“When I was fifteen, a companion and I, on a dare, went into the mound one day just at sunset. We saw some of those Indians for the first time; we got directions from them and reached the top of the mound just as the sun set. We had camping equiptment with us, but we made no fire. We didn't even make down our beds. We just sat side by side on that mound until it became light enough to find our way back to the road. We didn't talk. When we looked at each other in the gray dawn, our faces were gray, too, quiet, very grave. When we reached town again, we didn't talk either. We just parted and went home and went to bed. That's what we thought, felt, about the mound. We were children, it is true, yet we were descendants of people who read books and who were, or should have been, beyond superstition and impervious to mindless fear.”
― William Faulkner, quote from Collected Stories
“I can't do nothing. Just put it off. And that don't do no good. I reckon it belong to me. I reckon what I going to get ain't no more than mine.”
― William Faulkner, quote from Collected Stories
“An old man is never at home save in his own garments: his own old thinking and beliefs; old hands and feet, elbow, knee, shoulder which he knows will fit.”
― William Faulkner, quote from Collected Stories
“... in an even wilder part of the river's jungle of cane and gum and pin oak, there is an Indian mound. Aboriginal, it rises profoundly and darkly enigmatic, the only elevation of any kind in the wild, flat jungle of river bottom. Even to some of us - children though we were, yet we were descended to literate, town-bred people - it possessed inferences of secret and violent blood, of savage and sudden destruction, as though the yells and hatchets we associated with Indians through the hidden and seceret dime novels which we passed among ourselves were but trivial and momentary manifestations of what dark power still dwelled or lurked there, sinister, a little sardonic, like a dark and nameless beast lightly and lazily slumbering with bloody jaws...”
― William Faulkner, quote from Collected Stories
“What modren ideas?” pap said. “I didn’t know there was but one idea about work—until it is done, it ain’t done, and when it is done, it is.”
― William Faulkner, quote from Collected Stories
“it was as if he had swung outward at the end of a grape vine, over a ravine, and at the top of the swing had been caught in a prolonged instant of mesmerized gravity, weightless in time.”
― William Faulkner, quote from Collected Stories
“That night they camped, in a grove of oaks and beeches where a spring ran. The nights were still cool and they had a fire against it, of a rail lifted from a nearby fence and cut into lengths—a small fire, neat, niggard almost, a shrewd fire; such fires were his father’s habit and custom always, even in freezing weather. Older, the boy might have remarked this and wondered why not a big one; why should not a man who had not only seen the waste and extravagance of war, but who had in his blood an inherent voracious prodigality with material not his own, have burned everything in sight?”
― William Faulkner, quote from Collected Stories
William Faulkner
Born place: in New Albany, Mississippi, The United States
Born date September 25, 1897
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“Another unary photograph is the pornographic photograph (I am not saying the erotic photograph: the erotic is a pornographic that has been disturbed, fissured). Nothing more homogeneous than a pornographic photograph. It is always a naive photograph, without intention and without calculation. Like a shop window which shows only one illuminated piece of jewelry, it is completely constituted by the presentation of only one thing: sex: no secondary, untimely object ever manages to half conceal, delay, or distract... A proof a contrario: Mapplethorpe shifts his close-ups of genitalia from the pornographic to the erotic by photographing the fabric of underwear at very close range: the photograph is no longer unary, since I am interested in the texture of the material.
The presence (the dynamics) of this blind field is, I believe, what distinguishes the erotic photograph from the pornographic photograph. Pornography ordinarily represents the sexual organs, making them into a motionless object (a fetish), flattered like an idol that does not leave its niche; for me, there is no punctum in the pornographic image; at most it amuses me (and even then, boredom follows quickly). The erotic photograph, on the contrary (and this is its very condition), does not make the sexual organs into a central object; it may very well not show them at all; it takes the spectator outside its frame, and it is there that I animate this photograph and that it animates me.”
― Roland Barthes, quote from Camera Lucida: Reflections on Photography
“The man who moves a mountain begins by carrying away small stones.”
― Confucius, quote from The Analects
“Diesel is back," Ranger said.
Yes. How did you know?"
I woke up with a migraine this morning." Ranger said.”
― Janet Evanovich, quote from Plum Lucky
“His library was a fine dark place bricked with books, so anything could happen there and always did. All you had to do was pull a book from the shelf and open it and suddenly the darkness was not so dark anymore.”
― Ray Bradbury, quote from Farewell Summer
“Wrong. Wrong as a squirrel with feathers, or a wolf with wooden teeth; not injustice, not unfairness—just a wrongness that, under the sky, could not exist... the idea that such as he could belong to anything.”
― Theodore Sturgeon, quote from More Than Human
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The Screwtape Letter...BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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