“What is normal? Normal is only ordinary; mediocre. Life belongs to the rare, exceptional individual who dares to be different.”
― V.C. Andrews, quote from My Sweet Audrina
“All pain seemed to come with lots of blood, and lots of mental anguish, too. I already knew about that. Maybe that was the worst kind of pain, because nobody knew about it but you.”
― V.C. Andrews, quote from My Sweet Audrina
“There were shadows in the corners and whispers on the stairs and time was irrelevant as honesty.”
― V.C. Andrews, quote from My Sweet Audrina
“Blood ties are not supposed to be chains.”
― V.C. Andrews, quote from My Sweet Audrina
“Shadows in the house put shadows in the mind.”
― V.C. Andrews, quote from My Sweet Audrina
“I lay so still in the gloom I could hear the house breathe, and the boards of the floors whispered, conniving a way to keep me here forever.”
― V.C. Andrews, quote from My Sweet Audrina
“There were shadows in the corners and whispers on the stairs and time was as irrelevant as honesty.”
― V.C. Andrews, quote from My Sweet Audrina
V.C. Andrews
Born place: in Portsmouth, Virginia, The United States
Born date June 6, 1923
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“...there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there.”
― Bret Easton Ellis, quote from American Psycho
“It’s of some interest that the lively arts of the millenial U.S.A. treat anhedonia and internal emptiness as hip and cool. It’s maybe the vestiges of the Romantic glorification of Weltschmerz, which means world-weariness or hip ennui. Maybe it’s the fact that most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip - and keep in mind that, for kids and younger people, to be hip and cool is the same as to be admired and accepted and included and so Unalone. Forget so-called peer-pressure. It’s more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naivete. Sentiment equals naïveté on this continent...
...Hal, who’s empty but not dumb, theorizes privately that what passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human (at least as he conceptualizes it) is probably to be unavoidably sentimental and naive and goo-prone and generally pathetic, is to be in some basic interior way forever infantile, some sort of not-quite-right-looking infant dragging itself anaclitically around the map, with big wet eyes and froggy-soft skin, huge skull, gooey drool. One of the really American things about Hal, probably, is the way he despises what it is he’s really lonely for: this hideous internal self, incontinent of sentiment and need, that pules and writhes just under the hip empty mask, anhedonia.”
― David Foster Wallace, quote from Infinite Jest
“The more you know who you are, and what you want, the less you let things upset you.”
― Stephanie Perkins, quote from Anna and the French Kiss
“They seek him here, they seek him there
Those Frenchies seek him everywhere
Is he in heaven or is he in hell?
That demned elusive Pimpernel”
― Emmuska Orczy, quote from The Scarlet Pimpernel
“In conclusion, the arms of others either fall from your back, or they weigh you down, or they bind you fast.”
― Niccolò Machiavelli, quote from The Prince
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