“He’s trying not to laugh. I tell him I would have doomed mankind for him, and he tries not to laugh.”
― Karen Marie Moning, quote from The Fever Series
“Rowena was wrong. She was so wrong. There are only shades of gray. Black and white are nothing more than lofty ideals in our minds, the standards by which we try to judge things, and map out our place in the world in relevance to them. Good and evil, in their purest form, are as intangible and forever beyond our ability to hold in our hand as any Fae illusion. We can only aim at them, aspire to them, and hope not to get so lost in the shadows that we can no longer aim for the light.”
― Karen Marie Moning, quote from The Fever Series
“known,” Dani said miserably. “She hangs here. Likes Chester’s. I been hunting her. Guess she knew it. Ow!” She touched her mouth. Her lips were cracked, oozing. It looked as if her teeth were about to start falling out. Tears stung my eyes. I slammed my palms into the frozen Gray Woman. ”
― Karen Marie Moning, quote from The Fever Series
“Arrogance, like anger, is often a fatal flaw.”
― Karen Marie Moning, quote from The Fever Series
“Fuego para su frío, hielo para su fuego”
― Karen Marie Moning, quote from The Fever Series
Karen Marie Moning
Born place: in Cincinnati, Ohio, The United States
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“Oggi penso talvolta che il vicino dell’Elefante poteva essere il futuro ufficiale della Gestapo che lo avrebbe torturato durante gli interrogatori. L’Elefante non era fatto per stare in prigione perché membro di una qualche organizzazione clandestina, non era fatto per sopportare la slogatura delle articolazioni e gli schiaffi né poi, con le gambe rotte dopo un tentativo di fuga nel suicidio, per capire con sollievo, in un resto di consapevolezza, che il suo povero corpo stava morendo. Ma il gioviale Elefante era nato per vivere in armonia e pace, tra gli scherzi bonari e le chiacchierate con gli amici davanti a un bicchiere di vino. Era liberale, scettico e restio alle tentazioni dell’eroismo. A mio parere, la sua morte e quella dei suoi simili grava sui Wandervögel nostri coetanei assai di più della morte di molti giovani fanatici.”
― Czesław Miłosz, quote from Native Realm: A Search for Self-Definition
“معظم الشعوب، ككثير من الناس، لا يكون مطواعاً في غير شبابه، فهو إذا شاب تعذّر إصلاحه، والعادات إذا ما استقرت والأوهام إذا ما تأصلت حيناً كان من الأمور الخطره أن يراد إصلاحها، حتى إن الشعب لا يطيق مسّ أمراضه لمعالجتها، وهو في هذا كأولئك المرضى الجبناء الذين يرتعشون عند منظر الطبيب”
― Jean-Jacques Rousseau, quote from The Social Contract
“Sylphid was beginning to play professionally, and she was subbing as second harpist in the orchestra at Radio City Music Hall. She was called pretty regularly, once or twice a week, and she’d also got a job playing at a fancy restaurant in the East Sixties on Friday night. Ira would drive her from the Village up to the restaurant with her harp and then go and pick her and the harp up when she finished. He had the station wagon, and he’d pull up in front of the house and go inside and have to carry it down the stairs. The harp is in its felt cover, and Ira puts one hand on the column and one hand in the sound hole at the back and he lifts it up, lays the harp on a mattress they keep in the station wagon, and drives Sylphid and the harp uptown to the restaurant. At the restaurant he takes the harp out of the car and, big radio star that he is, he carries it inside. At ten-thirty, when the restaurant is finished serving dinner and Sylphid’s ready to come back to the Village, he goes around to pick her up and the whole operation is repeated. Every Friday. He hated the physical imposition that it was—those things weigh about eighty pounds—but he did it. I remember that in the hospital, when he had cracked up, he said to me, ‘She married me to carry her daughter’s harp! That’s why the woman married me! To haul that fucking harp!’ “On those Friday night trips, Ira found he could talk to Sylphid in ways he couldn’t when Eve was around. He’d ask her about being a movie star’s child. He’d say to her, ‘When you were a little girl, when did it dawn on you that something was up, that this wasn’t the way everyone grew up?’ She told him it was when the tour buses went up and down their street in Beverly Hills. She said she never saw her parents’ movies until she was a teenager. Her parents were trying to keep her normal and so they downplayed those movies around the house. Even the rich kid’s life in Beverly Hills with the other movie stars’ kids seemed normal enough until the tour buses stopped in front of her house and she could hear the tour guide saying, ‘This is Carlton Pennington’s house, where he lives with his wife, Eve Frame.’ “She told him about the production that birthday parties were for the movie stars’ kids—clowns, magicians, ponies, puppet shows, and every child attended by a nanny in a white nurse’s uniform. At the dining table, behind every child would be a nanny. The Penningtons had their own screening room and they ran movies. Kids would come over. Fifteen, twenty kids.”
― Philip Roth, quote from I Married a Communist
“Women are like posters. One is stuck on top of another and covers it completely. Perhaps just for a moment, when the paste is still soft and the paper still wet and slightly transparent, you may still catch a vague impression of the splashes of color of the first, but soon there's no more trace of it. Then, when the second one is removed, both come away together, leaving your memory and your heart as blank as a wall.”
― Pitigrilli, quote from Cocaine
“Methinks marriage has made my brother soft,” Alaric replied. “ ’Tis a shame when a puny lass has to save his arse.”
― Maya Banks, quote from Never Love a Highlander
Our Enemy the State
The Fine Art of Trut...
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The Hottest State
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