Alison Bechdel · 232 pages
Rating: (94.7K votes)
“I suppose that a lifetime spent hiding one's erotic truth could have a cumulative renunciatory effect. Sexual shame is in itself a kind of death.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic
“It was not a triumphal return. Home, as I had known it, was gone.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic
“It was a vicious cycle, though. The more gratification we found in our own geniuses, the more isolated we grew.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic
“Then there were those famous wings. Was Daedalus really stricken with grief when Icarus fell into the sea? Or just disappointed by the design failure?”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic
“I still found literary criticism to be a suspect activity”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic
“I'd been upstaged, demoted from protagonist in my own drama to comic relief in my parents' tragedy”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic
“At first I was glad for the help. My freshmen English class, "Mythology and Archetypal Experience," confounded me.
I didn't understand why we couldn't just read books without forcing contorted interpretations on then”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic
“It's imprecise and insufficient, defining the homosexual as a person whose gender expression is at odds with his or her sex.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic
“What would happen if we spoke the truth?”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic
“If there was ever a bigger pansy than my father, it was Marcel Proust.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic
“My father once nearly came to blows with a female dinner guest about whether a particular patch of embroidery was fuchsia or magenta.
But the infinite gradations of color in a fine sunset - from salmon to canary to midnight blue - left him wordless.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic
“Feminism is the theory. Lesbianism is the practice.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic
“My homosexuality remained at that point purely theoretical, an untested hypothesis. But it was a hypothesise so thorough and so convincing I saw no reason not to share it immediately.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic
“It's said, after all, that people reach middle age the day they realize they're never going to read Remembrance of Things Past.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic
“Again, the troubling gap between word and meaning. My feeble language skills could not bear the weight of such a laden experience.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic
“But how could he admire Joyce’s lengthy, libidinal ‘yes’ so fervently and end up saying ‘no’ to his own life? I suppose that a lifetime spent hiding one’s erotic truth could have a cumulative renunciatory effect.
Sexual shame is in itself a kind of death.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic
“Gatsby's self-willed metamorphosis from farm boy to prince is many ways identical to my father's. Like Gatsby, my father fueled this transformation with the "colossal vitality of his illusion". Unlike Gatsby he did this on a school teacher's salary.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic
“The sudden approximation of my dull, provincial life to a New Yorker cartoon was exhilarating.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic
“My research was stimulating but solitary”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic
“How Horrid" has a slightly facetious tone that strikes me as Wildean. It appears to embrace the actual horror--puberty, public disgrace--then at the last second nimbly sidesteps it, laughing.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic
“Maybe it was the converse of the way amputees feel pain in a missing limb. He really was there all those years, a flesh-and-blood presence streaming off the wallpaper, digging up the dogwoods, polishing the finials... smelling of sawdust and sweat and designer cologne. But I ached as if he were already gone.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic
“Perhaps I identify too well with my father's illicit awe. A trace of this seems caught in the photo, just as a trace of Roy has been caught on the light-sensitive paper...It's a curiously ineffectual attempt at censorship. Why cross out the year and not the month? Why, for that matter, leave the photo in the envelope at all?
In an act of prestidigitation typical of the way my father juggled his public appearance and private reality, the evidence is simultaneously hidden and revealed.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic
“Sexual shame is in itself a kind of death.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic
“...did that require such a leap of the imagination? Perhaps affectation can be so thoroughgoing, so authentic in its details, that it stops being pretense… and becomes, for all practical purposes, real.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic
“Two-hands,” Zak said more emphatically. Matron Malice motioned for him to continue, unable to deny the grace of her youngest son’s display. “Could you do it again?” Zak asked Drizzt. With each hand working independently, Drizzt soon had the coins stacked atop his index fingers, ready to flip. Zak stopped him there and pulled out four more coins, building each of the piles five high. Zak paused a moment to study the concentration of the young drow (and also to keep his hands over the coins and ensure that they were brightened enough by the warmth of his body heat for Drizzt to properly see them in their flight). “Catch them all, Secondboy,” he said in all seriousness. “Catch them all, or you will land in Sorcere, the school of magic. That is not where you belong!” Drizzt still had only a vague idea of what Zak was talking about, but he could tell from the weapons master’s intensity that it must be important. He took a deep breath to steady himself, then snapped the coins up. He sorted their glow quickly, discerning each individual item. The first two fell easily into his hands, but Drizzt saw that the scattering pattern of the rest would not drop them so readily in line. Drizzt exploded into action, spinning a complete circle, his hands an indecipherable blur of motion. Then he straightened suddenly and stood before Zak. His hands were in fists at his sides and a grim look lay on his face. Zak and Matron Malice exchanged glances, neither quite sure of what had happened. Drizzt held his fists out to Zak and slowly opened them, a confident smile widening across his childish face. Five coins in each hand. Zak blew a silent whistle. It had taken him, the weapons master of the house, a dozen tries to complete that maneuver with ten coins. He walked over to Matron Malice. “Two-hands,” he said a third time. “He is a fighter, and I am out of coins.” “How many could he do?” Malice breathed, obviously impressed in spite of herself. “How many could we stack?” Zaknafein shot back with a triumphant smile.”
― R.A. Salvatore, quote from Homeland
“There are people in this home- human beings- drowning in their desire for you to look them in the eye. You made this family. And all you have to do is show up and like them. It's called 're-la-ting.' So get over whatever totally-absent-buying-your affection parenting that you received and get here, man- because this is your LIFE and you're just pissing it away!”
― Emma McLaughlin, quote from The Nanny Diaries
“Denial is not just a river in Egypt.”
― James Patterson, quote from Nevermore
“IN THE LIGHT OF eternity, time casts no shadow. Your old men shall dream dreams, your young men shall see visions. But what is it that the old women see? We see necessity, and we do the things that must be done. Young women don’t see—they are, and the spring of life runs through them. Ours is the guarding of the spring, ours the shielding of the light we have lit, the flame that we are. What have I seen? You are the vision of my youth, the constant dream of all my ages. Here I stand on the brink of war again, a citizen of no place, no time, no country but my own … and that a land lapped by no sea but blood, bordered only by the outlines of a face long-loved.”
― Diana Gabaldon, quote from Written in My Own Heart's Blood
“You really shouldn't lean against a wall and try to look tough unless you can cross your arms. Ruins the effect.”
― Laurell K. Hamilton, quote from The Laughing Corpse
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