Gail Carson Levine · 168 pages
Rating: (2.3K votes)
“There's nothing wrong with reading a book you love over and over. When you do, the words get inside you, become a part of you, in a way that words in a book you've read only once can't.”
― Gail Carson Levine, quote from Writing Magic: Creating Stories that Fly
“When you become a teenager, you step onto a bridge. You may already be on it. The opposite shore is adulthood. Childhood lies behind. The bridge is made of wood. As you cross, it burns behind you”
― Gail Carson Levine, quote from Writing Magic: Creating Stories that Fly
“When I write, I make discoveries about my feelings.”
― Gail Carson Levine, quote from Writing Magic: Creating Stories that Fly
“The Writer's Oath
I promise solemnly:
1. to write as often and as much as I can,
2. to respect my writing self, and
3. to nurture the writing of others.
I accept these responsibilities and shall honor them always.”
― Gail Carson Levine, quote from Writing Magic: Creating Stories that Fly
“I write fiction for lots of reasons. One is power. I'm in charge when I write. So are you. You create the world of the story. You make the rules.”
― Gail Carson Levine, quote from Writing Magic: Creating Stories that Fly
“She could just imagine, all her friends and family mourning around her grave. The tombstone would read Kari Wagner, Died of Sheer Stupidity.
It would be almost as bad to have her grave marker read Died of Terminal Bedroom Boredom.”
― Cherise Sinclair, quote from Dark Citadel
“La Ilustración se relaciona con las cosas como el dictador con los hombres. Éste los concede en la medida en en que puede manipularlos.”
― Theodor W. Adorno, quote from Dialectic of Enlightenment: Philosophical Fragments
“—La mejor urbanidad, cualquiera sea el ambiente donde uno ha vivido, es no inmiscuirse en los asuntos ajenos. Si usted me da ese ejemplo, yo le prometo imitarlo.”
― Charles Dickens, quote from The Mystery of Edwin Drood
“bike. “Got the old girl out of”
― Marie Force, quote from Maid for Love
“It is a discreetly sensual act of disclosure, showing their pieces together in public. And assembling these lacquers also records their assignations: the collection records their love-affair, their own secret history of touch.”
― Edmund de Waal, quote from The Hare With Amber Eyes: A Family's Century of Art and Loss
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