“যক্ষপুরীর হাওয়ায় সুন্দরের পরে অবজ্ঞা ঘটিয়ে দেয়, এইটেই সর্বনেশে। নরকেও সুন্দর আছে, কিন্তু সুন্দরকে কেউ সেখানে বুঝতেই পারে না, নরকবাসীর সব চেয়ে বড়ো সাজা তাই।”
― Rabindranath Tagore, quote from Red Oleanders
“স্বয়ং বিধির কৃপায় মদের বরাদ্দ জগতের চার দিকেই, এমন-কি, তোমাদের ঐ চোখের কটাক্ষে। আমাদের এই বাহুতে আমরা কাজ জোগাই, তোমাদের বাহুর বন্ধনে তোমরা মদ জোগাও। জীবলোকে মজুরি করতে হয়, আবার মজুরি ভুলতেও হয়। মদ না হলে ভোলাবে কিসে।”
― Rabindranath Tagore, quote from Red Oleanders
“: বাজে কথা বাদ দিয়ে আসল কথা আদায় করাই তো পণ্ডিতের অভিপ্রায়।
: কিন্তু বিধাতার নয়। তিনি আসল জিনিস সৃষ্টি করেছেন বাজে জিনিসকে লালন করবার জন্যে। তিনি সম্মান দেন ফলের আঁঠিকে, ভালোবাসা দেন ফলের শাঁসকে।”
― Rabindranath Tagore, quote from Red Oleanders
“: রাজা বলে, পুরাণ বলে কিছুই নেই। বর্তমান কালটাই কেবল বেড়ে বেড়ে চলেছে।
: পুরাণ যদি নেই তা হলে কিছু আছে কী করে? পিছন যদি না থাকে তো সামনেটা কি থাকতে পারে?
: রাজা বলেন, মহাকাল নবীনকে সম্মুখে প্রকাশ করে চলেছে, পণ্ডিত সেই কথাটাকে চাপা দিয়ে বলে : মহাকাল পুরাতনকে পিছনে বয়ে নিয়ে যাচ্ছে।”
― Rabindranath Tagore, quote from Red Oleanders
“বুঝছ না? আমাদের তো শুধু একটা চেহারা, সর্দারের চেহারা। কিন্তু ওর-যে এক পিঠে গোঁসাই, আর-এক পিঠে সর্দার। নামাবলিটা একটু ফেঁসে গেলেই সেটা ফাঁস হয়ে পড়ে। তাই সর্দারিধর্মটা নিজের অগোচরে পালন করতে হয়, তা হলে নামজপের বেলায় খুব বেশি বাধে না।”
― Rabindranath Tagore, quote from Red Oleanders
“The hospital is as busy as it was yesterday. We go in through the main entrance, and people walk in every direction. The people in scrubs and white coats all walk a little bit faster. There’s a guy sleeping on one of the waiting room sofas, and a hugely pregnant woman leaning against the wall by the elevator. She’s swirling a drink in a plastic cup. That baby is giving her T-shirt a run for its money. A toddler is throwing a tantrum somewhere down the hallway. The shrieking echoes.
We move to the bank of elevators, too, and Melonhead isn’t one of those guys who insists on pressing a button that’s already lit. He smiles and says “Good afternoon” to the pregnant woman, but I can’t look away from her swollen belly.
My mother is going to look like that.
My mother is going to have a baby.
My brain still can’t process this.
Suddenly, the woman’s abdomen twitches and shifts. It’s startling, and my eyes flick up to find her face.
She laughs at my expression. “He’s trying to get comfortable.”
The elevator dings, and we all get on. Her stomach keeps moving.
I realize I’m being a freak, but it’s the creepiest thing I’ve ever seen. I can’t stop staring.
She laughs again, softly, then comes closer. “Here. You can feel it.”
“It’s okay,” I say quickly.
Melonhead chuckles, and I scowl.
“Not too many people get to touch a baby before it’s born,” she says, her voice still teasing. “You don’t want to be one of the chosen few?”
“I’m not used to random women asking me to touch them,” I say.
“This is number five,” she says. “I’m completely over random people touching me. Here.” She takes my wrist and puts my hand right over the twitching.
Her belly is firmer than I expect, and we’re close enough that I can look right down her shirt. I’m torn between wanting to pull my hand back and not wanting to be rude.
Then the baby moves under my hand, something firm pushing right against my fingers. I gasp without meaning to.
“He says hi,” the woman says.
I can’t stop thinking of my mother. I try to imagine her looking like this, and I fail.
I try to imagine her encouraging me to touch the baby, and I fail.
Four months.
The elevator dings.
“Come on, Murph,” says Melonhead.
I look at the pregnant lady. I have no idea what to say. Thanks?
“Be good,” she says, and takes a sip of her drink.
The elevator closes and she’s gone”
― Brigid Kemmerer, quote from Letters to the Lost
“The secret of life, though, is to fall seven times and to get up eight times.”
― Paulo Coelho, quote from Alkimist
“What has our culture lost in 1980 that the avant-garde had in 1890? Ebullience, idealism, confidence, the belief that there was plenty of territory to explore, and above all the sense that art, in the most disinterested and noble way, could find the necessary metaphors by which a radically changing culture could be explained to its inhabitants.”
― Robert Hughes, quote from The Shock of the New
“Nathaniel Hawthorne, who was at the time American consul in Liverpool, provided a preface, then almost instantly wished he hadn’t, for the book was universally regarded by reviewers as preposterous hokum. Hawthorne under questioning admitted that he hadn’t actually read it. “This shall be the last of my benevolent follies, and I will never be kind to anybody again as long as [I] live,” he vowed in a letter to a friend.”
― Bill Bryson, quote from Shakespeare: The World as Stage
“But do you know when stories stop being stories? The moment someone begins to believe in them.”
― Andrzej Sapkowski, quote from Time of Contempt
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