“Clothing was magic. Casey believed this. She would never admit this to her classmates in any of her women's studies courses, but she felt that an article of clothing could change a person... Each skirt, blouse, necklace, or humble shoe said something - certain pieces screamed, and others whispered seductively, but no matter, she experienced each item's expression keenly, and she loved this world. every article suggested an image, a life, a kind of woman, and Casey felt drawn to them." (Free Food For Millionaires, p.41).”
― Min Jin Lee, quote from Free Food for Millionaires
“Casey glanced at her plate again, recalling the posters of her elementary school lunchroom: YOU ARE WHAT YOU EAT. So, how much you ate indicated the quantity of your desire. Walter was also implying that how quickly you got your food revealed the likelihood of achieving your goals. She was in fact terribly hungry, but she'd pretended to be otherwise to be ladylike and had moved away from the table to be agreeable, and now she'd continue to be hungry" (Free Food For Millionaires, p.92.)”
― Min Jin Lee, quote from Free Food for Millionaires
“Casey meant it when she said, 'Forgive us for our debts as we forgive our debtors,' because they were for her the hardest words to live by, and by saying them, she hoped they'd become possible. Like Ted, Casey would never discuss her ambivalent views on religion. She was honest enough to admit that her privacy cloaked a fear: the fear of being found out as a hypocrite" (Free Food For Millionaires, p.100-101.)”
― Min Jin Lee, quote from Free Food for Millionaires
“The world was cruel with its rations.”
― Min Jin Lee, quote from Free Food for Millionaires
“Don't do what I do but what you think is right. But whatever you do, you can't keep yourself from getting hurt. The heart doesn't seem to work that way.”
― Min Jin Lee, quote from Free Food for Millionaires
Min Jin Lee
Born place: in Seoul, Korea, Republic of
Born date July 11, 1968
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“Ree Dolly stood at the break of day on her cold front steps and smelled coming flurries and saw meat. Meat hung from trees across the creek. Carcasses hung pale of flesh with fatty gleam from low limbs of saplings in the side yards. Three halt haggard houses formed a kneeling rank on the far creekside and each had two or more skinned torsos dangling by rope from sagged limbs, venison left to the weather for two nights and three days so the early blossoming of decay might round the flavor, sweeten that meat to the bone.”
― Daniel Woodrell, quote from Winter's Bone
“But once in a while one loses his heart and once I think I did too, but never Mama. Her heart stays right in place and it's wham-bam-don't-give-a-damn every single time. Whatever she's got, that thing that can say good-bye like good-byes don't mean anything, I didn't get that. And the glass unicorn with the shiny gold horn and hooves that sits by my bed proves it, proves that I can't let go of things like Mama can.”
― Tupelo Hassman, quote from Girlchild
“Il signor Palomar, continuando a osservare le giraffe in corsa, si rende conto d'una complicata armonia che comanda quel trepestio disarmonico, d'una proporzione interna che lega tra loro le più vistose sproporzioni anatomiche, d'una grazia naturale che vien fuori da quelle movenze sgraziate. L'elemento unificatore è dato dalle macchie del pelo, disposte in figure irregolari ma omogenee, dai contorni netti e angolosi; esse si accordano come un esatto equivalente grafico ai movimenti segmentati dell'animale. Più che di macchie si dovrebbe parlare d'un manto nero la cui uniformità è spezzata da nervature chiare che s'aprono seguendo un disegno a losanghe: una discontinuità di pigmentazione che già annuncia la discontinuità dei movimenti.
A questa punto la bambina del signor Palomar, che si è stancata da un pezzo di guardare le giraffe, lo trascina verso la grotta dei pinguini. Il signor Palomar, cui i pinguini dànno angoscia, la segue a malincuore...”
― Italo Calvino, quote from Mr Palomar
“It was like looking at a knot, knowing it was a knot, but not knowing how to untie it. I had no map for this life.”
― Laurie Halse Anderson, quote from Chains
“For didn’t everyone have secret parts and shadows?”
― Ari Berk, quote from Death Watch
Safe Haven
Into the Wild
The Taming of the Sh...
Shutter Island
The Indigo Spell
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