Sarah Mlynowski · 317 pages
Rating: (5.1K votes)
“That's our story.
How we became a we.
And that's what we are these day. A we.
When you're a group that can hear each other's thoughts, the line between I and We gets kind of blurry.”
― Sarah Mlynowski, quote from Don't Even Think About It
“Normal is boring. Who wants that?”
― Sarah Mlynowski, quote from Don't Even Think About It
“He knew he was sounding a little Holden Caulfield-esque calling everyone a phony, but he really did think everyone was a phony.”
― Sarah Mlynowski, quote from Don't Even Think About It
“We were not always freaks. Sure, most of us occasionally exhibited freakish behavior. But that’s not the same thing. This is the story of how we became freaks. It’s how a group of Is became a we.”
― Sarah Mlynowski, quote from Don't Even Think About It
“Tenemos que aprender a seguir el ejemplo de Cristo, que fue movido a compasión por los pecadores y que podía orar por ellos incluso cuando lo estaban clavando a la cruz en el Calvario.”
― Jerry Bridges, quote from The Pursuit of Holiness
“He looks at me fondly. I know that the look doesn’t have love in it. Or even lust. I still wonder about love or sex or lust. I saw lust in his eyes when he looked at that girl on the sidewalk … I love him, anyway. I love him because he’s kind to me and he doesn’t want my body, doesn’t want to feel me or touch me, like all the others … and maybe after a while he might look at me with more than fondness, will kiss me sweetly, tenderly.”
― Robert Cormier, quote from Tenderness
“She has spent most of the day reading and is feeling rather out of touch with reality, as if her own life has become insubstantial in the face of the fiction she's been absorbed in.”
― Maggie O'Farrell, quote from After You'd Gone
“Eilis was fascinated by [...] his sweet duplicity in giving no sign of what had happened before. She was almost glad to know that he had secrets and had ways of calmly keeping them.”
― Colm Tóibín, quote from Brooklyn
“TIA OR TARA has stopped applying makeup to my wife’s face and is looking at Scottie with disapproval. The light is hitting this woman’s face, giving me an opportunity to see that she should perhaps be working on her own makeup. Her coloring is similar to a manila envelope. There are specks of white in her eyebrows, and her concealer is not concealing. I can tell my daughter doesn’t know what to do with this woman’s critical look.
“What?” Scottie asks. “I don’t want any makeup.” She looks at me for protection, and it’s heartbreaking. All the women who model with Joanie have this inane urge to make over my daughter with the notion that they’re helping her somehow. She’s not as pretty as her older sister or her mother, and these other models think that slapping on some rouge will somehow make her feel better about her facial fate. They’re like missionaries. Mascara thumpers.
“I was just going to say that I think your mother was enjoying the view,” Tia or Tara says. “It’s so pretty outside. You should let the light in.”
My daughter looks at the curtain. Her little mouth is open. Her hand reaches for a tumbleweed of hair.
“Listen here, T. Her mother was not enjoying the view. Her mother is in a coma. And she’s not supposed to be in bright light.”
“My name is not T,” she says. “My name is Allison.”
“Okay, then, Ali. Don’t confuse my daughter, please.”
“I’m turning into a remarkable young lady,” Scottie says.
“Damn straight.” My heart feels like one of Scottie’s clogs clomping down the hall. I don’t know why I became so angry.”
― Kaui Hart Hemmings, quote from The Descendants
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