Jan Valtin · 720 pages
Rating: (175 votes)
“Prisons are built to break men, and when men are broken society has consummated its revenge”
― Jan Valtin, quote from Out of the Night: The Memoir of Richard Julius Herman Krebs alias Jan Valtin
“A man lives his life only when he is marching, i thought, when he keeps marching onwards at any price. When he stops marching onwards, he decays. The joy of life is the joy of the experience that comes from feeling one's own strength.”
― Jan Valtin, quote from Out of the Night: The Memoir of Richard Julius Herman Krebs alias Jan Valtin
“We were the unflinching prisoners of a grandiose make-believe, we who looked upon ourselves as heard-headed materialists. We dismissed the distress of today, the human wreckage scattered all about us, the terror and militarism prevailing in the country with the stereotyped belief that we were marching forward with great strides.”
― Jan Valtin, quote from Out of the Night: The Memoir of Richard Julius Herman Krebs alias Jan Valtin
“Break the character and independence of your man and you will have an obedient trooper.”
― Jan Valtin, quote from Out of the Night: The Memoir of Richard Julius Herman Krebs alias Jan Valtin
“I would not have shied away from an assignment to sail a canoe around Cape Horn or to take charge of the government of Afghanistan.”
― Jan Valtin, quote from Out of the Night: The Memoir of Richard Julius Herman Krebs alias Jan Valtin
“The hours slipped by, and the men and the girls talked and talked as only communists of that wild and irresponsible period could talk when they were among themselves. They were as preoccupied with their own importance and their revolutionairy tasks as children are with new and engrossing toys. I listened as if under a spell. After all, compared with the tight-lipped conspirators of a later decade, we were like children partaking of a heavy wine.”
― Jan Valtin, quote from Out of the Night: The Memoir of Richard Julius Herman Krebs alias Jan Valtin
“We find that a high plane of sustained horror is often convenient for reasons of state." — Inspector Kraus (Gestapo)”
― Jan Valtin, quote from Out of the Night: The Memoir of Richard Julius Herman Krebs alias Jan Valtin
“The hours slipped by, and the men and the girls talked and talked as only communists of that wild and irresponsible period could talk when they were omong themselves. They were as preoccupied with their own importance and their revolutionairy tasks as children are with new and engrossing toys. I listened as if under a spell. After all, compared with the tight-lipped conspirators of a later decade, we were like children partaking of a heavy wine.”
― Jan Valtin, quote from Out of the Night: The Memoir of Richard Julius Herman Krebs alias Jan Valtin
Jan Valtin
Born place: in Germany
Born date December 17, 1905
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“The hospital is as busy as it was yesterday. We go in through the main entrance, and people walk in every direction. The people in scrubs and white coats all walk a little bit faster. There’s a guy sleeping on one of the waiting room sofas, and a hugely pregnant woman leaning against the wall by the elevator. She’s swirling a drink in a plastic cup. That baby is giving her T-shirt a run for its money. A toddler is throwing a tantrum somewhere down the hallway. The shrieking echoes.
We move to the bank of elevators, too, and Melonhead isn’t one of those guys who insists on pressing a button that’s already lit. He smiles and says “Good afternoon” to the pregnant woman, but I can’t look away from her swollen belly.
My mother is going to look like that.
My mother is going to have a baby.
My brain still can’t process this.
Suddenly, the woman’s abdomen twitches and shifts. It’s startling, and my eyes flick up to find her face.
She laughs at my expression. “He’s trying to get comfortable.”
The elevator dings, and we all get on. Her stomach keeps moving.
I realize I’m being a freak, but it’s the creepiest thing I’ve ever seen. I can’t stop staring.
She laughs again, softly, then comes closer. “Here. You can feel it.”
“It’s okay,” I say quickly.
Melonhead chuckles, and I scowl.
“Not too many people get to touch a baby before it’s born,” she says, her voice still teasing. “You don’t want to be one of the chosen few?”
“I’m not used to random women asking me to touch them,” I say.
“This is number five,” she says. “I’m completely over random people touching me. Here.” She takes my wrist and puts my hand right over the twitching.
Her belly is firmer than I expect, and we’re close enough that I can look right down her shirt. I’m torn between wanting to pull my hand back and not wanting to be rude.
Then the baby moves under my hand, something firm pushing right against my fingers. I gasp without meaning to.
“He says hi,” the woman says.
I can’t stop thinking of my mother. I try to imagine her looking like this, and I fail.
I try to imagine her encouraging me to touch the baby, and I fail.
Four months.
The elevator dings.
“Come on, Murph,” says Melonhead.
I look at the pregnant lady. I have no idea what to say. Thanks?
“Be good,” she says, and takes a sip of her drink.
The elevator closes and she’s gone”
― Brigid Kemmerer, quote from Letters to the Lost
“The simple things are also the most extraordinary things, and only the wise can see them.”
― Paulo Coelho, quote from Alkimist
“But aesthetic value does not rise from the work's apparent ability to predict a future: we do not admire Cézanne because of the Cubists drew on him. Value rises from deep in the work itself - from its vitality, its intrinsic qualities, its address to the senses, intellect, and imagination; from the uses it makes of the concrete body of tradition. In art there is no progress, only fluctuations of intensity. Not even the greatest doctor in Bologna in the 17th century knew as much a bout the human body as today's third-year medical student. But nobody alive today can draw as well as Rembrandt or Goya.”
― Robert Hughes, quote from The Shock of the New
“Criminality was so widespread that its practitioners split into fields of specialization. Some became coney catchers, or swindlers (a coney was a rabbit reared for the table and thus unsuspectingly tame); others became foists (pickpockets), nips, or nippers (cutpurses), hookers (who snatched desirables through open windows with hooks), abtams (who feigned lunacy to provide a distraction), whipjacks, fingerers, cross biters, cozeners, courtesy men, and many more. Brawls were shockingly common.”
― Bill Bryson, quote from Shakespeare: The World as Stage
“But do you know when stories stop being stories? The moment someone begins to believe in them.”
― Andrzej Sapkowski, quote from Time of Contempt
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