“There's always a bit of truth in each rumour, the trouble is finding out which bit.
- Tayend”
― Trudi Canavan, quote from The Novice
“Your supposed to drink wine, my friend, not breathe it.”
― Trudi Canavan, quote from The Novice
“Ranel had said that the murderer wore a ring with a red gemstone. Looking at Akkarin's hands, she was almost disappointed to see they were bare. Not even a mark to hint that a ring might have been worn regularly. His fingers were long and elegant, yet masculine...”
― Trudi Canavan, quote from The Novice
“Believe me. There was nothing good in always being second place. Next to you, I may as well have been invisible - at least when it came to the ladies. If I'd known, we'd both end up as bachelors, I wouldn't have been so jealous of you.'
'Jealous?' Akkarin's smile faded. He turned away to stare at the horizon. 'No. Don't be jealous.”
― Trudi Canavan, quote from The Novice
“I suppose if Akkarin came to rescue you all the time, people would say you weren't a good choice. The novices are all jealous of you, not realising that they would be in the same situation if they were the High Lord's favourite, even if they are from the Houses. Any novice he chose would be a target. Always expected to prove themselves.”
― Trudi Canavan, quote from The Novice
“Most people would not open a door unless they knew what lay beyond, and even if they opened the door by mistake, they would find an uninteresting room beyond.”
― Trudi Canavan, quote from The Novice
“The Bostonians is special because it never was ‘titivated’ for the New York edition, for its humour and its physicality, for its direct engagement with social and political issues and the way it dramatized them, and finally for the extent to which its setting and action involved the author and his sense of himself. But the passage above suggests one other source of its unique quality. It has been called a comedy and a satire – which it is. But it is also a tragedy, and a moving one at that. If its freshness, humour, physicality and political relevance all combine to make it a peculiarly accessible and enjoyable novel, it is also an upsetting and disturbing one, not simply in its treatment of Olive, but also of what she tries to stand for. (Miss Birdseye is an important figure in this respect: built up and knocked down as she is almost by fits and starts.) The book’s jaundiced view of what Verena calls ‘the Heart of humanity’ (chapter 28) – reform, progress and the liberal collectivism which seems so essential an ingredient in modern democracy – makes it contentious to this day. An aura of scepticism about the entire political process hangs about it: salutary some may say; destructive according to others. And so, more than any other novel of James’s, it reminds us of the literature of our own time. The Bostonians is one of the most brilliant novels in the English language, as F. R. Leavis remarked;27 but it is also one of the bleakest. In no other novel did James reveal more of himself, his society and his era, and of the human condition, caught as it is between the blind necessity of progress and the urge to retain the old. It is a remarkably experimental modern novel, written by a man of conservative values. It is judgemental about people with whom its author identified, and lenient towards attitudes hostile to large areas of James’s own intellectual and personal inheritance. The strength of the contradictions embodied in the novel are a guarantee of the pleasure it has to give.”
― Henry James, quote from The Bostonians
“Ter a porta fechada, os lábios fechados: mas o meu silêncio proclama ordens."tu não dizes nada, e eu vou" ou "não dizes nada, e eu não vou". Toda a minha presença é palavra. Avança então, avança no lodo da noite. Decide. Eu decidi a tua morte e não estamos pagos. Mais ainda. Queria pedir misericórdia: não há misericórdia.”
― Simone de Beauvoir, quote from The Blood of Others
“The newspapers next day wrote that "with much hesitation the witness proceeded to recount the treatment she received from Madame DeBeausacq, the details of which are so extremely disgusting and filthy we forbear to give publicity to them." Let me say right now the papers was wrong on them details. The details are of Human Kindness. These judges, these police, these reporters, are squeamish low bloodworms, half of them, consorting with cancan girls. How I know this is because them girls come to me. So do their society mistresses. Also, their wives. I know them, daughters of Judges, sisters of Prosecutors. But these robes of the law did not wish to hear the filthy details of their own sex's duplicity, or dwell on the disgusting filthy things they did THEMSELVES, nor see the fair face of the ones they punish for their own masculine debauchery.”
― Kate Manning, quote from My Notorious Life
“You can't rely on others—especially your managers and clients—to engage your strengths. In an ideal world, managers would constantly be thinking about how to best utilize their people—and clients would always unearth your greatest potential. Unfortunately, the reality is that bosses and clients are as worried about their own careers as you are about your own. You must take the task of marketing your strengths into your own hands.”
― quote from Making Ideas Happen: Overcoming the Obstacles Between Vision and Reality
“The way he had always tried to tell her he loved her when she least expected it.”
― Julia Quinn, quote from Everything and the Moon
BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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