Quotes from Shugo Chara!, Vol. 1: Who Do You Want to Be?

“Oh...I remember you...You're that weird cat-eared cosplay-kid!
You called me a cospl...
How'd you get all the way up to the third-floor window...
Because I'm a cat.”
― Peach-Pit, quote from Shugo Chara!, Vol. 1: Who Do You Want to Be?

“You know, drinking milk doesn't make your boobs get any bigger.”
― Peach-Pit, quote from Shugo Chara!, Vol. 1: Who Do You Want to Be?

“Stupid weirdo! Liar! You filthy cat-boy-!!”
― Peach-Pit, quote from Shugo Chara!, Vol. 1: Who Do You Want to Be?

“Don't touch me without my permission. Mr. Little Boy”
― Peach-Pit, quote from Shugo Chara!, Vol. 1: Who Do You Want to Be?

“Gya!! Stay away from me, weirdo! I'll press the burglar alarm!”
― Peach-Pit, quote from Shugo Chara!, Vol. 1: Who Do You Want to Be?

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“The hospital is as busy as it was yesterday. We go in through the main entrance, and people walk in every direction. The people in scrubs and white coats all walk a little bit faster. There’s a guy sleeping on one of the waiting room sofas, and a hugely pregnant woman leaning against the wall by the elevator. She’s swirling a drink in a plastic cup. That baby is giving her T-shirt a run for its money. A toddler is throwing a tantrum somewhere down the hallway. The shrieking echoes.

We move to the bank of elevators, too, and Melonhead isn’t one of those guys who insists on pressing a button that’s already lit. He smiles and says “Good afternoon” to the pregnant woman, but I can’t look away from her swollen belly.

My mother is going to look like that.

My mother is going to have a baby.

My brain still can’t process this.

Suddenly, the woman’s abdomen twitches and shifts. It’s startling, and my eyes flick up to find her face.

She laughs at my expression. “He’s trying to get comfortable.”

The elevator dings, and we all get on. Her stomach keeps moving.

I realize I’m being a freak, but it’s the creepiest thing I’ve ever seen. I can’t stop staring.

She laughs again, softly, then comes closer. “Here. You can feel it.”

“It’s okay,” I say quickly.

Melonhead chuckles, and I scowl.

“Not too many people get to touch a baby before it’s born,” she says, her voice still teasing. “You don’t want to be one of the chosen few?”

“I’m not used to random women asking me to touch them,” I say.

“This is number five,” she says. “I’m completely over random people touching me. Here.” She takes my wrist and puts my hand right over the twitching.

Her belly is firmer than I expect, and we’re close enough that I can look right down her shirt. I’m torn between wanting to pull my hand back and not wanting to be rude.

Then the baby moves under my hand, something firm pushing right against my fingers. I gasp without meaning to.

“He says hi,” the woman says.

I can’t stop thinking of my mother. I try to imagine her looking like this, and I fail.

I try to imagine her encouraging me to touch the baby, and I fail.

Four months.

The elevator dings.

“Come on, Murph,” says Melonhead.

I look at the pregnant lady. I have no idea what to say. Thanks?

“Be good,” she says, and takes a sip of her drink.

The elevator closes and she’s gone”
― Brigid Kemmerer, quote from Letters to the Lost

“We are travelers on a cosmic journey,stardust,swirling and dancing in the eddies and whirlpools of infinity. Life is eternal. We have stopped for a moment to encounter each other, to meet, to love, to share.This is a precious moment. It is a little parenthesis in eternity.”
― Paulo Coelho, quote from Alkimist

“It seems obvious, looking back, that the artists of Weimar Germany and Leninist Russia lived in a much more attenuated landscape of media than ours, and their reward was that they could still believe, in good faith and without bombast, that art could morally influence the world. Today, the idea has largely been dismissed, as it must in a mass media society where art's principal social role is to be investment capital, or, in the simplest way, bullion. We still have political art, but we have no effective political art. An artist must be famous to be heard, but as he acquires fame, so his work accumulates 'value' and becomes, ipso-facto, harmless. As far as today's politics is concerned, most art aspires to the condition of Muzak. It provides the background hum for power.”
― Robert Hughes, quote from The Shock of the New

“Nathaniel Hawthorne, who was at the time American consul in Liverpool, provided a preface, then almost instantly wished he hadn’t, for the book was universally regarded by reviewers as preposterous hokum. Hawthorne under questioning admitted that he hadn’t actually read it. “This shall be the last of my benevolent follies, and I will never be kind to anybody again as long as [I] live,” he vowed in a letter to a friend.”
― Bill Bryson, quote from Shakespeare: The World as Stage

“Hmm…’ Ciri bit her lower lip, then leaned over and put her eye closer to the hole. ‘Madam Yennefer is standing by a willow… She’s plucking leaves and playing with her star. She isn’t saying anything and isn’t even looking at Geralt… And Geralt’s standing beside her. He’s looking down and he’s saying something. No, he isn’t. Oh, he’s pulling a face… What a strange expression…’ ‘Childishly simple,’ said Dandelion, finding an apple in the grass, wiping it on his trousers and examining it critically. ‘He’s asking her to forgive him for his various foolish words and deeds. He’s apologising to her for his impatience, for his lack of faith and hope, for his obstinacy, doggedness. For his sulking and posing; which are unworthy of a man. He’s apologising to her for things he didn’t understand and for things he hadn’t wanted to understand—’ ‘That’s the falsest lie!’ said Ciri, straightening up and tossing the fringe away from her forehead with a sudden movement. ‘You’re making it all up!’ ‘He’s apologising for things he’s only now understood,’ said Dandelion, staring at the sky, and he began to speak with the rhythm of a balladeer. ‘For what he’d like to understand, but is afraid he won’t have time for… And for what he will never understand. He’s apologising and asking for forgiveness… Hmm, hmm… Meaning, conscience, destiny? Everything’s so bloody banal…’ ‘That’s not true!’ Ciri stamped. ‘Geralt isn’t saying anything like that! He’s not even speaking. I saw for myself. He’s standing with her and saying nothing…’ ‘That’s the role of poetry, Ciri. To say what others cannot utter.’ ‘It’s a stupid role. And you’re making everything up!’ ‘That is also the role of poetry. Hey, I hear some raised voices coming from the pond. Have a quick look, and see what’s happening there.’ ‘Geralt,’ said Ciri, putting her eye once more to the hole in the wall, ‘is standing with his head bowed. And Yennefer’s yelling at him. She’s screaming and waving her arms. Oh dear… What can it mean?’ ‘It’s childishly simple.’ Dandelion stared at the clouds scudding across the sky. ‘Now she’s saying sorry to him.”
― Andrzej Sapkowski, quote from Time of Contempt

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BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.

We thoughtfully gather quotes from our favorite books, both classic and current, and choose the ones that are most thought-provoking. Each quote represents a book that is interesting, well written and has potential to enhance the reader’s life. We also accept submissions from our visitors and will select the quotes we feel are most appealing to the BookQuoters community.

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