Quotes from Hope in the Dark: The Untold History of People Power

“Perfection is a stick with which to beat the possible.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“Hope is not a lottery ticket you can sit on the sofa and clutch, feeling lucky. It is an axe you break down doors with in an emergency. Hope should shove you out the door, because it will take everything you have to steer the future away from endless war, from the annihilation of the earth's treasures and the grinding down of the poor and marginal... To hope is to give yourself to the future - and that commitment to the future is what makes the present inhabitable.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“Joy doesn't betray but sustains activism. And when you face a politics that aspires to make you fearful, alienated and isolated, joy is a fine act of insurrection.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“People have always been good at imagining the end of the world, which is much easier to picture than the strange sidelong paths of change in a world without end.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“Hope just means another world might be possible, not promise, not guaranteed. Hope calls for action; action is impossible without hope.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“To hope is to gamble. It's to bet on your futures, on your desires, on the possibility that an open heart and uncertainty is better than gloom and safety. To hope is dangerous, and yet it is the opposite of fear, for to live is to risk.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“Hope locates itself in the premises that we don’t know what will happen and that in the spaciousness of uncertainty is room to act. When you recognize uncertainty, you recognize that you may be able to influence the outcomes–you alone or you in concert with a few dozen or several million others. Hope is an embrace of the unknown and knowable, a alternative to the certainty of both optimists and pessimists. Optimists think it will all be fine without our involvement; pessimists take the opposite position; both excuse themselves from acting. It’s the belief that what we do matters even though how and when it may matter, who and what is may impact, are not things we can know beforehand. We may not, in fact, know them afterward either, but they matter all the same, and history is full of people whose influence was most powerful after they were gone.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“Cause-and-effect assumes history marches forward, but history is not an army. It is a crab scuttling sideways, a drip of soft water wearing away stone, an earthquake breaking centuries of tension. Sometimes one person inspires a movement, or her words do decades later, sometimes a few passionate people change the world; sometimes they start a mass movement and millions do; sometimes those millions are stirred by the same outrage or the same ideal, and change comes upon us like a change of weather. All that these transformations have in common is that they begin in the imagination, in hope.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“Your opponents would love you to believe that it's hopeless, that you have no power, that there's no reason to act, that you can't win. Hope is a gift you don't have to surrender, a power you don't have to throw away.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“Joy doesn’t betray but sustains activism. And when you face a politics that aspires to make you fearful, alienated, and isolated, joy is a fine initial act of insurrection.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“Inside the word "emergency" is "emerge"; from an emergency new things come forth. The old certainties are crumbling fast, but danger and possibility are sisters.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“But hope is not about what we expect. It is an embrace of the essential unknowability of the world, of the breaks with the present, the surprises. Or perhaps studying the record more carefully leads us to expect miracles - not when and where we expect them, but to expect to be astonished, to expect that we don't know. And this is grounds to act.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“The future is dark, with a darkness as much of the womb as the grave.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“Paradise is not the place in which you arrive but the journey toward it. Sometimes I think victories must be temporary or incomplete; what kind of humanity would survive paradise? The industrialized world has tried to approximate paradise in its suburbs, with luxe, calme, volupté, cul-de-sacs, cable television and two-car garages, and it has produced a soft ennui that shades over into despair and a decay of the soul suggesting that Paradise is already a gulag. Countless desperate teenagers will tell you so. For paradise does not require of us courage, selflessness, creativity, passion: paradise in all accounts is passive, is sedative, and if you read carefully, soulless.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“Resistance is first of all a matter of principle and a way to live, to make yourself one small republic of unconquered spirit. You hope for results, but you don't depend on them.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“Paul Goodman famously wrote, “Suppose you had the revolution you are talking and dreaming about. Suppose your side had won, and you had the kind of society that you wanted. How would you live, you personally, in that society? Start living that way now!”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“[T]he radical geographer Iain Boal had prophesied, "The longing for a better world will need to arise at the imagined meeting place of many movements of resistance, as many as there are sites of closure and exclusion. The resistance will be as transnational capitalism.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“And when you face a politics that aspires to make you fearful, alienated, and isolated, joy is a fine initial act of insurrection.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“Howard Zinn wrote in 1988, in what now seems like a lost world before so many political upheavals and technological changes arrived, “As this century draws to a close, a century packed with history, what leaps out from that history is its utter unpredictability.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“Fire, brimstone and impending apocalypse have always had great success in the pulpit, and the apocalypse is always easier to imagine than the strange circuitous routes to what actually comes next.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“Perfection is a stick with which to beat the possible. Perfectionists can find fault with anything, and no one has higher standards in this regard than leftists.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“This means, of course, that the most foundational change of all, the one from which all else issues, is hardest to track. It means that politics arises out of the spread of ideas and the shaping of imaginations. It means that symbolic and cultural acts have real political power. And it means that the changes that count take place not merely onstage as action but in the minds of those who are again and again pictured only as audience or bystanders. The revolution that counts is the one that takes place in the imagination; many kinds of change issue forth thereafter, some gradual and subtle, some dramatic and conflict-ridden—which is to say that revolution doesn't necessarily look like revolution.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“What we dream of is already present in the world.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“Ideas at first considered outrageous or ridiculous or extreme gradually become what people think they've always believed. How the transformation happened is rarely remembered, in part because it's compromising: it recalls the mainstream when the mainstream was, say, rabidly homophobic or racist in a way it no longer is; and it recalls that power comes from the shadows and the margins, that our hope is in the dark around the edges, not the limelight of center stage. Our hope and often our power.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“A lot of people respond to almost any achievement, positive development, or outright victory with "yes but". Naysaying becomes a habit.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“Despair demands less of us, it’s more predictable, and in a sad way safer. Authentic hope requires clarity—seeing the troubles in this world—and imagination, seeing what might lie beyond these situations that are perhaps not inevitable and immutable.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“Moths and other nocturnal insects navigate by the moon and stars. Those heavenly bodies are useful for them to find their way, even though they never get far from the surface of the earth. But lightbulbs and candles send them astray; they fly into the heat or the flame and die. For these creatures, to arrive is a calamity. When activists mistake heaven for some goal at which they must arrive, rather than an idea to navigate Earth by, they burn themselves out, or they set up a totalitarian utopia in which others are burned in the flames. Don’t mistake a lightbulb for the moon, and don’t believe that the moon is useless unless we land on it. After all those millennia of poetry about the moon, nothing was more prosaic than the guys in space suits stomping around on the moon with their flags and golf clubs thirty-something years ago. The moon is profound except when we land on it. Paradise”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“The term 'politics of prefiguration' has long been used to describe the idea that if you embody what you aspire to, you have already succeeded. That is to say, if your activism is already democratic, peaceful, creative, then in one small corner of the world these things have triumphed. Activism, in this model, is not only a toolbox to change things but a home in which to take up residence and live according to your beliefs, even if it's a temporary and local place...”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“We write history with our feet and with our presece and our collective voice and vision. And yet, of course, everything in the mainstream media suggests that popular resistance is ridiculous, pointless, or criminal, unless it is far away, was long ago, or, ideally, both. These are the forces that prefer the giant remain asleep.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

“Their grumpiness is often the grumpiness of perfectionists who hold
that anything less than total victory is failure, a premise that makes it easy to give
up at the start or to disparage the victories that are possible. This is Earth. It will
never be heaven. There will always be cruelty, always be violence, always be de-
struction.”
― Rebecca Solnit, quote from Hope in the Dark: The Untold History of People Power

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“I soon saw, however, that Creed's obsession with death was typical of most of the children. This came out in their play.
"Let's play funeral" was a favorite game at recess. To me, it seemed bizarre and mawkish play. All that saved it was the spontaneous creativity of the children and the fact that, unerringly, they caught the incongruities and absurdities of their elders.
One child would be elected to be "dead" and would lay himself out on the ground, eyes closed, hands dutifully crossed across his chest. Another would be chosen to be the "preacher," all the rest, "mourners." I remember one day when Sam Houston Holcomb was the "corpse" and Creed Allen, always the class clown of the group, was elected "preacher." Creed, already at ten an accomplished mimic, was turning in an outstanding performance. I stood watching, half-hidden in the shado of the doorway.
Creed (bellowing in stentorian tones): "You-all had better stop your meanness and I'll tell you for why. Praise the Lord! If you'uns don't stop being so defend ornery, you ain't never goin' gift to see Brother Holcomb on them streets paved with rubies and such-like, to give him the time of day, 'cause you'uns are goin' to be laid out on the coolin' board and then roasted in hellfire."
The "congregation" shivered with delight, as if they were hearing a deliciously scary ghost story. The corpse opened one eye to see how his mourners were taking this blast; he sighed contentedly at their palpitations; wriggled right leg where a fly was tickling; adjusted grubby hands more comfortably across chest.
Creed then grasped his right ear with his right hand and spat. Only there wasn't enough to make the stream impressive. So preacher paused, working his mouth vigorously, trying to collect more spit. Another pucker and heave. Ah! Better!
Sermon now resumed: "Friends and neighbors, we air lookin' on Brother Holcombe's face for the last time." (Impressive pause.). "Praise the Lord! We ain't never goin' see him again in this life." (Impressive pause.). "Praise the Lord!"
Small preacher was now really getting warmed up. He remembered something he must have heard at the last real funeral. Hearty spit first, more pulling of ear: "You air enjoyin' life now, folks. Me, I used to git pleasured and enjoy life too. But now that I've got religion, I don't enjoy life no more." At this point I retreated behind the door lest I betray my presence by laughing aloud.”
― Catherine Marshall, quote from Christy

“It was one thing to divide the major assets, but how was it possible to divide the heart?”
― Nicholas Sparks, quote from The Wedding

“There are the those whose own vulgar normality is so apparent and stultifying that they strive to escape it. They affect flamboyant behaviour and claim originality according to the fashionable eccentricities of their time. They claim brains or talent or indifference to mores in desperate attempts to deny their own mediocrity.”
― Katherine Dunn, quote from Geek Love

“I love inscriptions on flyleaves and notes in margins, I like the comradely sense of turning pages someone else turned, and reading passages someone long gone has called my attention to.”
― Helene Hanff, quote from 84, Charing Cross Road

“Promise me we'll stay together, okay?" His eyes are once again the clear blue of a perfectly transparent pool. They are eyes to swim in, to float in, forever. "You and me."

"I promise," I say.

Behind us the door creaks open, and I turn around, expecting Raven, just as a voice cuts through the air: "Don't believe her."

The whole world closes around me, like an eyelid: For a moment, everything goes dark.

I am falling. My ears are full of rushing; I have been sucked into a tunnel, a place of pleasure and chaos. My head is about to explode.

He looks different. He is much thinner, and a scar runs from his eyebrow all the way down to his jaw. On his neck, just behind his left ear, a small tattooed number curves around the three-pronged scar that fooled me, for so long, into believing he was cured. His eyes-once a sweet, melted brown, like syrup-have hardened. Now they are stony, impenetrable.

Only his hair is the same: that auburn crown, like leaves in autumn.

Impossible. I close my eyes and reopen them: the boy from a dream, from a different lifetime. A boy brought back from the dead.

Alex.”
― Lauren Oliver, quote from Pandemonium

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