Modris Eksteins · 396 pages
Rating: (2K votes)
“Early on, to arouse a sense of belonging, of “community,” the party began to emphasize the importance, above everything else, of ritual and propaganda—the flags, the insignia, the uniforms, the pageantry, the standard greetings, the declarations of loyalty, and the endless repetition of slogans. Nazism was a cult. The appeal was strictly to emotion.”
― Modris Eksteins, quote from Rites of Spring: The Great War and the Birth of the Modern Age
“The beautiful lie is, however, also the essence of kitsch. Kitsch is a form of make-believe, a form of deception. It is an alternative to a daily reality that would otherwise be a spiritual vacuum. . . . Kitsch replaces ethics with aesthetics. . . . Nazism was the ultimate expression of kitsch, of its mind-numbing, death-dealing portent. Nazism, like kitsch, masqueraded as life; the reality of both was death. The Third Reich was the creation of “kitsch men,” people who confused the relationship between life and art, reality and myth, and who regarded the goal of existence as mere affirmation, devoid of criticism, difficulty, insight.”
― Modris Eksteins, quote from Rites of Spring: The Great War and the Birth of the Modern Age
“Myth took the place of objectively conceived history. Myth, Michel Tournier has said, is “history everyone already knows.”2 As such, history becomes nothing but a tool of the present, with no integrity whatsoever of its own.”
― Modris Eksteins, quote from Rites of Spring: The Great War and the Birth of the Modern Age
“It was Hitler’s style, his oratorical talents and his remarkable ability to transmit emotions and feelings in his speeches, that took him to the leadership of the ragtag party of misfits and adventurers that he joined in Munich in 1919 and that called itself the German Workers’ Party. The ideas he and the party spouted were all tattered; they were nothing but jargon inherited from the paranoid Austro-German border politics of the pre-1914 era, which saw “Germanness” threatened with inundation by “subject nationalities.” Even the combination “national socialist,” which Hitler added to the party’s name when he became leader in 1920, was borrowed from the same era and same sources. It was not the substance—there was no substance to the frantic neurotic tirades—that allowed the party to survive and later to grow. It was the style and the mood. It was above all the theater, the vulgar “art,” the grand guignol productions of the beer halls and the street.”
― Modris Eksteins, quote from Rites of Spring: The Great War and the Birth of the Modern Age
“Nazi kitsch may bear a blood relationship to the highbrow religion of art proclaimed by many moderns.”
― Modris Eksteins, quote from Rites of Spring: The Great War and the Birth of the Modern Age
Modris Eksteins
Born place: in Riga, Latvia
Born date December 13, 1943
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“Polly Hall was thirteen but wore enough makeup to rival a 40-year-old whore.”
― Richelle Mead, quote from Thorn Queen
“Lucivar winced. "She guzzled half the flask — and it wasn't one of his home brews, it was the concoction you created."
Jaenelle’s eyes widened. “You let her drink a ‘gravedigger’?”
“No no no,” Wilhelmina said, shaking her head. “You shouldn’t ever drink a gravedigger until he’s had a bath.” She smiled placidly when Jaenelle and Lucivar just stared at her.
“Mother Night,” Lucivar muttered.
“Do you know that song?” Wilhelmina asked Jaenelle.”
― Anne Bishop, quote from Queen of the Darkness
“I’ll wait out here until the two of you are finished. Just call out if you need anything. Like a priest, cop, or lion tamer. (Aimee)”
― Sherrilyn Kenyon, quote from Unleash the Night
“Current-borne, wave-flung, tugged hugely by the whole might of ocean, the jellyfish drifts in the tidal abyss. The light shines through it, and the dark enters it. Borne, flung, tugged from anywhere to anywhere, for in the deep sea there is no compass but nearer and farther, higher and lower, the jellyfish hangs and sways; pulses move slight and quick within it, as the vast diurnal pulses beat in the moondriven sea. Hanging, swaying, pulsing, the most vulnerable and insubstantial creature, it has for its defense the violence and power of the whole ocean, to which it has entrusted its being, its going, and its will.
But here rise the stubborn continents. The shelves of gravel and the cliffs of rock break from water baldly into air, that dry, terrible outerspace of radiance and instability, where there is no support for life. And now, now the currents mislead and the waves betray, breaking their endless circle, to leap up in loud foam against rock and air, breaking....
What will the creature made all of seadrift do on the dry sand of daylight; what will the mind do, each morning, waking?”
― Ursula K. Le Guin, quote from The Lathe of Heaven
“He watched the sun rise beyond the grape arbor. In the thin golden light the young leaves and tendrils of the Scuppernong were like Twink Weatherby's hair. He decided that sunrise and sunset both gave him a pleasantly sad feeling. The sunrise brought a wild, free sadness; the sunset, a lonely yet a comforting one. He indulged his agreeable melancholy until the earth under him turned from gray to lavender and then to the color dried corn husks.”
― Marjorie Kinnan Rawlings, quote from The Yearling
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