Gail Carson Levine · 168 pages
Rating: (2.3K votes)
“There's nothing wrong with reading a book you love over and over. When you do, the words get inside you, become a part of you, in a way that words in a book you've read only once can't.”
― Gail Carson Levine, quote from Writing Magic: Creating Stories that Fly
“When you become a teenager, you step onto a bridge. You may already be on it. The opposite shore is adulthood. Childhood lies behind. The bridge is made of wood. As you cross, it burns behind you”
― Gail Carson Levine, quote from Writing Magic: Creating Stories that Fly
“When I write, I make discoveries about my feelings.”
― Gail Carson Levine, quote from Writing Magic: Creating Stories that Fly
“The Writer's Oath
I promise solemnly:
1. to write as often and as much as I can,
2. to respect my writing self, and
3. to nurture the writing of others.
I accept these responsibilities and shall honor them always.”
― Gail Carson Levine, quote from Writing Magic: Creating Stories that Fly
“I write fiction for lots of reasons. One is power. I'm in charge when I write. So are you. You create the world of the story. You make the rules.”
― Gail Carson Levine, quote from Writing Magic: Creating Stories that Fly
“There are many steps on the continuum between controlling something and doing nothing at all.”
― Orson Scott Card, quote from First Meetings in Ender's Universe
“Fuck the drug war. Dropping acid was a profound turning point for me, a seminal experience. I make no apologies for it. More people should do acid. It should be sold over the counter.”
― George Carlin, quote from Last Words
“I dream of lost vocabularies that might express some of what we no longer can.”
― Jack Gilbert, quote from The Great Fires
“A volte capitano cose che sfuggono alla nostra comprensione. Di una crudeltà intollerabile. Ma questo non significa che dobbiamo rinchiuderci in un angolo e smettere di lottare.”
― Rebecca Serle, quote from When You Were Mine
“As a matter of fact I don’t care two pins about accuracy. Who is accurate? Nobody nowadays. If a reporter writes that a beautiful girl of twenty-two dies by turning on the gas after looking out over the sea and kissing her favourite Labrador, Bob, goodbye, does anybody make a fuss because the girl was twenty-six, the room faced inland, and the dog was a Sealyham terrier called Bonnie? If a journalist can do that sort of thing I don’t see that it matters if I mix up police ranks and say a revolver when I mean an automatic and a dictograph when I mean a phonograph, and use a poison that just allows you to gasp one dying sentence and no more. What really matters is plenty of bodies! If the thing’s getting a little dull, some more blood cheers it up. Somebody is going to tell something – and then they’re killed first! That always goes down well. It comes in all my books – camouflaged different ways of course. And people like untraceable poisons, and idiotic police inspectors and girls tied up in cellars with sewer gas or water pouring in (such a troublesome way of killing anyone really) and a hero who can dispose of anything from three to seven villains singlehanded.”
― Agatha Christie, quote from Cards on the Table
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