“Fifteen!" Dess's distant cry reached him. "Where the hell are you, Rex? Ten. You're-an-idiot-nine, get-back-here-eight, you-dimwit-seven...”
― Scott Westerfeld, quote from Blue Noon
“Maybe kissing is sort of like nature's coffee.
-Jonathan”
― Scott Westerfeld, quote from Blue Noon
“Dess shook her head. "Before he walked off, Rex said for you to wait. He said it's totally important you don't touch Angie until he comes back. and he said that if you were a pain about it, I get to hit you with that." She pointed to where the darkling had flung Flabbergasted Supernumerary Mathematician, its tip blackened by ichor and fire. "So, go ahead.”
― Scott Westerfeld, quote from Blue Noon
“Fine. Seer knows best, even if he is nuts. Maybe I can stand to wait a few more... whoa. What the hell happened to my car?
-Melissa”
― Scott Westerfeld, quote from Blue Noon
“He squeezed her hand. "Then I'll come get you, wherever you are when it happens. We'll be okay."
"But what about everybody else?"
He stared out across the river, nodding slowly. "My guess is, everybody else is in big trouble.”
― Scott Westerfeld, quote from Blue Noon
“Battered by the mind noise, huddled in the back with eyes closed and fists clenched, the old Melissa had understood pep rallies about as well as a bird sucked through a jet engine comprehended aircraft design.”
― Scott Westerfeld, quote from Blue Noon
“«Aspettate un attimo!», esclamò all'improvviso Melissa. «Sta finendo». Rex prese di scatto il foglio e lo tolse dal tavolo. «Preparatevi.» Jonathan si fissò con forza sulla sedia. Melissa si fiorò di nuovo le tempie nella stessa posizione in cui stava quando era iniziata l'eclissi. Dess cercò di ricordarsi cosa stava facendo - probabilmente guardava Melissa e si chiedeva cosa diavolo avesse da strillare. Si girò verso la Telepate ele rifilò un adeguato sguardo di disprezzo.”
― Scott Westerfeld, quote from Blue Noon
“«Be', potete anche non crederci, ma la gente si metteva davvero in maschera», rispose Rex. «Ma il rituale più importante consisteva nell'accendere dei falò. Bruciavano tutto quello che potevano, persino le ossa dei vitelli macellati, sperando di poter scacciare la notte per qualche ora in più. Naturalmente, sapevano che l'inverno avrebbe vinto prima o poi. Samhain riconosce l'avvento dell'oscurità». «Ehi», disse Dess. «Ecco una bella cartolina di auguri: "Spero che tu e i tuoi passiate un bell'avvento dell'oscurità"».”
― Scott Westerfeld, quote from Blue Noon
“Dess took a deep breath, feeling a rush of relief now that the proclamation had been made. It was sort of like being the first astronomer to spot one of those big dinosaur-extermination-sized asteroids on its way toward Earth. Sure, this was majorly unpleasant news for everyone, including Dess personally, but at least she got to announce it.”
― Scott Westerfeld, quote from Blue Noon
“I am angry that I starved my brain and that I sat shivering in my bed at night instead of dancing or reading poetry or eating ice cream or kissing a boy...”
― Laurie Halse Anderson, quote from Wintergirls
“And often enough, when we think we are protecting ourselves, we are struggling against our rescuer.”
― Marilynne Robinson, quote from Gilead
“Sometimes if you let people do things to you, you're really doing it to them.”
― Gillian Flynn, quote from Sharp Objects
“His life was absurd. He went all over the world accepting all kinds of bondage and escaping. He was roped to a chair. He escaped. He was chained to a ladder. He escaped. He was handcuffed, his legs were put in irons, he was tied up in a strait jacket and put in a locked cabinet. He escaped. He escaped from bank vaults, nailed-up barrels, sewn mailbags; he escaped from a zinc-lined Knabe piano case, a giant football, a galvanized iron boiler, a rolltop desk, a sausage skin. His escapes were mystifying because he never damaged or appeared to unlock what he escaped from. The screen was pulled away and there he stood disheveled but triumphant beside the inviolate container that was supposed to have contained him. He waved to the crowd. He escaped from a sealed milk can filled with water. He escaped from a Siberian exile van. From a Chinese torture crucifix. From a Hamburg penitentiary. From an English prison ship. From a Boston jail. He was chained to automobile tires, water wheels, cannon, and he escaped. He dove manacled from a bridge into the Mississippi, the Seine, the Mersey, and came up waving. He hung upside down and strait-jacketed from cranes, biplanes and the tops of buildings. He was dropped into the ocean padlocked in a diving suit fully weighted and not connected to an air supply, and he escaped. He was buried alive in a grave and could not escape, and had to be rescued. Hurriedly, they dug him out. The earth is too heavy, he said gasping. His nails bled. Soil fell from his eyes. He was drained of color and couldn't stand. His assistant threw up. Houdini wheezed and sputtered. He coughed blood. They cleaned him off and took him back to the hotel. Today, nearly fifty years since his death, the audience for escapes is even larger.”
― E.L. Doctorow, quote from Ragtime
“Twice we stood beside each other at the altar, Rosie. Twice. And twice
we got it wrong. I needed you to be there for my wedding day but I was too
stupid to see that I needed you to be the reason for my wedding day. But we
got it all wrong.”
― Cecelia Ahern, quote from Love, Rosie
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