“Guard your throats and hide your eyes. He’s not dead, you fools. Legends never die.”
― A.G. Howard, quote from RoseBlood
“I don’t want to blend,” Etalon whispered. “I want to belong.”
― A.G. Howard, quote from RoseBlood
“I need to know why I’m so broken, so I can fix myself. One way or another. Maybe this place can help me do that, and then I can finally look forward to my future. Because I’m starting to realize there’s something worse than stepping up and facing your fears – and that’s living as if you’re already dead.”
― A.G. Howard, quote from RoseBlood
“He’d walked as a ghost in the gloomy bowels of this opera house for so long, darkness had become his brother, which was fitting, since his father was the night, and sunlight their forgotten friend.”
― A.G. Howard, quote from RoseBlood
“How do you hate someone who pulled you from the brink of death, not once, but twice?”
― A.G. Howard, quote from RoseBlood
“This can’t be a coincidence, and there’s no longer any doubt in my mind.
I am in a horror story.”
― A.G. Howard, quote from RoseBlood
“Ironically, the first time he played it, he experienced his first dream vision with his own ‘flame jumelle’, Rune – and saved her from drowning. Thereafter he decided that must be the magic the instrument held: the ability to bring two souls together when they needed each other the most.”
― A.G. Howard, quote from RoseBlood
“Behind every wall and every mirror and every vent, I hear sounds: breathing, rustling, footsteps, and murmurs. I try to tell myself it’s just mice making their nests behind the barriers, but since when do rodents whisper?”
― A.G. Howard, quote from RoseBlood
“Ever since I was small, opera has been a living, breathing part of me.
The problem is that as I’ve grown, it’s become more demanding… an entity that controls me. Once a song speaks to my subconscious, the notes become a toxin I have to release through my diaphragm, my vocal cords, my tongue.”
― A.G. Howard, quote from RoseBlood
“But now it makes sense: she wanted those wings so she could fly away, because the pain of trying to reach for them was more tolerable than the pain of staying grounded, wherever she was.”
― A.G. Howard, quote from RoseBlood
“Maybe being here won’t be so bad after all… as long as I can avoid the music, the bloodthirsty diva duo, and the phantom’s shadow lurking around every corner.”
― A.G. Howard, quote from RoseBlood
“The Phantom is not famous for forgiveness.”
― A.G. Howard, quote from RoseBlood
“He appears close to my age. The left half of his face stands out beneath the hood: one side of plump lips, one squared angle of a chin. Two coppery-colored eyes look back at me – bright and metallic. The sight makes me do a double take. As far as he is from the car, I shouldn’t be able to make out the color, yet they glimmer in the shadow of his cape, like pennies catching a flashlight’s glare in a deep well.”
― A.G. Howard, quote from RoseBlood
“He raised his wine for a toast. “To the Exquisite Nightmare.”
― A.G. Howard, quote from RoseBlood
A.G. Howard
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“A rose trapped inside a fist.”
― Henry Rollins, quote from The Portable Henry Rollins
“Under the Iranian code, the worth of a woman’s life equals half of a man’s, a point that often leads to grotesque legal judgments that effectively punish the victims. In this instance, the judge ruled that the ‘blood money’ for the two men was worth more than the life of the murdered nine-year-old girl, and he demanded that her family come up with thousands of dollars to finance their executions.”
― Shirin Ebadi, quote from Iran Awakening
“Men have few restraints in expressing to prostitutes—during sex or in any sexual scenario— their real attitudes toward women as a class; they have no reason to feel constrained, since the woman is there to be a woman, period—to be inferior, subservient, and used. She is there because the man wants a woman, someone exactly of her class, someone who is her sex function, not human but an it, a cunt: she is there for that reason, not for anything human in her. Her function is limited, specialized, sex-specific, and intensely and intrinsically dehumanizing.”
― Andrea Dworkin, quote from Right Wing Women
“She lied, sir. She has always lied. I don't think she ever spoke a word of truth. But when she spoke, I believed her.”
― Prosper Mérimée, quote from Carmen
“My mother says that falling in love and getting dumped is good for you because it prepares you for the real thing, like it gets you ready for true love and all, but I'm thinking it's more like climbing up he St. Louis Arch and falling off twice. Does he first fall really get you ready for the second?”
― Dandi Daley Mackall, quote from My Boyfriends' Dogs: The Tales of Adam and Eve and Shirley
Burn for Burn
Somewhere In Time
Predestined
Okay for Now
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