Quotes from Look Again

Lisa Scottoline ·  337 pages

Rating: (35.9K votes)


“Even people who counted their blessings never counted them in the morning. For one thing, there wasn't time.”
― Lisa Scottoline, quote from Look Again


“Bad things are like waves. They're going to happen to you, and there's nothing you can do about it. They're part of life, like waves are a part of the ocean. If you're standing on the shoreline, you don't know when the waves are coming. But they'll come. You gotta make sure you get back to the surface, after every wave. That's all.”
― Lisa Scottoline, quote from Look Again


“It's the Snickers bars. Snickers equal romance.”
― Lisa Scottoline, quote from Look Again


“Writing had always helped her, before. It always clarified her feelings and her thoughts, and she never felt like she could understand something fully until the very minute that she'd written about it, as if each story was one she told herself and her readers, at the same time.”
― Lisa Scottoline, quote from Look Again


“Night came early to this neighborhood, the sun fleeing the sky, leaving heaven black and blue.”
― Lisa Scottoline, quote from Look Again



“He’s an odd duck
but he’s a good kid, with a good heart.”
― Lisa Scottoline, quote from Look Again


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About the author

Lisa Scottoline
Born place: in Philadelphia, The United States
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Popular quotes

“After turning it in her mind for some time, she came to the conclusion, that she had been taking part in a great drama, which was, in itself, but one great system of robbery and wrong. 'Yes,' she said, 'the rich rob the poor, and the poor rob one another.' True, she had not received labor from others, and stinted their pay, as she felt had been practised against her; but she had taken their work from them, which was their only means to get money, and was the same to them in the end. For instance–a gentleman where she lived would give her a dollar to hire a poor man to clear the new-fallen snow from the steps and side-walks. She would arise early, and perform the labor herself, putting the money into her own pocket. A poor man would come along, saying she ought to have let him have the job; he was poor, and needed the pay for his family. She would harden her heart against him, and answer–'I am poor too, and I need it for mine.' But, in her retrospection, she thought of all the misery she might have been adding to, in her selfish grasping, and it troubled her conscience sorely; and this insensibility to the claims of human brotherhood, and the wants of the destitute and wretched poor, she now saw, as she never had done before, to be unfeeling, selfish and wicked.”
― Sojourner Truth, quote from Narrative of Sojourner Truth


“Being known by everyone is not the same as being loved.”
― Dean Koontz, quote from Saint Odd


“Avasarala laughed at that. “True. But if he’s sending his hired killer to Earth, we—” “Wait, what?” “If Holden was—” “Forget Holden. You called me his hired killer. Is that how you guys think of me? The killer on Holden’s payroll?” Avasarala frowned. “You’re not?” “Well, mostly I’m a mechanic. But the idea that the UN has a file on me somewhere that lists me as the Rocinante’s killer? That’s kind of awesome.”
― quote from Nemesis Games


“I had grown up on Folkway's Nonesuch field recordings and the stuff Lomax had done for the Library of Congress, but the production values on the Ocora releases were on a whole other level. Eno and I realized that music from elsewhere didn't need to sound distant, scratchy, or 'primitive.' These recordings were as well produced as any contemporary recordings in any genre. You were made to feel, for example, that this music wasn't a ghostly remnant form some lost culture, soon to be relegated to the almost forgotten past. It was vital, and it was happening right now. To us there was strange beauty there, deep passion, and the compositions often operated by rules and structures that were radically different from what we were used to. As a result, our limited ideas of what constituted music were exploded forever. These recordings opened up myriad ways that music could be made and organized. There were many musical universes out there, and we had been blinkered by confining ourselves to only one.”
― David Byrne, quote from How Music Works


“Feminism is an endeavor to change something very old, widespread, and deeply rooted in many, perhaps most, cultures around the world, innumerable institutions, and most households on Earth—and in our minds, where it all begins and ends. That so much change has been made in four or five decades is amazing; that everything is not permanantly, definitively, irrevocably changed is not a sign of failure. A woman goes walking down a thousand-mile road. Twenty minutes after she steps forth, they proclaim that she still has nine hundred ninety-nine miles to go and will never get anywhere.”
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