“HOW
do you define a word without concrete meaning? To each his own, the saying goes, so
WHY
push to attain an ideal state of being that no two random people will agree is
WHERE
you want to be? Faultless. Finished. Incomparable. People can never be these, and anyway,
WHEN
did creating a flawless facade become a more vital goal than learning to love the person
WHO
lives inside your skin? The outside belongs to others. Only you should decide for you -
WHAT
is perfect.”
― Ellen Hopkins, quote from Perfect
“She is madness,
sanity. She is hell, and
paradise.”
― Ellen Hopkins, quote from Perfect
“...what good would it
do to
shutter your windows, never
dream of rainbows or find hope
in promises? Why choose to
walk away
rather than hold your ground
and fight for love?”
― Ellen Hopkins, quote from Perfect
“Bad choices or good, if you never take chances, someone else will build your life for you.”
― Ellen Hopkins, quote from Perfect
“Ghosts don't scare me. Flesh and blood people do.”
― Ellen Hopkins, quote from Perfect
“Am I more afraid
Of taking a chance and
learning I'm somebody
I don't know, or of risking
new territory,
only to find I'm the same
old me? There is comfort
in the tried and true.
Breaking ground
might uncover a sinkhole,
one impossible to climb out
of. And setting sail in
uncharted waters
might mean capsizing into
a sea monster's jaws.
Easier to turn my back on
these things
than to try tjem and fail.
And yet, a whisper insists
I need to know if they are or
aren't integral to me.
Status quo is a swamp.
And stagnation is slow death.”
― Ellen Hopkins, quote from Perfect
“Love
Is
a curious thing. Sometimes
it barrels into you, leaves you
breathless. Other times, it comes
in-
to your life, a tentative beam
of morning sun sneaking
through the blinds, and you think
this
light isn't possible. The shutters
are drawn. Night should linger
on. I don't feel like waking. Yet the
room
comes slowly lit. Sleep slithers
away, and at last you can no
longer deny the dawning.”
― Ellen Hopkins, quote from Perfect
“Death Is only the easy way out if you are the one who dies.”
― Ellen Hopkins, quote from Perfect
“Fake
Is that what you are
if you choose to improve
the basic not perfect you?”
― Ellen Hopkins, quote from Perfect
“When you've only got one little shimmer of sunshine, you capture it best you can.”
― Ellen Hopkins, quote from Perfect
“When did creating a flawless facade become a more vital goal than learning to love the person who lives inside your skin?”
― Ellen Hopkins, quote from Perfect
“If all you can promise me is today, I'll take it and hope for tomorrow.”
― Ellen Hopkins, quote from Perfect
“Perfect?
How
do you define a word without
concrete meaning? To each
his own, the saying goes, so
why
push to attain an ideal
state of being that no two
random people will agree is
where
you want to be? Faultless.
Finished. Incomparable. People
can never be these, and anyway,
when
did creating a flawless facade
become a more vital goal
than learning to love the person
who
lives inside your skin?
The outside belongs to others.
Only you should decide for you---
what
is perfect”
― Ellen Hopkins, quote from Perfect
“She is angle. I am
curve. Together, we are geometric
sculpture, and we make perfect sense.”
― Ellen Hopkins, quote from Perfect
“Living means taking chances. Risks. Playing safe all the time is being dead inside, even if you happen to still be breathing.”
― Ellen Hopkins, quote from Perfect
“Transformation
Isn't easy when most of the people
in your life think you're already
perfect, and want you to stay just
how they see you. Try to begin
a new phase, you'd better expect
push-back. Try to create a whole
new you, your friend list will shrink
considerably.”
― Ellen Hopkins, quote from Perfect
“Not exactly. I see a girl who wants to present someone special to the world. Someone beautiful. The pinnacle of beauty. But she has lost her hold on reality. Real beauty isn’t thin. It isn’t size two, unless you happen to be four foot ten. What the world sees when they look at you is someone who believes self-worth is all about how she looks, and that very often means that what she’s missing is love. Not someone else’s love. But love and respect for herself.”
― Ellen Hopkins, quote from Perfect
“There will never be color
blindness in a culture of
fear.”
― Ellen Hopkins, quote from Perfect
“A Problem Is really just a solution in need of a reason to exist.”
― Ellen Hopkins, quote from Perfect
“Love is Chocolate
The unprocessed kind. Dark. Bitter.
But always with the promise of sweet
perfection. All it takes is sugar-
that certain someone's kiss, flavored
with possibility. If Dani has taught
me anything, it's that life is brimming
with possibilities. Every single day
brings choices.”
― Ellen Hopkins, quote from Perfect
“The truth is, I've always been afraid of letting anyone get too close. I built a wall around me, a barricade to hide behind those few times someone wanted entry to my heart.”
― Ellen Hopkins, quote from Perfect
“For a long while. Finally she says, I don't believe in love. Not sure it really exists, but even if it does for some people, it won't for me. She is serious. Then she lightens up. But, hey, if you think you love me, cool.”
― Ellen Hopkins, quote from Perfect
“Paradise
A concept embraced by almost every culture. A land of peace
and harmony. Some say it
doesn't
belong to the earth, that there
is no Shangri-la, no utopian
wilderness for the living.”
― Ellen Hopkins, quote from Perfect
“I can see why she feels left behind. Maybe even discarded. Is that why she refuses to accept my love and return it? Afraid that love doesn't last? Doesn't really exist? Afraid if her own father can withdraw his love (or at least the manifestation of his love), that maybe she somehow isn't worthy of the emotion?”
― Ellen Hopkins, quote from Perfect
“Commitment means losing yourself to gain something temporary. Nothing lasts. Not looks. Not love. I'm living large and living for today because there might not be a tomorrow.”
― Ellen Hopkins, quote from Perfect
“back turned, you don't have to look at what you've left behind. And the first person who turned their back on you can't watch you break down and cry.”
― Ellen Hopkins, quote from Perfect
“The Stain
That Conner left on our lives will
not vanish as easily. I don’t care
about Mom and her birds.
Their estimation of my brother
doesn’t bother me at all. Neither
do I worry about Dad and
what his lobbyist buddies think.
His political clout has not diminished.
As twins go, Conner and I don’t share
a deep affection, but we do have
a nine-months-in-the-same-womb
connection. Not to mention
a crowd of mutual friends. God,
I’ll never forget going to school
the day after that ugly scene.
The plan was to sever the gossip
grapevine from the start with
an obvious explanation—
accident. Mom’s orders were
clear. Conner’s reputation
was to be protected at all costs.
When I arrived, the rumors
had already started, thanks
to our neighbor, Bobby Duvall.
Conner Sykes got hurt.
Conner Sykes was shot.
Conner Sykes is in the hospital.
Is Conner Sykes, like, dead?
I fielded every single question
with the agreed fabrication.
But eventually, I was forced to
concede that, though his wounds
would heal, he was not coming
back to school right away.
Conner Sykes wasn’t dead.
But he wasn’t exactly “okay.”
― Ellen Hopkins, quote from Perfect
“The Beatitudes, in particular, are not teachings on how to be blessed. They are not instructions to do anything. They do not indicate conditions that are especially pleasing to God or good for human beings. No one is actually being told that they are better off for being poor, for mourning, for being persecuted, and so on, or that the conditions listed are recommended ways to well-being before God or man. Nor are the Beatitudes indications of who will be on top “after the revolution.” They are explanations and illustrations, drawn from the immediate setting, of the present availability of the kingdom through personal relationship to Jesus. They single out cases that provide proof that, in him, the rule of God from the heavens truly is available in life circumstances that are beyond all human hope.”
― Dallas Willard, quote from The Divine Conspiracy: Rediscovering Our Hidden Life in God
“The most powerful drive in the ascent of man is his pleasure in his own skill. He loves to do what he does well and, having done it well, he loves to do it better. You see it in his science. You see it in the magnificence with which he carves and builds, the loving care, the gaiety, the effrontery. The monuments are supposed to commemorate kings and religions, heroes, dogmas, but in the end the man they commemorate is the builder.”
― Jacob Bronowski, quote from The Ascent of Man
“Let's get it over with, so I can stop wondering. How many have there been?"
Lauren stared at him."How many what?"
"Lovers," he clarified bitterly.
She could hardly believe her ears. After treating her as if her standards of morality were childish, after acting as if promiscuity was a virtue, after telling her how man preferred experienced women, he was jealous. Because now he cared.
Lauren didn't know whether to hit him, burst out laughing or hug him. Instead she decided to exact just a tiny bit of revenge for all the misery and uncertainty he had put her through. Turning,she walked over to the bar and reached for a bottle of white wine. "Why should the number make any difference?" she asked innocently. "You told me in Harbor Springs that men don't prize virginity anymore, that they don't expect or want a woman to be inexperienced.Right?"
"Right," he said grimly, glowering at the ice cubes in his glass.
"You also said," she continued, biting back a smile, "that women have the same physical desires men have,and that we have the right to satisfy them with whomever we wish.You were very emphatic about that-"
"Lauren," he warned in a low voice, "I asked you a simple question. I don't care what the answer is, I just want an answer so I can stop wondering. Tell me how many there were. Tell me if you liked the, if you didn't give a damn abou them,or if you did it to get even with me.Just tell me.I won't hold it against you."
Like hell you wouldn't! Lauren thought happily as she struggled to uncork the bottle of wine. "Of course you won't hold it against me," she said lightly. "You specifically said-"
"I know what I said," he snapped tersely. "Now,how many?"
She flicked a glance in his direction, implying that she was bewildered by his tone. "Only one."
Angry regret flared in his eyes,and his body tensed as if he had just felt a physical blow. "Did you...care about him?"
"I thought I loved him at the time," Lauren said brightly, twisting the corkscrew deeper into the cork.
"All right.Let's forget him," Nick said curtly. He finally noticed her efforts with the wine bottle and walked over to help her.
"Are you going to be able to forget him?" Lauren asked, admiring the ease with which he managed the stubborn cork.
"I will...after a while."
"What do you mean,after a while? You said there was nothing promiscuous about a woman satisfying her biological-"
"I know what I said,dammit!"
"Then why do you look so angry? You didn't lie to me,did you?"
"I didn't lie," he said, slamming the bottle onto the bar and reaching for a glass from the cabinet. "I believed it at the time."
"Why?" she goaded.
"Because it was convenient to believe it," he bit out. "I was not in love with you then."
Lauren loved him more at that moment than ever. "Would you like me to tell you about him?"
"No," he said coldly.
Her eyes twinkled, but she backed a cautious step out of his reach. "You would have approved of him. He was tall, dark, and handsome, like you. Very elegant,sophisticated and experienced. He wore down my resistence in two days,and-"
"Dammit, stop it!" Nick grated in genuine fury.
"His name is John."
Nick braced both hands on the liguor cabinet,his back to her. "I do not want to hear this!"
"John Nicholas Sinclair," Lauren clarified.”
― Judith McNaught, quote from Double Standards
“In fact this is precisely the logic on which the Bank of England—the first successful modern central bank—was originally founded. In 1694, a consortium of English bankers made a loan of £1,200,000 to the king. In return they received a royal monopoly on the issuance of banknotes. What this meant in practice was they had the right to advance IOUs for a portion of the money the king now owed them to any inhabitant of the kingdom willing to borrow from them, or willing to deposit their own money in the bank—in effect, to circulate or "monetize" the newly created royal debt. This was a great deal for the bankers (they got to charge the king 8 percent annual interest for the original loan and simultaneously charge interest on the same money to the clients who borrowed it) , but it only worked as long as the original loan remained outstanding. To this day, this loan has never been paid back. It cannot be. If it ever were, the entire monetary system of Great Britain would cease to exist.”
― David Graeber, quote from Debt: The First 5,000 Years
“So, is there hope for a truly democratic Africa? Long answer: Only if continent-wide improvements in education, human rights and public health are coupled with an aggressive and far-sighted debt-relief program that breaks the cycle of subsistence farming and urban squalor. Short answer: No.”
― Jon Stewart, quote from America (The Book): A Citizen's Guide to Democracy Inaction
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