“Fifteen!" Dess's distant cry reached him. "Where the hell are you, Rex? Ten. You're-an-idiot-nine, get-back-here-eight, you-dimwit-seven...”
― Scott Westerfeld, quote from Blue Noon
“Maybe kissing is sort of like nature's coffee.
-Jonathan”
― Scott Westerfeld, quote from Blue Noon
“Dess shook her head. "Before he walked off, Rex said for you to wait. He said it's totally important you don't touch Angie until he comes back. and he said that if you were a pain about it, I get to hit you with that." She pointed to where the darkling had flung Flabbergasted Supernumerary Mathematician, its tip blackened by ichor and fire. "So, go ahead.”
― Scott Westerfeld, quote from Blue Noon
“Fine. Seer knows best, even if he is nuts. Maybe I can stand to wait a few more... whoa. What the hell happened to my car?
-Melissa”
― Scott Westerfeld, quote from Blue Noon
“He squeezed her hand. "Then I'll come get you, wherever you are when it happens. We'll be okay."
"But what about everybody else?"
He stared out across the river, nodding slowly. "My guess is, everybody else is in big trouble.”
― Scott Westerfeld, quote from Blue Noon
“Battered by the mind noise, huddled in the back with eyes closed and fists clenched, the old Melissa had understood pep rallies about as well as a bird sucked through a jet engine comprehended aircraft design.”
― Scott Westerfeld, quote from Blue Noon
“«Aspettate un attimo!», esclamò all'improvviso Melissa. «Sta finendo». Rex prese di scatto il foglio e lo tolse dal tavolo. «Preparatevi.» Jonathan si fissò con forza sulla sedia. Melissa si fiorò di nuovo le tempie nella stessa posizione in cui stava quando era iniziata l'eclissi. Dess cercò di ricordarsi cosa stava facendo - probabilmente guardava Melissa e si chiedeva cosa diavolo avesse da strillare. Si girò verso la Telepate ele rifilò un adeguato sguardo di disprezzo.”
― Scott Westerfeld, quote from Blue Noon
“«Be', potete anche non crederci, ma la gente si metteva davvero in maschera», rispose Rex. «Ma il rituale più importante consisteva nell'accendere dei falò. Bruciavano tutto quello che potevano, persino le ossa dei vitelli macellati, sperando di poter scacciare la notte per qualche ora in più. Naturalmente, sapevano che l'inverno avrebbe vinto prima o poi. Samhain riconosce l'avvento dell'oscurità». «Ehi», disse Dess. «Ecco una bella cartolina di auguri: "Spero che tu e i tuoi passiate un bell'avvento dell'oscurità"».”
― Scott Westerfeld, quote from Blue Noon
“Dess took a deep breath, feeling a rush of relief now that the proclamation had been made. It was sort of like being the first astronomer to spot one of those big dinosaur-extermination-sized asteroids on its way toward Earth. Sure, this was majorly unpleasant news for everyone, including Dess personally, but at least she got to announce it.”
― Scott Westerfeld, quote from Blue Noon
Scott Westerfeld
Born place: in Dallas, Texas, The United States
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“Man has much power of discourse which for the most part is vain and false; animals have but little, but it is useful and true, and a small truth is better than a great lie.”
― Leonardo da Vinci, quote from Leonardo's Notebooks
“There is always a sadness about packing. I guess you wonder if where you're going is as good as where you've been.”
― quote from One Man's Wilderness: An Alaskan Odyssey
“Girl going past clinging to a young man's arm. Putting up her face like a duck to the moon. Drinking joy. Green in her eyes. Spinal curvature. No chin, mouth like a frog. Young man like a pug. Gazing down at his sweetie with the face of a saint reading the works of God. Hold on, maiden, you've got him. He's your boy. Look out, Puggy, that isn't a maiden you see before you, it's a work of imagination. Nail him, girlie. Nail him to the contract. Fly laddie, fly off with your darling vision before she turns into a frow, who spends all her life thinking of what the neighbours think.”
― Joyce Cary, quote from The Horse's Mouth
“Many people are partial to the notion that . . . all writers are somehow mere vessels for Truth and Beauty when they compose. That we are not really in control. This is a variation on that twee little fable that writers like to pass off on gullible readers, that a character can develop a will of his own and 'take over a book.' This makes writing sound supernatural and mysterious, like possession by faeries. The reality tends to involve a spare room, a pirated copy of MS Word, and a table bought on sale at Target. A character can no more take over your novel than an eggplant and a jar of cumin can take over your kitchen.”
― Paul Collins, quote from Sixpence House: Lost in a Town of Books
“Emmanuel Twinning, on the other hand, was gentle and very old, and made his own suits out of hospital blankets, and lived nearby with a horse.
Emmanuel and the skewbald had much in common, including the use of the kitchen, and one saw their grey heads, almost any evening, poking together out of the window. The old man himself, when seen alone, seemed to inhabit unearthly regions, so blue and remote that the girls used to sing:
O come, O come, E-mah-ah-ah-new-el!
An’ ransom captive Is-rah-ah-ah-el!…
At this he would nod and smile gently upon us, moving his lips to the hymn. He
was so very old, so far and strange, I never doubted that the hymn was his. He wore sky-blue blankets, and his name was Emmanuel; it was easy to think he was God.”
― Laurie Lee, quote from Cider With Rosie
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