“Human females, they're kind of crazy during this time aren't they?
If you chose to believe the stories written by male writers.
They heard a bang and thump from the kitchen. Followed by Meg yelling at something.
That many males can't be wrong.”
― Anne Bishop, quote from Murder of Crows
“Are there weapons in a bookstore?'
'It's a store full of books, which are objects that can be thrown as well as read,' Monty replied blandly.
The Crows cocked his head. 'I had no idea you humans lived with so much danger.”
― Anne Bishop, quote from Murder of Crows
“The cow-shaped cookies have a beef flavoring, the turkey-shaped cookies have a poultry flavoring, and..."
Jane held up one of the cookies. "Human-flavored?"
Meg stifled a sigh. That would be the first thing on her feedback list: don't make people-shaped cookies. The Wolves were way too interested and all of them leaped to a logical, if disturbing, expectation about the taste.”
― Anne Bishop, quote from Murder of Crows
“Okay. I picked up a movie to watch tonight. You can watch it with me if you like. It's a chick movie. Merri Lee said that means girls like it, not that there are small birds in it.”
― Anne Bishop, quote from Murder of Crows
“Do any of them realize that Simon Wolfgard is falling in love with Meg Corbyn? Monty wondered. Does Wolfgard understand his own response to the girl? What about Meg? How does she feel? What would the rest of the Others do if one of their kind did fall in love with a human?”
― Anne Bishop, quote from Murder of Crows
“If you try to quit I will eat you!”
― Anne Bishop, quote from Murder of Crows
“Maybe you should go home and rest," Simon told Meg. Maybe he could go home with her and they could cuddle for a while or play a game. Or she could watch a movie with him and pet him.”
― Anne Bishop, quote from Murder of Crows
“Wait! I'm the one who's supposed to chase!”
― Anne Bishop, quote from Murder of Crows
“I’ll see if I can find someone in the Toland Police Department who doesn’t use his brains to wipe his backside.”
― Anne Bishop, quote from Murder of Crows
“And getting licked by someone furry wasn't threatening but being kissed by the non furred male was, which made sense when the furry and non furred were the same person. Wolf.”
― Anne Bishop, quote from Murder of Crows
“She kicked me off the bed!”
― Anne Bishop, quote from Murder of Crows
“I’ve done some research for my books and talked to a few humans, and they all said humans would use guns and knives and clubs for weapons.” The Crow nodded. “A screaming woman with a teakettle just doesn’t sound sufficiently dangerous.” “But she was! They were!” Alan said. “How would a human deal with them?”
― Anne Bishop, quote from Murder of Crows
“Oh, no.
He was furry, not stupid.”
― Anne Bishop, quote from Murder of Crows
“I'm confused."
"Where Meg is concerned, you've been confused since you met her.”
― Anne Bishop, quote from Murder of Crows
“Simon's relationship with Meg was too complex for anything as simple as sex.”
― Anne Bishop, quote from Murder of Crows
“He just hoped Meg leading the way didn’t mean all the blood prophets would do strange things to their hair.”
― Anne Bishop, quote from Murder of Crows
“The courtyard kept changing, dazzling her with the flowers that bloomed between one day and the next, with the bare branches of trees that were swollen with the buds of new leaves and then fuzzed with green. Every day, she drove a familiar road through a new place.”
― Anne Bishop, quote from Murder of Crows
“I’m not cs747,” she whispered defiantly as she shifted on her cot in order to lean back against the wall. “My name is Jean.”
― Anne Bishop, quote from Murder of Crows
“He might know things Meg wanted to learn, but he would never be as thorough about cleaning the salt and butter off her hands after movie night.”
― Anne Bishop, quote from Murder of Crows
“She stared at him for a long moment. Then she put her hand in his . . . and broke his heart.”
― Anne Bishop, quote from Murder of Crows
“It was hard to be around Jean because he looked at her and saw what Meg’s future would have been if she hadn’t been brave enough to run away—and if Jean hadn’t been brave enough to stay.”
― Anne Bishop, quote from Murder of Crows
“Monty blinked. “On what charge, sir?” “On the charge of being a pain in my ass,” Burke growled. “And right now, that is good enough for an overnight stay in our facility.”
― Anne Bishop, quote from Murder of Crows
“They’ll come back or they won’t, Simon thought as he read the back copy on a couple of books and set them aside for himself.”
― Anne Bishop, quote from Murder of Crows
“She may have been a brainless female for being out in a storm that night,”
― Anne Bishop, quote from Murder of Crows
“Are there weapons in a bookstore?” “It’s a store full of books, which are objects that can be thrown as well as read,” Monty replied blandly. The Crow cocked his head. “I had no idea you humans lived with so much danger.”
― Anne Bishop, quote from Murder of Crows
“Meg nodded. She didn’t understand the feeling, but she turned the words into a kind of image that she could recall later. “Anyway,”
― Anne Bishop, quote from Murder of Crows
“When would humans realize they always started the fights that would kill them? He”
― Anne Bishop, quote from Murder of Crows
“Some, like Lorne, who ran the Three Ps—the shop for paper, printing, and postage—went on as they had before.”
― Anne Bishop, quote from Murder of Crows
“It’s a store full of books, which are objects that can be thrown as well as read,” Monty replied blandly. The Crow cocked his head. “I had no idea you humans lived with so much danger.” Monty”
― Anne Bishop, quote from Murder of Crows
Anne Bishop
Born place: The United States
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“Everyone is faking it, all of them pretending to be something they’re not. The whole world is built on lies and deceit.”
― Shari Lapena, quote from The Couple Next Door
“Moral for psychologists. -- Not to go in for backstairs psychology. Never to observe in order to observe! That gives a false perspective, leads to squinting and something forced and exaggerated. Experience as the wish to experience does not succeed. One must not eye oneself while having an experience; else the eye becomes "an evil eye." A born psychologist guards instinctively against seeing in order to see; the same is true of the born painter. He never works "from nature"; he leaves it to his instinct, to his camera obscura, to sift through and express the "case," "nature," that which is "experienced." He is conscious only of what is general, of the conclusion, the result: he does not know arbitrary abstractions from an individual case.
What happens when one proceeds differently? For example, if, in the manner of the Parisian novelists, one goes in for backstairs psychology and deals in gossip, wholesale and retail? Then one lies in wait for reality, as it were, and every evening one brings home a handful of curiosities. But note what finally comes of all this: a heap of splotches, a mosaic at best, but in any case something added together, something restless, a mess of screaming colors. The worst in this respect is accomplished by the Goncourts; they do not put three sentences together without really hurting the eye, the psychologist's eye. Nature, estimated artistically, is no model. It exaggerates, it distorts, it leaves gaps. Nature is chance. To study "from nature" seems to me to be a bad sign: it betrays submission, weakness, fatalism; this lying in the dust before petit faits [little facts] is unworthy of a whole artist. To see what is--that is the mark of another kind of spirit, the anti-artistic, the factual. One must know who one is.
Toward a psychology of the artist. -- If there is to be art, if there is to be any aesthetic doing and seeing, one physiological condition is indispensable: frenzy. Frenzy must first have enhanced the excitability of the whole machine; else there is no art. All kinds of frenzy, however diversely conditioned, have the strength to accomplish this: above all, the frenzy of sexual excitement, this most ancient and original form of frenzy. Also the frenzy that follows all great cravings, all strong affects; the frenzy of feasts, contests, feats of daring, victory, all extreme movement; the frenzy of cruelty; the frenzy in destruction, the frenzy under certain meteorological influences, as for example the frenzy of spring; or under the influence of narcotics; and finally the frenzy of will, the frenzy of an overcharged and swollen will. What is essential in such frenzy is the feeling of increased strength and fullness. Out of this feeling one lends to things, one forces them to accept from us, one violates them--this process is called idealizing. Let us get rid of a prejudice here: idealizing does not consist, as is commonly held, in subtracting or discounting the petty and inconsequential. What is decisive is rather a tremendous drive to bring out the main features so that the others disappear in the process.
In this state one enriches everything out of one's own fullness: whatever one sees, whatever one wills, is seen swelled, taut, strong, overloaded with strength. A man in this state transforms things until they mirror his power--until they are reflections of his perfection. This having to transform into perfection is--art. Even everything that he is not yet, becomes for him an occasion of joy in himself; in art man enjoys himself as perfection.”
― Friedrich Nietzsche, quote from Twilight of the Idols/The Anti-Christ
“You can't just say NO," he said. "You got to do NO. You got to show it. You got to show you mean it by doing it. You got to show you're not going to do one thing by doing another. You got to make an end of it. One way or another.”
― Flannery O'Connor, quote from The Violent Bear It Away
“He raised her hand to his lips and kissed it, a tender gesture that made her heart melt. "Come. Let us dance the skies together.”
― C.L. Wilson, quote from Lady of Light and Shadows
“I’ve lost her. Can you give me any guidance?” – Sundown
“On what? A new personality? Car buying? I’m a Wolf, cowboy, not a life counselor.” – Sasha”
― Sherrilyn Kenyon, quote from Retribution
Plainsong
Kushiel's Mercy
The Crippled God
Autobiography of Red
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