Incendiary
Quotes from the Book
On the girl's brown legs there were many small white scars. I was thinking, Do those scars cover the whole of you, like the stars and the moons on your dress? I thought that would be pretty too, and I ask you right here please to agree with me that a scar is never ugly. That is what the scar makers want us to think. But you and I, we must make an agreement to defy them. We must see all scars as beauty. Okay? This will be our secret. Because take it from me, a scar does not form on the dying. A scar means, I survived.
We must see all scars as beauty. Okay? This will be our secret. Because take it from me, a scar does not form on the dying. A scar means, 'I survived'.
Sad words are just another beauty. A sad story means, this storyteller is alive. The next thing you know something fine will happen to her, something marvelous, and then she will turn around and smile.
I could not stop talking because now I had started my story, it wanted to be finished. We cannot choose where to start and stop. Our stories are the tellers of us.
I ask you right here please to agree with me that a scar is never ugly. That is what the scar makers want us to think. But you and I, we must make an agreement to defy them. We must see all scars as beauty. Okay? This will be our secret. Because take it from me, a scar does not form on the dying. A scar means, I survived.
I’m telling you, trouble is like the ocean. It covers two thirds of the world.
A scar does not form on the dying. A scar means, I survived.
To be well in your mind you have first to be free.
You travel here and you travel there, trying to get out from under the cloud, and nothing works, and then one day you realize you've been carrying the weather around with you.
Life is extremely short and you cannot dance to current affairs.
Wouldn't that be funny, if the oil rebels were playing U2 in their jungle camps, and the government soldiers were playing U2 in their trucks. I think everyone was killing everyone else and listening to the same music... That is a good trick about this world, Sarah. No one likes each other, but everyone likes U2.
However long the moon disappears, someday it must shine again.
Death, of course, is a refuge. It's where you go when a new name, or a mask and cape, can no longer hide you from yourself. It's where you run to when none of the principalities of your conscience will grant you asylum.
It was the month of May and there was warm sunshine dripping through the holes between the clouds, like the sky was a broken blue bowl and a child was trying to keep honey in it.
We were exiles from reality that summer. We were refugees from ourselves.
Horror in your country is something you take a dose of to remind yourself that you are not suffering from it.
On the girl’s brown legs there were many small white scars. I was thinking, Do those scars cover the whole of you, like the stars and moons on your dress? I thought that would be pretty too, and I ask you right here please to agree with me that a scar is never ugly. That is what the scar makers want us to think. But you and I, we must make an agreement to defy them. We must see all scars a s beauty. Okay? This will be our secret. Because take it from me, a scar does not form on the dying. A scar means, ‘I survived’. In a few breaths’ time I will speak some sad words to you. But you must hear them as we have agreed to see scars now. Sad words are just another beauty. A sad story means the storyteller is alive. The next thing you know, something fine will happen to her, something marvellous, and then she will turn round and smile.
I was carrying two cargoes. Yes, one of them was horror, but the other one was hope.
I know that the hopes of this whole human world can fit inside one soul.
If I could not smile, I think my situation would be even more serious.
This is the forked tongue of grief again. It whispers in one ear: return to what you once loved best, and in the other ear it whispers, move on.
That is the trouble with happiness-all of it is built on top of something that men want.
At some point you just have to turn around and face your life head on.
I planned how I would kill myself in the time of Churchill (stand under bombs), Victoria (throw myself under a horse), and Henry the Eighth (marry Henry the Eighth)- Little Bee
On our honeymoon we talked and talked. We stayed in a beachfront villa, and we drank rum and lemonade and talked so much that I never even noticed what color the sea was. Whenever I need to stop and remind myself how much I once loved Andrew, I only need to think about this. That the ocean covers seven tenths of the earth's surface, and yet my husband could make me not notice it.
We cannot choose where to start and stop. Our stories are the tellers of us.
And thus love makes fools of us all.
Life is savagely unfair. It ignores our deep-seated convictions and places a disproportionate emphasis on the decisions we make in split seconds.
They say that in the hour before an earthquake the clouds hang leaden in the sky, the winds slows to a hot breath, and the birds fall quiet in the trees of the town square. Yes but these are the same portents that precede lunchtime, frankly.
That is how we lived, happily and without hope. I was very young then, and I did not miss having a future because I did not know I was entitled to one.
Did you know?
- The novel was published in the UK as The Other Hand and in North America under the alternative title Little Bee.
- It was first published on 7 August 2008 by Sceptre, an imprint of Hodder & Stoughton.
- The North American edition was published by Simon & Schuster.
- Though a modest seller at first, it became successful through word-of-mouth, with about 300,000 copies sold by November 2009.
- It topped The New York Times bestseller list for paperback trade fiction in 2010.
- Sarah's young son Charlie will answer only to 'Batman' and insists on wearing his Batman costume.
About Chris Cleave
More by Chris Cleave
About the book
Little Bee (published in the UK as The Other Hand) is a 2008 novel by British writer Chris Cleave. Told in alternating first-person voices, it follows Little Bee, a young Nigerian refugee, and Sarah O'Rourke, a magazine editor from Surrey, whose lives collide on a beach in the Niger Delta and again, two years later, in England. What begins as a chance encounter tied to the region's oil conflict becomes a story of trauma, obligation, and the unpredictable bonds forged between strangers from radically different worlds.
Beyond its plot, the novel examines the treatment of asylum seekers by immigration systems, alongside British colonialism, globalization, political violence, and personal accountability. Little Bee's longing to be an anonymous, freely traveling British pound coin rather than a detained African girl frames the book's central preoccupation with borders, worth, and who gets to move safely through the world. Cleave interlaces moments of dark humor and tenderness with harrowing subject matter.
Initially a modest seller, Little Bee grew into a word-of-mouth success, with hundreds of thousands of copies sold and a spot atop bestseller lists in the United States. It was nominated for the 2008 Costa Book Awards and the 2009 Commonwealth Writers' Prize, cementing Cleave's reputation, after his debut Incendiary, as a novelist willing to place intimate personal drama against urgent political questions.
Key characters
- Little BeeYoung Nigerian refugee and one of the two narrators
- Sarah O'RourkeBritish magazine editor from Surrey and the other narrator
- Andrew O'RourkeSarah's husband, haunted by the events on the beach
- Charlie O'RourkeSarah and Andrew's young son, who insists on being called Batman
- Lawrence OsbornSarah's lover
Book details
- First published
- 2008
- Length
- 368 pages
- Reading time
- 8 hours
- Author
- Chris Cleave
- Genre
- Fiction
- Goodreads rating
- 3.72 (250k ratings) →
- First line
- “Most days I wish I was a British pound coin instead of an African girl.”
If you liked this, read…
- 1The Kite RunnerAnother dual-timeline novel of trauma, guilt, and cross-cultural obligation.
- 2What Is the WhatAlso centers an African refugee's harrowing journey and search for safety in the West.
- 3The Reluctant FundamentalistA tense, morally probing story about identity and belonging across cultures.
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