Quotes from Fun Home: A Family Tragicomic

Alison Bechdel ·  232 pages

Rating: (94.7K votes)


“I suppose that a lifetime spent hiding one's erotic truth could have a cumulative renunciatory effect. Sexual shame is in itself a kind of death.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“It was not a triumphal return. Home, as I had known it, was gone.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“It was a vicious cycle, though. The more gratification we found in our own geniuses, the more isolated we grew.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“Then there were those famous wings. Was Daedalus really stricken with grief when Icarus fell into the sea? Or just disappointed by the design failure?”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“I still found literary criticism to be a suspect activity”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic



“I'd been upstaged, demoted from protagonist in my own drama to comic relief in my parents' tragedy”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“At first I was glad for the help. My freshmen English class, "Mythology and Archetypal Experience," confounded me.

I didn't understand why we couldn't just read books without forcing contorted interpretations on then”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“It's imprecise and insufficient, defining the homosexual as a person whose gender expression is at odds with his or her sex.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“What would happen if we spoke the truth?”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“If there was ever a bigger pansy than my father, it was Marcel Proust.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic



“My father once nearly came to blows with a female dinner guest about whether a particular patch of embroidery was fuchsia or magenta.

But the infinite gradations of color in a fine sunset - from salmon to canary to midnight blue - left him wordless.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“Feminism is the theory. Lesbianism is the practice.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“My homosexuality remained at that point purely theoretical, an untested hypothesis. But it was a hypothesise so thorough and so convincing I saw no reason not to share it immediately.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“It's said, after all, that people reach middle age the day they realize they're never going to read Remembrance of Things Past.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“Again, the troubling gap between word and meaning. My feeble language skills could not bear the weight of such a laden experience.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic



“But how could he admire Joyce’s lengthy, libidinal ‘yes’ so fervently and end up saying ‘no’ to his own life? I suppose that a lifetime spent hiding one’s erotic truth could have a cumulative renunciatory effect.
Sexual shame is in itself a kind of death.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“Gatsby's self-willed metamorphosis from farm boy to prince is many ways identical to my father's. Like Gatsby, my father fueled this transformation with the "colossal vitality of his illusion". Unlike Gatsby he did this on a school teacher's salary.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“The sudden approximation of my dull, provincial life to a New Yorker cartoon was exhilarating.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“My research was stimulating but solitary”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“How Horrid" has a slightly facetious tone that strikes me as Wildean. It appears to embrace the actual horror--puberty, public disgrace--then at the last second nimbly sidesteps it, laughing.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic



“Maybe it was the converse of the way amputees feel pain in a missing limb. He really was there all those years, a flesh-and-blood presence streaming off the wallpaper, digging up the dogwoods, polishing the finials... smelling of sawdust and sweat and designer cologne. But I ached as if he were already gone.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“Perhaps I identify too well with my father's illicit awe. A trace of this seems caught in the photo, just as a trace of Roy has been caught on the light-sensitive paper...It's a curiously ineffectual attempt at censorship. Why cross out the year and not the month? Why, for that matter, leave the photo in the envelope at all?

In an act of prestidigitation typical of the way my father juggled his public appearance and private reality, the evidence is simultaneously hidden and revealed.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“Sexual shame is in itself a kind of death.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


“...did that require such a leap of the imagination? Perhaps affectation can be so thoroughgoing, so authentic in its details, that it stops being pretense… and becomes, for all practical purposes, real.”
― Alison Bechdel, quote from Fun Home: A Family Tragicomic


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About the author

Alison Bechdel
Born place: in The United States
Born date September 10, 1960
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Popular quotes

“He imagined a town called A. Around the communal fire they’re shaping arrowheads and carving tributes o the god of the hunt. One day some guys with spears come over the ridge, perform all kinds of meanness, take over, and the new guys rename the town B. Whereupon they hang around the communal fire sharpening arrowheads and carving tributes to the god of the hunt. Some climatic tragedy occurs — not carving the correct tributary figurines probably — and the people of B move farther south, where word is there’s good fishing, at least according to those who wander to B just before being cooked for dinner. Another tribe of unlucky souls stops for the night in the emptied village, looks around at the natural defenses provided by the landscape, and decides to stay awhile. It’s a while lot better than their last digs — what with the lack of roving tigers and such — plus it comes with all the original fixtures. they call the place C, after their elder, who has learned that pretending to talk to spirits is a fun gag that gets you stuff. Time passes. More invasions, more recaptures, D, E, F, and G. H stands as it is for a while. That ridge provides some protection from the spring floods, and if you keep a sentry up there you can see the enemy coming for miles. Who wouldn’t want to park themselves in that real estate? The citizens of H leave behind cool totems eventually toppled by the people of I, whose lack of aesthetic sense if made up for by military acumen. J, K, L, adventures in thatched roofing, some guys with funny religions from the eastern plains, long-haired freaks from colder climes, the town is burned to the ground and rebuilt by still more fugitives. This is the march of history. And conquest and false hope. M falls to plague, N to natural disaster — same climatic tragedy as before, apparently it’s cyclical. Mineral wealth makes it happen for the O people, and the P people are renowned for their basket weaving. No one ever — ever — mentions Q. The dictator names the city after himself; his name starts with the letter R. When the socialists come to power they spend a lot of time painting over his face, which is everywhere. They don’t last. Nobody lasts because there’s always somebody else. They all thought they owned it because they named it and that was their undoing. They should have kept the place nameless. They should have been glad for their good fortune, and left it at that. X, Y, Z.”
― Colson Whitehead, quote from Apex Hides the Hurt


“When, on your dangerous mission gone,
You underrate our foes as dunces,
Be wary, not of sudden gun,
But of your partner at the dances.”
― Stanley Kunitz, quote from The Collected Poems of Stanley Kunitz


“I am not so fortunate as to have Virgil as my guide, but I do have Dante as my inspiration.”
― quote from The Anatomy of Evil


“...people are most deeply offended by moral failings that mirror their own.”
― Matt Ruff, quote from Bad Monkeys


“People fear anyone who differs from what is considered normal, and in a small town the idea of normal can be as narrow as the streets.”
― Elizabeth Chandler, quote from The Back Door of Midnight


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