it would quickly give out. Behind him I could see two figures, probably Wobble Tackett and Chick Elliot, the usual poker gang. Wiley began laughing, a low suppressed laugh that shook his entire body. With each lull in the shooting, the town took a breath, peeked around, and hoped it was over. And each new round scared us more than the last. Two shots rang out. Baggy lurched as if he’d been hit—though in reality there was no possible way the sniper could even see him, and the suddenness evidently put too much pressure on Major’s leg. It collapsed, the cord sprang free, and Baggy screamed as he dropped like a cinder block into a row of thick boxwoods that had been planted by the Daughters of the Confederacy. The boxwoods absorbed the load, and, much like a trampoline, recoiled and sent Baggy to the sidewalk, where he landed like a melon and became the only casualty of the entire episode. I heard laughter in the distance. Without a trace of mercy, Wiley recorded the entire spectacle. The photos would be furtively passed around Clanton for years to come. For a long time Baggy didn’t move. “Leave the sumbitch out there,” I heard a cop yell below us. “You can’t hurt a drunk,” Wiley said as he caught his breath. Eventually, Baggy rose to all fours. Slowly and painfully, he crawled, like a dog hit by a truck, into the boxwoods that had saved his life, and there he rode out the storm.”
― John Grisham, quote from The Last Juror
“Henry did not lack for physical courage; his was a moral cowardice.”
― Sharon Kay Penman, quote from Falls the Shadow
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