“While I have the floor, here's a question that's been bothering me for some time. Why do so few writers of heroic or epic fantasy ever deal with the fundamental quandary of their novels . . . that so many of them take place in cultures that are rigid, hierarchical, stratified, and in essence oppressive? What is so appealing about feudalism, that so many free citizens of an educated commonwealth like ours love reading about and picturing life under hereditary lords?
Why should the deposed prince or princess in every clichéd tale be chosen to lead the quest against the Dark Lord? Why not elect a new leader by merit, instead of clinging to the inbred scions of a failed royal line? Why not ask the pompous, patronizing, "good" wizard for something useful, such as flush toilets, movable type, or electricity for every home in the kingdom? Given half a chance, the sons and daughters of peasants would rather not grow up to be servants. It seems bizarre for modern folk to pine for a way of life our ancestors rightfully fought desperately to escape.”
“Cultural contamination that is directed outward is always seen as ‘enlightenment.”
“Generalization is a natural human mental process, and many generalizations are true—in average. What often does promote evil behavior is the lazy, nasty habit of believing that generalizations have anything at all to do with individuals.”
“Deep down, most humans prefer living out their lives surrounded by comfortable certainties, guided by warm myths and metaphors, knowing that they’ll understand their children, and their children will understand them.”
“A living planet is a much more complex metaphor for deity than just a bigger father with a bigger fist.”
“and his momma never told him who his father was. But she left a clue: posters of Herman E. Calloway and his famous band, the Dusky Devastators of the Depression!!!!!! Bud’s got”
“Calvin: Know what I pray for?
Hobbes: What?
Calvin: The strength to change what I can, the inability to accept what I can't, and the incapacity to tell the difference.”
“The castle was round and about them, widespread and as unchartable as a dark day.”
“I love you, Anna Covey,' he said, his voice barely audible. And slowly, clumsily, he leant forward, and his lips found hers, and as Anna felt him kiss her awkwardly, she knew that she wasn't a Surplus anymore. And nor was Peter.
Surplus meant unnecessary. Not required.
You couldn't be a Surplus if you were needed by someone else. You couldn't be a Surplus if you were loved.”
“Governments, if they endure, always tend increasingly toward aristocratic forms. No government in history has been known to evade this pattern. And as the aristocracy develops, government tends more and more to act exclusively in the interests of the ruling class -- whether that class be hereditary royalty, oligarchs of financial empires, or entrenched bureaucracy.”
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