Quotes from Never Eighteen

Megan Bostic ·  200 pages

Rating: (2K votes)


“Life is subjective as far as memories are concerned. I mean, what pieces of your own life do you really remember? Some good times, some bad times definitely, but mostly you remember those times that really stand out, those times that define who you are as an individual. Now's the time my life flashes before me—flickering recollections, vacations, holidays, friendships, the moments that made a difference. Mostly I remember that weekend with Kaylee.”
― Megan Bostic, quote from Never Eighteen


“She gets my need to fix things that have broken along the way, to mend fences. Maybe if we all just tried to put the pieces back together as soon as they fell out of place, the puzzles in our lives would feel more like an accomplishment than a chore.”
― Megan Bostic, quote from Never Eighteen


“What if you can't, Austin? You can't help everyone."
"At least I'll know I tried.”
― Megan Bostic, quote from Never Eighteen


“Sometimes I think about the trees and the mountains and how long they've been here. Much longer than I've been alive, and they'll be here long after I've gone. It makes you realize how small you are in the scheme of things, what little impact you have on the world. It's part of the reason why I'm doing what I'm doing this weekend, to make an impact. To know I might have made a difference, even if it was a small one.”
― Megan Bostic, quote from Never Eighteen


About the author

Megan Bostic
Born place: in The United States
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Popular quotes

“Now, tell me again why I’m freezing my ass off in the middle of the woods?”
Legna chuckled.
“Because it is tradition. Your mate must find you and then carry you to the altar. Seeking you out is symbolic of his desire to let nothing come between you. Bringing you to the altar is a reflection of how it is his duty to help you over obstacles so that you may reach moments of joy together.”
“It’s very romantic,” Isabella said, “if a little chauvinistic.”
“Not in the least. The sharing of responsibility within a joining is symbolized just as strongly. The bride must tie the handfasting ribbon around her mate’s wrist. The white ribbon symbolizes honesty and love and fidelity, and by allowing himself to be so tied means the groom must provide for her at all times, as she will provide for him. The black is a promise that they will forever do all in their power to protect their union, their children, and the perpetuation of the essentials of our culture.”
“But you’ve tied a red ribbon to the end of the black, Legna. What does thatmean?”
“Actually”—the Demon woman smiled—“there is no precedent for the red ribbon. However, I felt it only fair to have a physical reminder that you have a culture of your own and will have just as much right to perpetuate that within your children as Jacob does.”
“Legna,” Isabella giggled, giving her an admonishing look, “that is positively rebellious and feminist of you.”
“I never claimed to be an old-fashioned girl,” Legna confided with a wink.”
― Jacquelyn Frank, quote from Jacob


“My pulse whooshed in my ears so fast I could barely hear myself speak. “I only have—”
“Two days.” He squeezed my hand. “So what? You can spend them feeling sorry for yourself, or you can let me help make them the best two days
of your life, and my afterlife. So what’s it gonna be?”
I stared into his eyes, like I’d never seen him before. And I hadn’t—not like this. But he’d obviously seen me, better than anyone else ever had.
“Well?” Tod watched me, his hand still warm in mine.
In answer, I leaned forward and kissed him again.”
― Rachel Vincent, quote from If I Die


“Many people don't know about the power of good feelings, and so their feelings are reactions or responses to what happens to them. THey have their feelings on automatic pilot, instead of deliberately taking charge of them. When something good happens, they feel good. When something bad happens, they feel bad. They don't realize that their feelings are the cause of what is happening to them. As they react with negative feelings to something that has happened, they give out more negative feelings, adn they receive back more negative circumstances.”
― Rhonda Byrne, quote from The Power


“I love the way folktale and fantasy tap into the roots of story telling. The paradox, for me, is that by moving a story into the fantastic we can actually bring it closer to the reader, not move it further away. It is more than an escape. When we read of the only daughter of a fisherman (or the third son of a woodcutter) in a fairy tale, we are all that character. That's the underlying pulse beat of such tales. Using the fantastic as a prism for the past, if done properly, removes the tale from distancing specificity. It can't just be read as unique to a time and place; it is universalized in interesting, powerful ways. When I wrote Tigana, about the way tyranny tries to erase identity in conquered peoples, the fantasy setting seems to have done exactly that: I'm asked in places ranging from Korea to Poland to Croatia to Quebec, "Were you writing about us?"

I was. All of them. That is the point. The fantastic is a tool in the writer's arsenal, as potentially powerful as any there is, and any tool we have works to the benefit of the reader.”
― Guy Gavriel Kay, quote from Under Heaven


“Mendanbar wondered idly whether a bucket of soapy water plus lemon juice plus dishes would be as good for melting a wizard as one without dishes, and what effect the dishes would have on the process. Being melted was probably not very comfortable, but being melted while cups and plates and forks were falling on your head was likely to be even less so.”
― Patricia C. Wrede, quote from The Enchanted Forest Chronicles


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