Swift as Desire
Quotes from the Book
Each of us is born with a box of matches inside us but we can't strike them all by ourselves
Each of us is born with a box of matches inside us but we can't strike them all by ourselves; we need oxygen and a candle to help. In this case, the oxygen for example, would come from the breath of the person you love; the candle would be any kind of food, music, caress, word, or sound that engenders the explosion that lights one of the matches. For a moment we are dazzled by an intense emotion. A pleasant warmth grows within us, fading slowly as time goes by, until a new explosion comes along to revive it. Each person has to discover what will set off those explosions in order to live, since the combustion that occurs when one of them is ignited is what nourishes the soul. That fire, in short, is its food. If one doesn't find out in time what will set off these explosions, the box of matches dampens, and not a single match will ever be lighted.
You don't have to think about love; you either feel it or you don't.
Necesito una respuesta en este momento, el amor no se piensa, se siente o no se siente.
Mi abuela tenía una teoría muy interesante; decía que todos nacemos con una caja de fósforos adentro, pero que no podemos encenderlos solos... necesitamos la ayuda del oxígeno y una vela. En este caso el oxígeno, por ejemplo, vendría del aliento de la persona que amamos; la vela podría ser cualquier tipo de comida, música, caricia, palabra o sonido que engendre la explosión que encenderá uno de los fósforos. Por un momento, nos deslumbra una emoción intensa. Una tibieza placentera crece dentro de nosotros, desvaneciéndose a medida que pasa el tiempo, hasta que llega una nueva explosión a revivirla. Cada persona tiene que descubrir qué disparará esas explosiones para poder vivir, puesto que la combustión que ocurre cuando uno de los fósforos se enciende es lo que nutre al alma. Ese fuego, en resumen, es su alimento. Si uno no averigua a tiempo qué cosa inicia esas explosiones, la caja de fósforos se humedece y ni uno solo de los fósforos se encenderá nunca.
It was very pleasant to savor its aroma, for smells have the power to evoke the past, bringing back sounds and even other smells that have no match in the present. -Tita
Then she cried without tears, which is said to hurt even more like dry labor.
Tita knew through her own flesh how fire transforms the elements, how a lump of corn flour is changed into a tortilla, how a soul that hasn't been warmed by the fire of love is lifeless, like a useless ball of corn flour.
You must take care to light the matches one at a time. If a powerful emotion should ignite them all at once, they would produce a splendor so dazzling that it would illuminate far beyond what we can normally see; and then a brilliant tunnel would appear before our eyes, revealing the path we forgot the moment we were born, and summoning us to regain the divine origins we had lost. The soul ever longs to return to the place from which it came, leaving the body lifeless.
She felt so lost and lonely. One last chile in walnut sauce left on the platter after a fancy dinner couldn't feel any worse than she did. How many times had she eaten one of those treats, standing by herself in the kitchen, rather than let it be thrown away. When nobody eats the last chile on the plate, it's usually because none of them wants to look like a glutton, so even though they'd really like to devour it, they don't have the nerve to take it. It was as if they were rejecting that stuffed pepper, which contains every imaginable flavor; sweet as candied citron, juicy as pomegranate, with the bit of pepper and the subtlety of walnuts, that marvelous chile in the walnut sauce. Within it lies the secret of love, but it will never be penetrated, and all because it wouldn't feel proper.
There are some things in life that shouldn't be given so much importance, if they don't change what is essential.
The most elementary of good manners . . . at a social gathering one does not bring up the subject of personalities, sad topics or unfortunate facts, religion, or politics.
Como ve, todos tenemos en nuestro interior los elementos necesarios para producir fósforo. Es más, déjeme decirle algo que a nadie le he confiado. Mi abuela tenía una teoría muy interesante, decía que si bien todos nacemos con una caja de cerillos en nuestro interior, no los podemos encender solos, necesitamos como en el experimento, oxígeno y la ayuda de una vela. Sólo que en este caso el oxígeno tiene que provenir, por ejemplo, del aliento de la persona amada; la vela puede ser cualquier tipo de alimento, música, caricia, palabra o sonido que haga disparar el detonador y así encender uno de los cerillos. Por un momento nos sentiremos deslumbrados por una intensa emoción. Se producirá en nuestro interior un agradable calor que irá desapareciendo poco a poco conforme pase el tiempo, hasta que venga una nueva explosión a reavivarlo. Cada persona tiene que descubrir cuáles son sus detonadores para poder vivir, pues la combustión que se produce al encenderse uno de ellos es lo que nutre la energía al alma. En otras palabras, esta combustión es su alimento. Si uno no descubre a tiempo cuáles son sus propios detonadores, la caja de cerillos se humedece y ya nunca podremos encender un solo fósforo
Lástima que en aquella época no se hubieran descubierto los hoyos negros en el espacio, porque entonces le hubiera sido muy fácil comprender que sentía un hoyo negro en medio del pecho, por donde se le colaba un frío infinito.
Inclusive se convertían en motivo de diversión, a tal grado que durante su niñez Tita no diferenciaba bien las lágrimas de la risa de las del llanto. Para ella reír era una manera de llorar.
When you're told there's no way you can marry the woman you love and your only hope of being near her is to marry her sister, wouldn't you do the same?
el amor no se piensa: se siente o no se siente.
-Perdóneme, Pedro. ¿Lo lastimé? -No tanto como yo la he lastimado, déjeme decirle que mi propósito... -No le he pedido ninguna explicación. -Es necesario que me permita dirigirle unas palabras... -Una vez lo hice y resultaron una mentira, no quiero escucharlo más...
Tita bajó la cabeza y con la misma fuerza con que sus lágrimas cayeron sobre la mesa, así cayó sobre ella su destino. Y desde ese momento supieron ella y la mesa que no podían modificar ni tantito la dirección de esas fuerzas desconocidas que la obligaban, a la una, a compartir con Tita su sino, recibiendo sus amargas lágrimas desde el momento en que nació, y a la otra a asumir esa absurda determinación
Lo que me dijiste no cambió mi manera de pensar y te repito que me encantaría ser el compañero de toda tu vida, pero quiero que pienses muy bien si ese hombre soy yo o no. Si tu respuesta es afirmativa, celebraremos la boda dentro de unos días. Si no, yo seré el primero en felicitar a Pedro y pedirle que te dé el lugar que te mereces
It doesn't matter to me what you did, there are some things in life that shouldn't be given so much importance, if they don't change what is essential. What you've told me hasn't changed the way I think; I'll say again, I would be delegated to be your companion for the rest of your life-but you must think over very carefully whether I am the man for you or not.
La vida sería mucho más agradable si uno pudiera llevarse a donde quiera que fuera, los sabores y olores de la casa materna.
el secreto de la existencia humana no consiste sólo en poseer la vida, sino también en tener un motivo para vivir. El hombre que no tenga una idea clara de la finalidad de la vida, preferirá renunciar a ella aunque esté rodeado de montones de pan y se destruirá a si mismo antes que permanecer en este mundo.
Those huge stars have lasted for millions of years by taking care never to absorb any of the fiery rays lovers all over the world send up at them night after night. To avoid that, the star generates so much heat inside itself that it shatters the rays into a thousand pieces. Any look it receives is immediately repulsed, reflected back onto the earth, like a trick done with mirrors. That is the reason the stars shine so brightly at night.
The simple truth is that the truth does not exist; it all depends on a person's point of view.
Did you know?
- The novel's original Spanish title is Como agua para chocolate, and the phrase refers to water at the boiling point used to make hot chocolate, evoking a state of intense emotion or anger.
- The book is subtitled A Novel in Monthly Installments with Recipes, Romances, and Home Remedies, and each of its twelve chapters corresponds to a month and opens with a recipe.
- It is set on a ranch in northern Mexico during the period of the Mexican Revolution.
- The Spanish newspaper El Mundo named it among the best Spanish-language novels of the twentieth century.
- The 1992 film adaptation was directed by Alfonso Arau, Esquivel's husband at the time, from a screenplay she wrote herself.
- Tita expresses forbidden feelings through her cooking, which magically transmits her emotions to those who eat it, a hallmark of the novel's magical realism.
About Laura Esquivel
More by Laura Esquivel
Swift as Desire
Malinche
About the book
Like Water for Chocolate (Como agua para chocolate), the 1989 debut novel by Mexican writer Laura Esquivel, tells the story of Tita de la Garza, the youngest daughter on a ranch in northern Mexico during the era of the Mexican Revolution. Family tradition dictates that the youngest daughter may never marry and must instead care for her mother until death, so when Tita falls in love with Pedro, her domineering mother Mama Elena forbids the match and marries Pedro instead to Tita's sister Rosaura. Unable to speak her longing aloud, Tita pours her emotions into the food she prepares, and through a strain of magical realism her feelings pass into whoever eats her cooking.
The novel is built as a novel in monthly installments, with each of its twelve chapters opening on a recipe and weaving cooking, home remedies, and romance into the narrative. Emotion and cuisine bleed into one another: when Tita weeps into the batter of her sister's wedding cake, the guests are overcome by collective grief, and a dish of quail in rose petal sauce transmits her desire so powerfully that it overwhelms her sister Gertrudis. Through this fusion of the kitchen and the heart, Esquivel explores women's confined roles, rebellion through creative expression, and love straining against rigid family and social tradition.
Widely regarded as a landmark of Latin American magical realism, the book became an international bestseller and was named by the Spanish newspaper El Mundo among the best Spanish-language novels of the twentieth century. In 1992 it was adapted into an acclaimed film directed by Esquivel's then-husband Alfonso Arau, from a screenplay by Esquivel, cementing the story's place in popular culture and introducing its blend of food, memory, and passion to audiences worldwide.
Key characters
- Tita de la GarzaYoungest daughter forbidden to marry, who channels her emotions through cooking
- Pedro MuzquizTita's beloved, who marries her sister to stay near her
- Mama ElenaTita's domineering mother who enforces the family tradition
- RosauraTita's sister, who marries Pedro
- GertrudisTita's other sister, swept up by the effects of Tita's cooking
- John BrownA widowed American doctor who cares for Tita
Book details
- First published
- 1989
- Author
- Laura Esquivel
- Genre
- Classics
- Goodreads rating
- 3.95 (403k ratings) →
Movie & TV adaptations
- IMDb
If you liked this, read…
- 1The House of the SpiritsIsabel Allende's family saga blending magical realism, romance, and Latin American history
- 2One Hundred Years of SolitudeGabriel Garcia Marquez's foundational work of Latin American magical realism
- 3ChocolatJoanne Harris's novel where food carries an almost magical emotional power
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