“The past is a candle at great distance: too close to let you quit, too far to comfort you.”
― Amy Bloom, quote from Away
“Everyone has two memories. The one you can tell and the one that is stuck to the underside of that, the dark, tarry smear of what happened.”
― Amy Bloom, quote from Away
“She believes in will. It is so frail and delicate at night that she can’t even imagine the next morning, but it is so wide and binding by the middle of the next day that she cannot even remember the terrible night. It is as if she gives birth every day.”
― Amy Bloom, quote from Away
“Surely, somewhere in the back of Bulfinch, in a part Lillian had not gotten to, there is an obscure (abstruse, arcane, shadowy, and even hidden) version of Proserpine in he Underworld in which a tired Jewish Ceres schleps through the outskirts of Tartarus, an ugly village of tired whores who must double as laundresses and barbers, a couple of saloons, a nearly empty five-and-dime, and people too poor to pull up stakes. In this version, Ceres looks all over town for her Proserpine, who crossed the River Cyane in a pretty sailboat with Pluto, having had the good sense to come to an understanding with the king early on. Pluto and Proserpine picnic in a charming park, twinkling lights overhead and handsome wide benches like the ones in Central Park. When Ceres comes, tripping a little on her hem as she walks through the soft grass, muttering and trying to yank Proserpine to her feet so they can start the long trip home to Enna and daylight (which has lost much of its luster, now that Proserpine is queen of all she surveys), the girl does not jump up at the sight of her mother, but takes her time handing out the sandwiches and pours cups of sweetened tea for the three of them. She lays a nicely ironed napkin in her lap and another in the lap of her new husband, the king. Proserpine does not eat the pomegranate seeds by mistake, or in a moment of desperate hunger, or fright, or misunderstanding. She takes the pomegranate slice out of her husband’s dark and glittering hand and pulls the seeds into her open, laughing mouth; she eats only six seeds because her mother knocks it out of her hand before she can swallow the whole sparkling red cluster.
“We have to get home,” Ceres says.
“I am home,” her daughter says.”
― Amy Bloom, quote from Away
“But in the morning everything can, and must, be seen. Daylight takes us; it peels us like fruit.”
― Amy Bloom, quote from Away
“Literature is one of the best allies of virtue and promoters of happiness.”
― Amy Bloom, quote from Away
“[...] und sie hört, wie er sich in sein Doppelbett legt, auf seine Seite, da er nicht auf Helens Seite schlafen kann, wo er heimlich drei ihrer bestickten Kissen arrangiert hat und sich zum Schlafen ihnen zuwendet, ein Arm um das mittlere Kissen gelegt, den anderen unter dem Kopf, wobei seine Hand wie zum Schutz auf seiner Stirn ruht.”
― Amy Bloom, quote from Away
“Eviction," Frieda said. "You can't pay, you can't stay." She said in Yiddish, "Es iz shver tzu makhen a leben." It's hard to make a living.”
― Amy Bloom, quote from Away
“...as he cannot sleep on Helen's side, which is where he has secretly arranged three of her embroidered pillows, and sleeps facing them, one arm around the middle pillow, the other curled under his head, his hand resting on his brow as if for protection.”
― Amy Bloom, quote from Away
“Mary made him lie down in the middle of the stage. Then she started singing, “Everything’s all right, yes, everything’s fine …” and rubbing something on his forehead, which wasn’t going to help him. No one ever gets saved by a forehead rub. Ask Laura Ingalls Wilder if you don’t believe me. But Mary kept doing it anyway, begging him to let the world turn without him tonight because everything was all right—which it wasn’t, because even his best friend, Judas, was acting weird.”
― Jennifer Gooch Hummer, quote from Girl Unmoored
“Plût au ciel que le lecteur, enhardi et devenu momentanément féroce comme ce qu’il lit, trouve, sans se désorienter, son chemin abrupt et sauvage, à travers les marécages désolés de ces pages sombres et pleines de poison ; car, à moins qu'il n’apporte dans sa lecture une logique rigoureuse et une tension d’esprit égale au moins à sa défiance, les émanations mortelles de ce livre imbiberont son âme comme l’eau le sucre. Il n’est pas bon que tout le monde lise les pages qui vont suivre ; quelques-uns seuls savoureront ce fruit amer sans danger. Par conséquent, âme timide, avant de pénétrer plus loin dans de pareilles landes inexplorées, dirige tes talons en arrière et non en avant. Écoute bien ce que je te dis : dirige tes talons en arrière et non en avant.”
― Comte de Lautréamont, quote from Maldoror = Les Chants de Maldoror, together with a translation of Lautréamont's Poésies
“4 :
...
الحقيقة هي السيد ، ..
و الحقيقة هي اسمه و كلامه ،
مع حب غير محدود
الناس يتضرعون و يصلون :
(اعطنا .. اعطنا)
و المعطي العظيم يعطيهم هداياه
فما التقدمة التي نستطيع وضعها أمامه ،
بعد كل هذا ، كي تشفع لنا في محكمته ؟
ما هي الكلمات التي نستطيع قولها
لاستحضار حبه ؟
...
في وقت السحر ،
بساعات اللذة الروحانية فيما قبل الفجر
أنشد اسمه
و تأمل عظمته و مجده
...
بواسطة الكرمة
(Karma)
حصلنا على هذا الرداء من الجسد المادي ..،
و بنعمته عثرنا على بوابة التحرر
اوه ناناك ، نعرف هذا جيدا:
الواحد الصحيح .. هو نفسه .. الكل
*****
*(الكارما هي مجموعة من تصرفاتنا السابقة في حيوات و تجسدات اخرى ، و التي ربما أدت الى اعادة تجسدنا مرة اخرى ، و عدم تحرر ارواحنا من التجسد كما يعتقد المؤمنين بها، و يعتقد السيخ بامكانية تحرر ارواحنا من التجسد بواسطة نعمة الله الحق)”
― Guru Nanak, quote from Sri Guru Granth Sahib
“Ma'am," Magnus said, advancing. "I must counsel you not to exit the carriage while a demon-slaying is in progress.”
― Cassandra Clare, quote from Vampires, Scones, and Edmund Herondale
“In the harsh veracity of the real world, he was rich, successful, and one of the most desired bachelors in New York—and I was, well, me. A world I hoped wouldn’t tear us apart by pointing out just how different our lives were.
“You’re probably eager to get home,” Jett whispered in my ear so the flight attendant serving coffee wouldn’t hear us, “but will you stay with me one more night? I’m not quite ready to let this go.”
― J.C. Reed, quote from Surrender Your Love
BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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