Jan Valtin · 720 pages
Rating: (175 votes)
“Prisons are built to break men, and when men are broken society has consummated its revenge”
― Jan Valtin, quote from Out of the Night: The Memoir of Richard Julius Herman Krebs alias Jan Valtin
“A man lives his life only when he is marching, i thought, when he keeps marching onwards at any price. When he stops marching onwards, he decays. The joy of life is the joy of the experience that comes from feeling one's own strength.”
― Jan Valtin, quote from Out of the Night: The Memoir of Richard Julius Herman Krebs alias Jan Valtin
“We were the unflinching prisoners of a grandiose make-believe, we who looked upon ourselves as heard-headed materialists. We dismissed the distress of today, the human wreckage scattered all about us, the terror and militarism prevailing in the country with the stereotyped belief that we were marching forward with great strides.”
― Jan Valtin, quote from Out of the Night: The Memoir of Richard Julius Herman Krebs alias Jan Valtin
“Break the character and independence of your man and you will have an obedient trooper.”
― Jan Valtin, quote from Out of the Night: The Memoir of Richard Julius Herman Krebs alias Jan Valtin
“I would not have shied away from an assignment to sail a canoe around Cape Horn or to take charge of the government of Afghanistan.”
― Jan Valtin, quote from Out of the Night: The Memoir of Richard Julius Herman Krebs alias Jan Valtin
“The hours slipped by, and the men and the girls talked and talked as only communists of that wild and irresponsible period could talk when they were among themselves. They were as preoccupied with their own importance and their revolutionairy tasks as children are with new and engrossing toys. I listened as if under a spell. After all, compared with the tight-lipped conspirators of a later decade, we were like children partaking of a heavy wine.”
― Jan Valtin, quote from Out of the Night: The Memoir of Richard Julius Herman Krebs alias Jan Valtin
“We find that a high plane of sustained horror is often convenient for reasons of state." — Inspector Kraus (Gestapo)”
― Jan Valtin, quote from Out of the Night: The Memoir of Richard Julius Herman Krebs alias Jan Valtin
“The hours slipped by, and the men and the girls talked and talked as only communists of that wild and irresponsible period could talk when they were omong themselves. They were as preoccupied with their own importance and their revolutionairy tasks as children are with new and engrossing toys. I listened as if under a spell. After all, compared with the tight-lipped conspirators of a later decade, we were like children partaking of a heavy wine.”
― Jan Valtin, quote from Out of the Night: The Memoir of Richard Julius Herman Krebs alias Jan Valtin
“When a chance for real happiness comes by, grab it with both hands and devour it. If it lasts five minutes or five lifetimes, it's still worth it.”
― Malorie Blackman, quote from Checkmate
“There's no better cure for the fear of taking after one's father, than not to know who he is.”
― André Gide, quote from The Counterfeiters
“She did not feel she could be a writer because she lacked the courage to let anyone read her words. When”
― Christopher Rice, quote from A Density of Souls
“Roses," Georgiana repeated, her thoughtful gaze touching his. "It's about time one of the Carroway men
decided to cultivate something other than their poor reputations.”
― Suzanne Enoch, quote from England's Perfect Hero
“There is no ready vocabulary to describe the ways in which artists become artists, no recognition that artists must learn to be who they are (even as they cannot help being who they are.) We have a language that reflects how we learn to paint, but not how we learn to paint our paintings. How do you describe the [reader to place words here] that changes when craft swells to art?
"Artists come together with the clear knowledge that when all is said and done, they will return to their studio and practice art alone. Period. That simple truth may be the deepest bond we share. The message across time from the painted bison and the carved ivory seal speaks not of the differences between the makers of that art and ourselves, but of the similarities. Today these similarities lay hidden beneath urban complexity -- audience, critics, economics, trivia -- in a self-conscious world. Only in those moments when we are truly working on our own work do we recover the fundamental connection we share with all makers of art. The rest may be necessary, but it's not art. Your job is to draw a line from your art to your life that is straight and clear.”
― quote from Art and Fear: Observations on the Perils (and Rewards) of Artmaking
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