“The world ain't ready for true black genius. In every nigger is a cup of African blood from kings and queens of divine nature, mathematicians, craftsmen, men and women of the land. I have known some sisters and brothers would scare Einstein back into East European caves with the magnificence of their minds. We are a people with a practical nature and great vision. We have built nations, discovered treasures for everyday use. Our people are a great race of people, and though the Europeans raped and plundered, we have kept inner riches. You got a cup of African blood and that mean something, means you got a responsibility to be proud of it and use your talents or suffer self-destruction.”
― Shay Youngblood, quote from Black Girl in Paris
“I was a woman and did not yet think of myself as a writer. I was a mapmaker.”
― Shay Youngblood, quote from Black Girl in Paris
“Before I left home I cut my hair close to my scalp so I could be a free woman with free thoughts, open to all possibilities. I was making a map of the world. In ancient times maps were made to help people find food, water, and the way back home. I needed a map to help me find love and language and since one didn't exist, I'd have to invent one, following the trails and signs left by other travelers. I didn't know what I wanted to be, but I knew I wanted to be the kind of woman who was bold, took chances, and had adventures. I wanted to travel around the world. It was my little-girl dream.”
― Shay Youngblood, quote from Black Girl in Paris
“Art is just as important as food, 'cause if your soul ain't nourished, you one empty mutherfucker.”
― Shay Youngblood, quote from Black Girl in Paris
“I discover that nothing is ever certain. A name, a birthday, an entire life can be invented, and that being so, can be changed.”
― Shay Youngblood, quote from Black Girl in Paris
“wanted that kind of life even though I was a woman and did not yet think of myself as a writer. I was a mapmaker.”
― Shay Youngblood, quote from Black Girl in Paris
“The human brain can only be stretched so far before it breaks.”
― Erin Bowman, quote from Taken
“She laughs. “Stanton, I’m trying to make partner.”
“I know.”
“And you’re trying to make partner.”
“True.” We walk silently. Then I lean closer to her, guessing, “So that’s a yes, then?”
She grins. “Yes . . . I’ll think about it.”
I give her her favorite lopsided grin. “Good.”
Sofia holds up a finger. “But not now.”
“No.”
“Make sure your sperm is aware of that. It has a history of going rogue.”
I nod. “I’ll send the sperm a memo and CC your ovaries.”
She nods. “But soon.”
“Soon is good.”
― Emma Chase, quote from Overruled
“Należymy do gatunku składającego słowa jak ryba ikrę, produkujemy więcej kultury, niż jesteśmy w stanie przetrawić. W ciągu ostatnich lat pedantycznie zwalczaliśmy graffiti na stacjach metra, a jednocześnie wydajemy miliony koron na budowę nowych bibliotek narodowych. Tymczasem zapis pamięci narodowej może przyjąć również formę graffiti. Nietzsche porównał człowieka przejedzonego kulturą do węża, który połknął zająca, a teraz drzemie w słońcu, nie będą w stanie się ruszyć. Czas epigramatów już minął. Na przystani w Bryggen w Bergen znaleziono niewielki kawałeczek drewna z takim oto napisem runicznym: Ingebjørg kochała mnie, kiedy byłem w Stavanger. Fakt ten musiał wywrzeć pewne wrażenie na autorze napisu, podobnie zresztą jak na czytelniku, żyjącym osiemset czy dziewięćset lat później. Dzisiaj oszczędny w słowach autor, chcąc uwiecznić jedną schadzkę z Ingebjørg, dorzuciłby do pamięci potomnych czerystustronicową powieść. Albo też zadręczyłby życie swoim współczesnym wpadającymi w ucho popularnymi piosenkami w stylu 'Nie ma jak z Ingebjørg, nie ma jak z Ingebjørg'. Paradoks polega na tym, że gdyby przez wszystkie osiemset lat napisano równie wiele powieści, jak w latach siedemdziesiątych, to nikt z nas nie byłby w stanie przebrnąć przez tak obfitą tradycję piśmiennictwa i nie dotarłby do prostej, lecz przyjemnej historii o Ingebjørg. (...) Namiętna historia miłośna została odarta ze wszystkiego aż do kości, lecz mimo to niesie za sobą mnóstwo konotacji. Ponadto pewnych rzeczy czytelnik może się domyślić. Dostał do ręki coś, nad czym dalej może pracować jego wyobraźnia. Po czterystustronicowej powieści trudno jest samemu coś wymyślić.”
― Jostein Gaarder, quote from The Ringmaster's Daughter
“There is a proverb my grandmother used to repeat: Old sins have long shadows.”
― Agatha Christie, quote from Elephants Can Remember
“Positive obsession is about not being able to stop just because you’re afraid and full of doubts. Positive obsession is dangerous. It’s about not being able to stop at all.”
― Octavia E. Butler, quote from Bloodchild and Other Stories
BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
We thoughtfully gather quotes from our favorite books, both classic and current, and choose the ones that are most thought-provoking. Each quote represents a book that is interesting, well written and has potential to enhance the reader’s life. We also accept submissions from our visitors and will select the quotes we feel are most appealing to the BookQuoters community.
Founded in 2023, BookQuoters has quickly become a large and vibrant community of people who share an affinity for books. Books are seen by some as a throwback to a previous world; conversely, gleaning the main ideas of a book via a quote or a quick summary is typical of the Information Age but is a habit disdained by some diehard readers. We feel that we have the best of both worlds at BookQuoters; we read books cover-to-cover but offer you some of the highlights. We hope you’ll join us.