“I'm standing in a slaughterhouse where the cattle are begging to become hamburgers. I have a right to be jumpy.”
― Amelia Atwater-Rhodes, quote from Shattered Mirror
“Skin like ivory, perfect; A goddess, she
must be.
Slender fingers, unadorned; beautiful
simplicity.
A single teardrop; when did it fall?
Could this goddess be mortal, after all?”
― Amelia Atwater-Rhodes, quote from Shattered Mirror
“Christopher . . . are these from you?” she asked at lunch, careful to make her tone light as she placed the two picture-poems on the table. Christopher’s eyes fell to them, and he smiled.
“Yes.”
He didn’t ask if she liked them, and he didn’t seem embarrassed.
Sarah was flustered, and somewhat surprised by Christopher’s easy confidence. Even so, her natural suspicion surfaced. “Why?”
“Because,” he answered seriously, “you make a good subject. Your hair, for one, is like a shimmering waterfall. It’s so fair that it catches the light. It makes you seem like you have a halo about you. And your eyes—they’re such a pure color, not washed out at all, deep as the ocean. And your expression . . . intense and yet somehow detached, as if you see more of the world than the rest of us.”
Flustered, she could think of no way to respond. Did he just say this stuff from the top of his head? Only her strict Vida control kept her from blushing.
Meanwhile Nissa entered the cafeteria. She started to sit, then glanced from the pictures, to Christopher, to Sarah. “Should I go somewhere else?”
Christopher nodded to a chair, answering easily, “Sit down. We aren’t exchanging dark secrets—yet.”
Nissa flashed a teasing look to her brother as she took a seat. “As his sister, I feel the need to inform you, Sarah, that Christopher has been talking about you incessantly.”
Christopher smiled, unembarrassed. “I suppose I might have been.’
“Especially your eyes—he never shuts up about your eyes,” Nissa confided, and this time Christopher shrugged.
“They’re beautiful,” he said casually. “Beauty should be looked at, not ignored. I try to capture it on paper, but that’s really impossible with eyes, because they have a life no still portrait can capture.”
Sarah’s voice was tied up so tightly she thought she might be able to speak again sometime next year. No one had ever talked about her—or to her—with such admiration.”
― Amelia Atwater-Rhodes, quote from Shattered Mirror
“Yet he wasn’t doing anything threatening at the moment. Instead, he was regarding her with curiosity. “Sarah Vida, I presume?” he inquired, voice civil.
“Making sure introductions are out of the way before we fight?” she asked flippantly.”
― Amelia Atwater-Rhodes, quote from Shattered Mirror
“Nikolas.
If it scarred, she was going to be really annoyed.
“Is your control really this good, or are you a secret masochist?” Nikolas asked as he cut the tail of the S, a jagged underline.
“Is this a ritual thing, or are you just a sadist?” she returned, impatient. Though he was enjoying his busywork, he wasn’t focused enough for Sarah to act.
“Both,” he answered, laughing, as he turned to the other arm. “You can ask me to stop any time now.” She understood what he really meant--You can break down and beg. “Or must I continue?”
“Hurry up, would you?” She yawned. “I have to get to the drugstore before it closes. We’re out of Band-Aids at my house.”
― Amelia Atwater-Rhodes, quote from Shattered Mirror
Amelia Atwater-Rhodes
Born place: in Silver Springs, Maryland, The United States
Born date April 16, 1984
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“So often, environmentalists and others working to slow the destruction are capable of plainly describing the problems (Who wouldn’t be? The problems are neither subtle nor cognitively challenging), yet when faced with the emotionally daunting task of fashioning a response to these clear and clearly insoluble problems, we generally suffer a failure of nerve and imagination. Gandhi wrote a letter to Hitler asking him to stop committing atrocities, and was mystified that it didn’t work. I continue to write letters to the editor pointing out untruths, and continue to be surprised each time the newspaper publishes its next absurdity. At least I’ve stopped writing to politicians.”
― Derrick Jensen, quote from A Language Older Than Words
“Oh my God!" Lindsay cried. "I swear I shall practice celibacy every day for the rest of my life! I swear it, Anais.”
― Charlotte Featherstone, quote from Addicted
“Up there on Olympus, where he’d been raised, where the mountain of reason pierces the sky of the intellect, the talk was all of how the soul suffered if the senses were gratified. Polly Patch would not allow it. She claimed, as the Devil would, that the senses and the soul were one: that gratifying one was to gratify the other.”
― Fay Weldon, quote from The Life and Loves of a She Devil
“End of Winter”
Over the still world, a bird calls
waking solitary among black boughs.
You wanted to be born; I let you be born.
When has my grief ever gotten
in the way of your pleasure?
Plunging ahead
into the dark and light at the same time
eager for sensation
as though you were some new thing, wanting
to express yourselves
all brilliance, all vivacity
never thinking
this would cost you anything,
never imagining the sound of my voice
as anything but part of you—
you won’t hear it in the other world,
not clearly again,
not in birdcall or human cry,
not the clear sound, only
persistent echoing
in all sound that means good-bye, good-bye—
the one continuous line
that binds us to each other.”
― Louise Glück, quote from The Wild Iris
“The recipe for great work is: very exacting taste, plus the ability to gratify it.”
― Paul Graham, quote from Hackers & Painters: Big Ideas from the Computer Age
Wicked as They Come
Up to Me
Reasons I Fell for t...
Mastery
Don't Let Me Go
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