“Love doesna always mean burning flashes o' passion. Sometimes, it's jus' the warmth o' yer hearts as they beat yer day together." ~Old Woman Nora to her three wee granddaughters on a cold winter's night.”
― Karen Hawkins, quote from Sleepless in Scotland
“I've never found it helpful to treat fate with a gentle hand. Everytime I've stroked, hopin' fer a favor, she's slapped me hand and laughed at me. If ye want something, take fate by the throat and shake it out o' her.”
― Karen Hawkins, quote from Sleepless in Scotland
“Tis a sad day when ye ha' t' pinch yerself t' see if ye're awake or in th' midst o' a night terror. 'Tis a really sad day when ye have t' pinch yerself twice."
Old woman Nora to her three wee granddaughters on a cold winter's night”
― Karen Hawkins, quote from Sleepless in Scotland
“Perhaps the truth was there was no perfect marriage, just some really good ones.”
― Karen Hawkins, quote from Sleepless in Scotland
“But what if we find we don't suit?"
"Then ye'll do as the rest o' us and work at suiting.”
― Karen Hawkins, quote from Sleepless in Scotland
“Fighting lets ye both say wha' needs to be said. Just be sure you fight clean, and dinna bring up old hurts or blame one another.”
― Karen Hawkins, quote from Sleepless in Scotland
“So all we know about Hugh MacLean is that his financial situation is unclear, he has an unknown number of illegitimate children, and the family curse is true. I've caught quiet a prize!”
― Karen Hawkins, quote from Sleepless in Scotland
Karen Hawkins
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“Sometimes... Sometimes our hearts...crack a little.”
― Brodi Ashton, quote from Everneath
“Six bad hombres have tried to kill Ramos. Ramos went to all six funerals, just in case any of the bereaved wanted to take a shot at revenge. None of them did. He calls his Uzi “Mi Esposa”—my wife. He’s thirty-two years old. Within hours he has in custody the three policemen who picked up Ernie Hidalgo. One of them is the chief of the Jalisco State Police. Ramos tells Art, “We can do this the fast way or the slow way.” Ramos takes two cigars from his shirt pocket, offers one to Art and shrugs when he refuses it. He takes a long time to light the cigar, rolling it so that the tip lights evenly, then takes a long pull and raises his black eyebrows at Art. The theologians are right, Art thinks—we become what we hate. Then he says, “The fast way.” Ramos says. “Come back in a little while.” “No,” Art says. “I’ll do my part.” “That’s a man’s answer,” Ramos says. “But I don’t want a witness.”
― Don Winslow, quote from The Power of the Dog
“Why do we bury our dead?” His nose was dented in at the bridge like a sphinx; the cause of which I could only imagine had been a freak archaeological accident.
I thought about my parents. They had requested in their will that they be buried side by side in a tiny cemetery a few miles from our house. “Because it’s respectful?”
He shook his head. “That’s true, but that’s not the reason we do it.”
But that was the reason we buried people, wasn’t it? After gazing at him in confusion, I raised my hand, determined to get the right answer. “Because leaving people out in the open is unsanitary.”
Mr. B. shook his head and scratched the stubble on his neck.
I glared at him, annoyed at his ignorance and certain that my responses were correct. “Because it’s the best way to dispose of a body?”
Mr. B. laughed. “Oh, but that’s not true. Think of all the creative ways mass murderers have dealt with body disposal. Surely eating someone would be more practical than the coffin, the ceremony, the tombstone.”
Eleanor grimaced at the morbid image, and the mention of mass murderers seemed to wake the rest of the class up. Still, no one had an answer. I’d heard Mr. B. was a quack, but this was just insulting. How dare he presume that I didn’t know what burials meant? I’d watched them bury my parents, hadn’t I? “Because that’s just what we do,” I blurted out. “We bury people when they die. Why does there have to be a reason for everything?”
“Exactly!” Mr. B. grabbed the pencil from behind his ear and began gesticulating with it. “We’ve forgotten why we bury people.
“Imagine you’re living in ancient times. Your father dies. Would you randomly decide to put him inside a six-sided wooden box, nail it shut, then bury it six feet below the earth? These decisions aren’t arbitrary, people. Why a six-sided box? And why six feet below the earth? And why a box in the first place? And why did every society throughout history create a specific, ritualistic way of disposing of their dead?”
No one answered.
But just as Mr. B. was about to continue, there was a knock on the door. Everyone turned to see Mrs. Lynch poke her head in. “Professor Bliss, the headmistress would like to see Brett Steyers in her office. As a matter of urgency.”
Professor Bliss nodded, and Brett grabbed his bag and stood up, his chair scraping against the floor as he left.
After the door closed, Mr. B. drew a terrible picture of a mummy on the board, which looked more like a hairy stick figure. “The Egyptians used to remove the brains of their dead before mummification. Now, why on earth would they do that?”
There was a vacant silence.
“Think, people! There must be a reason. Why the brain? What were they trying to preserve?”
When no one answered, he answered his own question.
“The mind!” he said, exasperated. “The soul!”
As much as I had planned on paying attention and participating in class, I spent the majority of the period passing notes with Eleanor. For all of his enthusiasm, Professor Bliss was repetitive and obsessed with death and immortality. When he faced the board to draw the hieroglyphic symbol for Ra, I read the note Eleanor had written me.
Who is cuter?
A. Professor Bliss
B. Brett Steyers
C. Dante Berlin
D. The mummy
I laughed. My hand wavered between B and C for the briefest moment. I wasn’t sure if you could really call Dante cute. Devastatingly handsome and mysterious would be the more appropriate description. Instead I circled option D. Next to it I wrote Obviously! and tossed it onto her desk when no one was looking.”
― Yvonne Woon, quote from Dead Beautiful
“Did you finish the key?” I asked him.”
― Joseph Delaney, quote from Curse of the Bane
“Marriage is the highest state of friendship. If happy, it lessens our cares by dividing them, at the same time that it doubles our pleasures by mutual participation.”
― Samuel Richardson, quote from Clarissa, or, the History of a Young Lady
Razing Kayne
Weapon of Choice
Slow Down
Against the Wall
Delinquents
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