“If a man truly loves,....He does not consider the obstacles, the restrictions, the reasons why his choice may be flawed or impratical. He gives no heed to what others may think. His heart has no room for that, for it is filled to the brim with the unutterable truth of his feelings.”
― Juliet Marillier, quote from Cybele's Secret
“Water and stone
Flesh and bone
Night and morn
Rose and thorn
Tree and wind
Heart and mind”
― Juliet Marillier, quote from Cybele's Secret
“If a man truly loves, he gives no heed to what others may think. His heart has no room for that, for it is filled to the brim with the unutterable truth of his feelings.”
― Juliet Marillier, quote from Cybele's Secret
“Eat
of my deep earth, drink of my living streams, for I am your Mother. Your heart is my wild drum, your breath my eternal song. If you would live,
dance with me!”
― Juliet Marillier, quote from Cybele's Secret
“There is the darkness of a moonless night out of doors, and there is the darkness of a house with its shutters closed and the lamps quenched. There is the darkness of sleep, relieved by the bright images of dreams. But no darkness is as complete, as blanketing, as terrifying as the utter darkness of underground.”
― Juliet Marillier, quote from Cybele's Secret
“Though it was dark, I could see how his eyes came alive with enthusiasm and the way he used his hands to illustrate with surprising grace. There were hidden depths beneath that impassive exterior. A sweet kernel shielded by a tough shell; dancing fire concealed in stone.”
― Juliet Marillier, quote from Cybele's Secret
“There is the darkness of a moonless night out of doors, and there is the darkness of a house with its shutters closed and the lamps quenched. There is the darkness of sleep, relieved by the bright images of dreams But no darkness is as complete, as blanketing, as terrifying as the utter darkness of underground.”
― Juliet Marillier, quote from Cybele's Secret
Juliet Marillier
Born place: in Dunedin, New Zealand
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“I can't help but recall, at this point, a horribly elitist but very droll remark by one of my favorite writers, the American "critic of the seven arts", James Huneker, in his scintillating biography of Frédéric Chopin, on the subject of Chopin's étude Op. 25, No. 11 in A minor, which for me, and for Huneker, is one of the most stirring and most sublime pieces of music ever written: “Small-souled men, no matter how agile their fingers, should avoid it.”
"Small-souled men"?! Whew! Does that phrase ever run against the grain of American democracy! And yet, leaving aside its offensive, archaic sexism (a crime I, too, commit in GEB, to my great regret), I would suggest that it is only because we all tacitly do believe in something like Hueneker's' shocking distinction that most of us are willing to eat animals of one sort or another, to smash flies, swat mosquitos, fight bacteria with antibiotics, and so forth. We generally concur that "men" such as a cow, a turkey, a frog, and a fish all possess some spark of consciousness, some kind of primitive "soul" but by God, it's a good deal smaller than ours is — and that, no more and no less, is why we "men" feel that we have the perfect right to extinguish the dim lights in the heads of these fractionally-souled beasts and to gobble down their once warm and wiggling, now chilled and stilled protoplasm with limitless gusto, and not feel a trace of guilt while doing so.”
― Douglas R. Hofstadter, quote from Gödel, Escher, Bach: An Eternal Golden Braid
“Twenty, thirty, forty feet. The pressure wasn’t uncomfortable. I’d never tried to push it—to see if there was a limit to how deep I could dive. I knew most regular humans couldn’t go past two hundred feet without crumpling like an aluminum can. I should’ve been blind, too, this deep in the water at night, but I could see the heat from living forms, and the cold of the currents. It’s hard to describe. It wasn’t like regular seeing, but I could tell where everything was. As I got closer to the bottom, I saw three hippocampi—fish-tailed horses—swimming in a circle around an overturned boat. The hippocampi were beautiful to watch. Their fish tails shimmered in rainbow colors, glowing phosphorescent. Their manes were white, and they were galloping through the water the way nervous horses do in a thunderstorm. Something was upsetting them. I got closer and saw the problem. A dark shape—some kind of animal—was wedged halfway under the boat and tangled in a fishing net, one of those big nets they use on trawlers to catch everything at once. I hated those things. It was bad enough they drowned porpoises and dolphins, but they also occasionally caught mythological animals. When the nets got tangled, some lazy fishermen would just cut them loose and let the trapped animals die. Apparently this poor creature had been mucking around on the bottom of Long Island Sound and had somehow gotten itself tangled in the net of this sunken fishing boat. It had tried to get out and managed to get even more hopelessly stuck, shifting the boat in the process. Now the wreckage of the hull, which was resting against a big rock, was teetering and threatening to collapse on top of the tangled animal. The hippocampi were swimming around frantically, wanting to help but not sure how. One was trying to chew the net, but hippocampi teeth just aren’t meant for cutting rope. Hippocampi are really strong, but they don’t have hands, and they’re not (shhh) all that smart. Free”
― Rick Riordan, quote from Percy Jackson and the Olympians
“Nico scowled. ‘It’s none of your business, but I don’t belong. That’s obvious. No one wants me. I’m a child of –’
‘Oh, please.’ Will sounded unusually angry. ‘Nobody at Camp Half-Blood ever pushed you away. You have friends – or at least people who would like to be your friend. You pushed yourself away. If you’d get your head out of that brooding cloud of yours for once –”
― Rick Riordan, quote from The Blood of Olympus
“As she made coffee in the kitchen and tried to spoon the frozen ice-cream from its carton without snapping the shaft off the spoon, Elizabeth was struck, not for the first time, by the thought that her life was entirely frivolous.
It was a rush and slither of trivial crises; of uncertain cash-flow, small triumphs, occasional sex and too many cigarettes; of missed deadlines that turned out not to matter; of arguments, new clothes, bursts of altruism and sincere resolutions to address the important things. Of all these and the other experiences that made up her life, the most significant aspect was the one suggested by the words 'turned out not to matter'. Although she was happy enough with what she had become, it was this continued sense of the easy, the inessential nature of what she did, that most irritated her. She thought of Tom Brennan, who had known only life or death, then death in life. In her generation there was no intensity.”
― Sebastian Faulks, quote from Birdsong
“You taught me language, and my profit on't / Is, I know how to curse”
― William Shakespeare, quote from The Tempest
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Dom CasmurroBookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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