Quotes from Fun Home: A Family Tragicomic

Alison Bechdel ·  232 pages

Rating: (94.7K votes)


“I suppose that a lifetime spent hiding one's erotic truth could have a cumulative renunciatory effect. Sexual shame is in itself a kind of death.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“It was not a triumphal return. Home, as I had known it, was gone.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“It was a vicious cycle, though. The more gratification we found in our own geniuses, the more isolated we grew.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“Then there were those famous wings. Was Daedalus really stricken with grief when Icarus fell into the sea? Or just disappointed by the design failure?”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“I still found literary criticism to be a suspect activity”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic



“I'd been upstaged, demoted from protagonist in my own drama to comic relief in my parents' tragedy”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“At first I was glad for the help. My freshmen English class, "Mythology and Archetypal Experience," confounded me.

I didn't understand why we couldn't just read books without forcing contorted interpretations on then”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“It's imprecise and insufficient, defining the homosexual as a person whose gender expression is at odds with his or her sex.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“What would happen if we spoke the truth?”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“If there was ever a bigger pansy than my father, it was Marcel Proust.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic



“My father once nearly came to blows with a female dinner guest about whether a particular patch of embroidery was fuchsia or magenta.

But the infinite gradations of color in a fine sunset - from salmon to canary to midnight blue - left him wordless.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“Feminism is the theory. Lesbianism is the practice.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“My homosexuality remained at that point purely theoretical, an untested hypothesis. But it was a hypothesise so thorough and so convincing I saw no reason not to share it immediately.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“It's said, after all, that people reach middle age the day they realize they're never going to read Remembrance of Things Past.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“Again, the troubling gap between word and meaning. My feeble language skills could not bear the weight of such a laden experience.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic



“But how could he admire Joyce’s lengthy, libidinal ‘yes’ so fervently and end up saying ‘no’ to his own life? I suppose that a lifetime spent hiding one’s erotic truth could have a cumulative renunciatory effect.
Sexual shame is in itself a kind of death.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“Gatsby's self-willed metamorphosis from farm boy to prince is many ways identical to my father's. Like Gatsby, my father fueled this transformation with the "colossal vitality of his illusion". Unlike Gatsby he did this on a school teacher's salary.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“The sudden approximation of my dull, provincial life to a New Yorker cartoon was exhilarating.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“My research was stimulating but solitary”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“How Horrid" has a slightly facetious tone that strikes me as Wildean. It appears to embrace the actual horror--puberty, public disgrace--then at the last second nimbly sidesteps it, laughing.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic



“Maybe it was the converse of the way amputees feel pain in a missing limb. He really was there all those years, a flesh-and-blood presence streaming off the wallpaper, digging up the dogwoods, polishing the finials... smelling of sawdust and sweat and designer cologne. But I ached as if he were already gone.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“Perhaps I identify too well with my father's illicit awe. A trace of this seems caught in the photo, just as a trace of Roy has been caught on the light-sensitive paper...It's a curiously ineffectual attempt at censorship. Why cross out the year and not the month? Why, for that matter, leave the photo in the envelope at all?

In an act of prestidigitation typical of the way my father juggled his public appearance and private reality, the evidence is simultaneously hidden and revealed.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“Sexual shame is in itself a kind of death.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“...did that require such a leap of the imagination? Perhaps affectation can be so thoroughgoing, so authentic in its details, that it stops being pretense… and becomes, for all practical purposes, real.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


Video

About the author

Alison Bechdel
Born place: in The United States
Born date September 10, 1960
See more on GoodReads

Popular quotes

“None of us truly knows what we'll do when the circumstances become so overwhelming and complex that we can't even tell right from wrong.”
― Lurlene McDaniel, quote from Breathless


“It's the new me," I explained, waving my hands jazz-style in greeting. "Matthew Swift, Midnight fucking Mayor - I've got multicoloured highlighters and everything.”
― Kate Griffin, quote from The Neon Court


“What will they say about my poetry
who never touched my blood?

Que diran de mi poesia
los que no tocaron mi sangre?”
― Pablo Neruda, quote from The Book of Questions


“It was really quite flattering to think that minor damage to my skull could cause such a display of hydrotechnics, but at the same time it left me slightly uneasy about what my response ought to be.”
― Jeff Lindsay, quote from Dexter By Design


“He imagined a town called A. Around the communal fire they’re shaping arrowheads and carving tributes o the god of the hunt. One day some guys with spears come over the ridge, perform all kinds of meanness, take over, and the new guys rename the town B. Whereupon they hang around the communal fire sharpening arrowheads and carving tributes to the god of the hunt. Some climatic tragedy occurs — not carving the correct tributary figurines probably — and the people of B move farther south, where word is there’s good fishing, at least according to those who wander to B just before being cooked for dinner. Another tribe of unlucky souls stops for the night in the emptied village, looks around at the natural defenses provided by the landscape, and decides to stay awhile. It’s a while lot better than their last digs — what with the lack of roving tigers and such — plus it comes with all the original fixtures. they call the place C, after their elder, who has learned that pretending to talk to spirits is a fun gag that gets you stuff. Time passes. More invasions, more recaptures, D, E, F, and G. H stands as it is for a while. That ridge provides some protection from the spring floods, and if you keep a sentry up there you can see the enemy coming for miles. Who wouldn’t want to park themselves in that real estate? The citizens of H leave behind cool totems eventually toppled by the people of I, whose lack of aesthetic sense if made up for by military acumen. J, K, L, adventures in thatched roofing, some guys with funny religions from the eastern plains, long-haired freaks from colder climes, the town is burned to the ground and rebuilt by still more fugitives. This is the march of history. And conquest and false hope. M falls to plague, N to natural disaster — same climatic tragedy as before, apparently it’s cyclical. Mineral wealth makes it happen for the O people, and the P people are renowned for their basket weaving. No one ever — ever — mentions Q. The dictator names the city after himself; his name starts with the letter R. When the socialists come to power they spend a lot of time painting over his face, which is everywhere. They don’t last. Nobody lasts because there’s always somebody else. They all thought they owned it because they named it and that was their undoing. They should have kept the place nameless. They should have been glad for their good fortune, and left it at that. X, Y, Z.”
― Colson Whitehead, quote from Apex Hides the Hurt


Interesting books

The Lady With the Little Dog and Other Stories, 1896-1904
(4.2K)
The Lady With the Li...
by Anton Chekhov
Shake Hands with the Devil: The Failure of Humanity in Rwanda
(9.1K)
Shake Hands with the...
by Roméo Dallaire
Black and Blue
(71.9K)
Black and Blue
by Anna Quindlen
Bleeding Violet
(5.2K)
Bleeding Violet
by Dia Reeves
Demon Lord of Karanda
(33.8K)
Demon Lord of Karand...
by David Eddings
The Humans
(29.4K)
The Humans
by Matt Haig

About BookQuoters

BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.

We thoughtfully gather quotes from our favorite books, both classic and current, and choose the ones that are most thought-provoking. Each quote represents a book that is interesting, well written and has potential to enhance the reader’s life. We also accept submissions from our visitors and will select the quotes we feel are most appealing to the BookQuoters community.

Founded in 2023, BookQuoters has quickly become a large and vibrant community of people who share an affinity for books. Books are seen by some as a throwback to a previous world; conversely, gleaning the main ideas of a book via a quote or a quick summary is typical of the Information Age but is a habit disdained by some diehard readers. We feel that we have the best of both worlds at BookQuoters; we read books cover-to-cover but offer you some of the highlights. We hope you’ll join us.