Douglas R. Hofstadter · 880 pages
Rating: (3.2K votes)
“It turns out that an eerie type of chaos can lurk just behind a facade of order - and yet, deep inside the chaos lurks an even eerier type of order.”
― Douglas R. Hofstadter, quote from Metamagical Themas: Questing for the Essence of Mind and Pattern
“I would like to understand things better, but I don’t want to understand them perfectly.”
― Douglas R. Hofstadter, quote from Metamagical Themas: Questing for the Essence of Mind and Pattern
“This computer-generated pangram contains six a's, one b, three c's, three d's, thirty-seven e's, six f's, three g's, nine h's, twelve i's, one j, one k, two l's, three m's, twenty-two n's, thirteen o's, three p's, one q, fourteen r's, twenty-nine s's, twenty-four t's, five u's, six v's, seven w's, four x's, five y's, and one z.”
― Douglas R. Hofstadter, quote from Metamagical Themas: Questing for the Essence of Mind and Pattern
“Please, Oh please, publish me in your collection of self-referential sentences!”
― Douglas R. Hofstadter, quote from Metamagical Themas: Questing for the Essence of Mind and Pattern
“Supperational thinkers, by recursive definition, include in their calculations the fact that they are in a group of superrational thinkers.”
― Douglas R. Hofstadter, quote from Metamagical Themas: Questing for the Essence of Mind and Pattern
“If there's one area of me that the devil's got a hold of, it's my tongue.”
― Stefne Miller, quote from Collision
“Overtaken by demographic transformation and two generations of socio-geographic mobility, France’s once-seamless history seemed set to disappear from national memory altogether.
The anxiety of loss had two effects. One was an increase in the range of the official patrimoine, the publicly espoused body of monuments and artifacts stamped ‘heritage’ by the authority of the state. In 1988, at the behest of Mitterrand’s Culture Minister Jack Lang, the list of officially protected items in the patrimoine culturel of “France—previously restricted to UNESCO-style heirlooms such as the Pont du Gard near Nîmes, or Philip the Bold’s ramparts at Aigues-Mortes—was dramatically enlarged.
It is revealing of the approach taken by Lang and his successors that among France’s new ‘heritage sites’ was the crumbling façade of the Hôtel du Nord on Paris’s Quai de Jemappes: an avowedly nostalgic homage to Marcel Carné’s 1938 film classic of that name. But Carné shot that movie entirely in a studio. So the preservation of a building (or the façade of a building) which never even appeared in the film could be seen—according to taste—either as a subtle French exercise in post-modern irony, or else as symptomatic of the unavoidably bogus nature of any memory when subjected thus to official taxidermy.”
― Tony Judt, quote from Postwar: A History of Europe Since 1945
“EVERY WOMAN IS THE ARCHITECT OF HER OWN FORTUNE”
― Jessie Burton, quote from The Miniaturist
“They were sending her to war, so she would go and become something they had every right to fear.”
― Elise Kova, quote from Air Awakens
“They all occupied the same space but did not occupy it together. Imagine a thousand leaves of tracing paper, each with one person lightly pencilled on it, all stacked atop a scene of a frozen city block. A thousand discreet and solitary realities that appear to be occurring in the same location.”
― J.J. Abrams, quote from S.
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