Modris Eksteins · 396 pages
Rating: (2K votes)
“Early on, to arouse a sense of belonging, of “community,” the party began to emphasize the importance, above everything else, of ritual and propaganda—the flags, the insignia, the uniforms, the pageantry, the standard greetings, the declarations of loyalty, and the endless repetition of slogans. Nazism was a cult. The appeal was strictly to emotion.”
― Modris Eksteins, quote from Rites of Spring: The Great War and the Birth of the Modern Age
“The beautiful lie is, however, also the essence of kitsch. Kitsch is a form of make-believe, a form of deception. It is an alternative to a daily reality that would otherwise be a spiritual vacuum. . . . Kitsch replaces ethics with aesthetics. . . . Nazism was the ultimate expression of kitsch, of its mind-numbing, death-dealing portent. Nazism, like kitsch, masqueraded as life; the reality of both was death. The Third Reich was the creation of “kitsch men,” people who confused the relationship between life and art, reality and myth, and who regarded the goal of existence as mere affirmation, devoid of criticism, difficulty, insight.”
― Modris Eksteins, quote from Rites of Spring: The Great War and the Birth of the Modern Age
“Myth took the place of objectively conceived history. Myth, Michel Tournier has said, is “history everyone already knows.”2 As such, history becomes nothing but a tool of the present, with no integrity whatsoever of its own.”
― Modris Eksteins, quote from Rites of Spring: The Great War and the Birth of the Modern Age
“It was Hitler’s style, his oratorical talents and his remarkable ability to transmit emotions and feelings in his speeches, that took him to the leadership of the ragtag party of misfits and adventurers that he joined in Munich in 1919 and that called itself the German Workers’ Party. The ideas he and the party spouted were all tattered; they were nothing but jargon inherited from the paranoid Austro-German border politics of the pre-1914 era, which saw “Germanness” threatened with inundation by “subject nationalities.” Even the combination “national socialist,” which Hitler added to the party’s name when he became leader in 1920, was borrowed from the same era and same sources. It was not the substance—there was no substance to the frantic neurotic tirades—that allowed the party to survive and later to grow. It was the style and the mood. It was above all the theater, the vulgar “art,” the grand guignol productions of the beer halls and the street.”
― Modris Eksteins, quote from Rites of Spring: The Great War and the Birth of the Modern Age
“Nazi kitsch may bear a blood relationship to the highbrow religion of art proclaimed by many moderns.”
― Modris Eksteins, quote from Rites of Spring: The Great War and the Birth of the Modern Age
Modris Eksteins
Born place: in Riga, Latvia
Born date December 13, 1943
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“Yes," Ba said sadly, "it is impossible. But it is not ridiculous.”
― Grace Lin, quote from Where the Mountain Meets the Moon
“Той вървеше, забил поглед в обувките си от червеникавокафява кожа, и с учудване забеляза, че едната го води в една посока, а другата - в противоположна. Вглъби се, мислено прекара ъглополовящата на образувания от двете посоки ъгъл и тръгна по нея.”
― Boris Vian, quote from Foam of the Daze: L'Ecume Des Jours
“Elle me dit son nom, celui qu'elle s'est choisi: « Nadja, parce qu'en russe c'est le commencement du mot espérance, et parce que ce n'en n'est que le commencement.”
― André Breton, quote from Nadja
“I've had a weird couple of weeks, you know?"
"I completely know".
"But I- I mean, I'm not totally happy, but there's no way I'd go back to my old obvious self! I like it here. I like all the... confusion and heartbreak".
"It wasn't that bad... was it?"
"Scott... yes, it was. But I feel like I've learned some stuff along the way. I know things now".”
― Bryan Lee O'Malley, quote from Scott Pilgrim, Volume 3: Scott Pilgrim & The Infinite Sadness
“...Pouring every bit of the emotion she felt into her kiss, Blair melted into her partner until she could feel own her knees weaken. “I love you so much. It… it frightens me, but I can’t hold back.” “It frightens you?” “Yes. More than I can tell.” “Don’t be frightened,” Kylie murmured. “I’ll never hurt you, sweetheart. I swear!” “I know,” Blair said. “It’s not that… it’s… oh, I don’t know what it is. I’m just scared.” “Don’t let love frighten you. It’s freeing. Trust me.” “I do. I do trust you.” “That’s what love is,” Kylie said fervently. “It’s jumping out of a plane without a parachute, but knowing with every fiber of your being that you’re safe. Your lover will protect you. No matter what. It’s blind faith, Blair. Totally blind faith.” "I’ve never… ever felt this way before,” Blair said, tears filling her eyes. “I’m so frightened, Kylie. Please, please don’t hurt me.” She held on to her lover with all of her might, sobbing so hard she felt sick. “I’ll always be there for you. I’ll catch you. I promise I’ll catch you.”
― Susan X. Meagher, quote from All That Matters
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