“I'm standing in a slaughterhouse where the cattle are begging to become hamburgers. I have a right to be jumpy.”
― Amelia Atwater-Rhodes, quote from Shattered Mirror
“Skin like ivory, perfect; A goddess, she
must be.
Slender fingers, unadorned; beautiful
simplicity.
A single teardrop; when did it fall?
Could this goddess be mortal, after all?”
― Amelia Atwater-Rhodes, quote from Shattered Mirror
“Christopher . . . are these from you?” she asked at lunch, careful to make her tone light as she placed the two picture-poems on the table. Christopher’s eyes fell to them, and he smiled.
“Yes.”
He didn’t ask if she liked them, and he didn’t seem embarrassed.
Sarah was flustered, and somewhat surprised by Christopher’s easy confidence. Even so, her natural suspicion surfaced. “Why?”
“Because,” he answered seriously, “you make a good subject. Your hair, for one, is like a shimmering waterfall. It’s so fair that it catches the light. It makes you seem like you have a halo about you. And your eyes—they’re such a pure color, not washed out at all, deep as the ocean. And your expression . . . intense and yet somehow detached, as if you see more of the world than the rest of us.”
Flustered, she could think of no way to respond. Did he just say this stuff from the top of his head? Only her strict Vida control kept her from blushing.
Meanwhile Nissa entered the cafeteria. She started to sit, then glanced from the pictures, to Christopher, to Sarah. “Should I go somewhere else?”
Christopher nodded to a chair, answering easily, “Sit down. We aren’t exchanging dark secrets—yet.”
Nissa flashed a teasing look to her brother as she took a seat. “As his sister, I feel the need to inform you, Sarah, that Christopher has been talking about you incessantly.”
Christopher smiled, unembarrassed. “I suppose I might have been.’
“Especially your eyes—he never shuts up about your eyes,” Nissa confided, and this time Christopher shrugged.
“They’re beautiful,” he said casually. “Beauty should be looked at, not ignored. I try to capture it on paper, but that’s really impossible with eyes, because they have a life no still portrait can capture.”
Sarah’s voice was tied up so tightly she thought she might be able to speak again sometime next year. No one had ever talked about her—or to her—with such admiration.”
― Amelia Atwater-Rhodes, quote from Shattered Mirror
“Yet he wasn’t doing anything threatening at the moment. Instead, he was regarding her with curiosity. “Sarah Vida, I presume?” he inquired, voice civil.
“Making sure introductions are out of the way before we fight?” she asked flippantly.”
― Amelia Atwater-Rhodes, quote from Shattered Mirror
“Nikolas.
If it scarred, she was going to be really annoyed.
“Is your control really this good, or are you a secret masochist?” Nikolas asked as he cut the tail of the S, a jagged underline.
“Is this a ritual thing, or are you just a sadist?” she returned, impatient. Though he was enjoying his busywork, he wasn’t focused enough for Sarah to act.
“Both,” he answered, laughing, as he turned to the other arm. “You can ask me to stop any time now.” She understood what he really meant--You can break down and beg. “Or must I continue?”
“Hurry up, would you?” She yawned. “I have to get to the drugstore before it closes. We’re out of Band-Aids at my house.”
― Amelia Atwater-Rhodes, quote from Shattered Mirror
“Consider this: all the ants on the planet, taken together, have a biomass greater than that of humans. Ants have been incredibly industrious for millions of years. Yet their productiveness nourishes plants, animals, and soil. Human industry has been in full swing for little over a century, yet it has brought about a decline in almost every ecosystem on the planet. Nature doesn’t have a design problem. People do.”
― William McDonough, quote from Cradle to Cradle: Remaking the Way We Make Things
“And Swedenborg himself saw birds during his sojourns in the Spirit World and it was revealed to him that — in the Grand Man — rational concepts are seen as birds. Because the head corresponds to the heavens and the air. He actually experienced in his body the fall of certain angels who had formed wrong opinions in their community about thoughts and influx — he felt a terrible tremor in his sinews and bones — and saw one dark and ugly bird and two fine and beautiful. And these solid birds were the thoughts of the angels, as he saw them in the world of his senses, beautiful reasonings and ugly falses. For at every level everything corresponds, from the most purely material to the most purely divine in the Divine Human.”
― A.S. Byatt, quote from Angels and Insects
“Trust = telling someone about the things that make you sleepless.”
― Hillary Frank, quote from I Can't Tell You
“A terminal illness doesn’t belong only to the one who is sick—it affects family members, friends, neighbors, coworkers. Not unlike a still pond disturbed by a falling stone, an impending death sends ripples through all the relationships in the life of the dying. Each person involved has his or her own set of issues, fears, and questions.”
― quote from Final Gifts: Understanding the Special Awareness, Needs, and Communications of the Dying
“That was the hazard she’d face every day, here: not just the risk that she’d give in to temptation, but the risk that all the principles she’d chosen to define herself would come to seem like nothing but masochistic nonsense.”
― Greg Egan, quote from Schild's Ladder
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