“When I was fifteen, a companion and I, on a dare, went into the mound one day just at sunset. We saw some of those Indians for the first time; we got directions from them and reached the top of the mound just as the sun set. We had camping equiptment with us, but we made no fire. We didn't even make down our beds. We just sat side by side on that mound until it became light enough to find our way back to the road. We didn't talk. When we looked at each other in the gray dawn, our faces were gray, too, quiet, very grave. When we reached town again, we didn't talk either. We just parted and went home and went to bed. That's what we thought, felt, about the mound. We were children, it is true, yet we were descendants of people who read books and who were, or should have been, beyond superstition and impervious to mindless fear.”
― William Faulkner, quote from Collected Stories
“I can't do nothing. Just put it off. And that don't do no good. I reckon it belong to me. I reckon what I going to get ain't no more than mine.”
― William Faulkner, quote from Collected Stories
“An old man is never at home save in his own garments: his own old thinking and beliefs; old hands and feet, elbow, knee, shoulder which he knows will fit.”
― William Faulkner, quote from Collected Stories
“... in an even wilder part of the river's jungle of cane and gum and pin oak, there is an Indian mound. Aboriginal, it rises profoundly and darkly enigmatic, the only elevation of any kind in the wild, flat jungle of river bottom. Even to some of us - children though we were, yet we were descended to literate, town-bred people - it possessed inferences of secret and violent blood, of savage and sudden destruction, as though the yells and hatchets we associated with Indians through the hidden and seceret dime novels which we passed among ourselves were but trivial and momentary manifestations of what dark power still dwelled or lurked there, sinister, a little sardonic, like a dark and nameless beast lightly and lazily slumbering with bloody jaws...”
― William Faulkner, quote from Collected Stories
“What modren ideas?” pap said. “I didn’t know there was but one idea about work—until it is done, it ain’t done, and when it is done, it is.”
― William Faulkner, quote from Collected Stories
“it was as if he had swung outward at the end of a grape vine, over a ravine, and at the top of the swing had been caught in a prolonged instant of mesmerized gravity, weightless in time.”
― William Faulkner, quote from Collected Stories
“That night they camped, in a grove of oaks and beeches where a spring ran. The nights were still cool and they had a fire against it, of a rail lifted from a nearby fence and cut into lengths—a small fire, neat, niggard almost, a shrewd fire; such fires were his father’s habit and custom always, even in freezing weather. Older, the boy might have remarked this and wondered why not a big one; why should not a man who had not only seen the waste and extravagance of war, but who had in his blood an inherent voracious prodigality with material not his own, have burned everything in sight?”
― William Faulkner, quote from Collected Stories
William Faulkner
Born place: in New Albany, Mississippi, The United States
Born date September 25, 1897
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“Interpretation first appears in the culture of late classical antiquity, when the power and credibility of myth had been broken by the “realistic” view of the world introduced by scientific enlightenment. Once the question that haunts post-mythic consciousness—that of the seemliness of religious symbols—had been asked, the ancient texts were, in their pristine form, no longer acceptable. Then interpretation was summoned, to reconcile the ancient texts to “modern” demands. Thus, the Stoics, to accord with their view that the gods had to be moral, allegorized away the rude features of Zeus and his boisterous clan in Homer’s epics. What Homer really designated by the adultery of Zeus with Leto, they explained, was the union between power and wisdom. In the same vein, Philo of Alexandria interpreted the literal historical narratives of the Hebrew Bible as spiritual paradigms. The story of the exodus from Egypt, the wandering in the desert for forty years, and the entry into the promised land, said Philo, was really an allegory of the individual soul’s emancipation, tribulations, and final deliverance. Interpretation thus presupposes a discrepancy between the clear meaning of the text and the demands of (later) readers. It seeks to resolve that discrepancy. The situation is that for some reason a text has become unacceptable; yet it cannot be discarded. Interpretation is a radical strategy for conserving an old text, which is thought too precious to repudiate, by revamping it. The interpreter, without actually erasing or rewriting the text, is altering it. But he can’t admit to doing this. He claims to be only making it intelligible, by disclosing its true meaning. However far the interpreters alter the text (another notorious example is the Rabbinic and Christian “spiritual” interpretations of the clearly erotic Song of Songs), they must claim to be reading off a sense that is already there.”
― Susan Sontag, quote from Against Interpretation and Other Essays
“Realizing its inescapable nature, we can see heartbreak not as the end of the road or the cessation of hope but as the close embrace of the essence of what we have wanted or are about to lose.
[…]
Heartbreak asks us not to look for an alternative path, because there is no alternative path. It is an introduction to what we love and have loved, an inescapable and often beautiful question, something and someone that has been with us all along, asking us to be ready for the ultimate letting go.”
― David Whyte, quote from Consolations: The Solace, Nourishment and Underlying Meaning of Everyday Words
“Even with him in me I ache for him, and it’s that aching that brings me rapidly to the brink.”
― Kyra Davis, quote from Just One Night
“What did I want to say? I had been struggling to find the words that would sum up how I felt, but the right ones would not come. I wanted to say I loved her. That there would be a hole in my heart forever where she had once been. That she had scared the hell out of me, irritated me beyond belief, and I didn’t know how I could possibly face the weight of the magic that was now mine without her support, her strength, her churlishness. I felt my hand shaking, so I raised my glass. “To Mother,” I said.”
― J.D. Horn, quote from The Source
“People in general attach too much importance to words. They are under the illusion that talking effects great results. As a matter of fact, words are, as a rule, the shallowest portion of all the argument. They but dimly represent the great surging feelings and desires which lie behind. When the distraction of the tongue is removed, the heart listens.”
― Theodore Dreiser, quote from Sister Carry
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