“Dangerous thing, a name. Someone might catch hold of you by it, mightn't they?”
― Richard Adams, quote from The Plague Dogs
“When the man was disgraced and told to go away, he was allowed to ask all the animals whether any of them would come with him and share his fortunes and his life. There were only two who agreed to come entirely of their own accord, and they were the dog and the cat. And ever since then, those two have been jealous of each other, and each is for ever trying to make man choose which one he likes best. Every man prefers one or the other.”
― Richard Adams, quote from The Plague Dogs
“He was after a sensational story and this, of course, could not be constructed out of mere truth; not out of officially released truth, anyway. It was essential that the news-reading public should feel, first, that the community was in danger and secondly that people—well-off people, “official” people—who ought to have known better, were to blame for it.”
― Richard Adams, quote from The Plague Dogs
“A quick run past the rabbits' execution shed, a turn around the kittens' quicklime pit, a moment's hesitation beyond the monkeys' gas-chamber--and they are gone: ay, not so long ago these canines fled away into the storm. It would be pleasant to report that that night Dr. Boycott dreamt of many a woe, and all his whitecoat-men with shade and form of witch and demon and large coffin-worm were long be-nightmared. One might even have hoped to add that Tyson the old died palsy-twitched, with meagre face deform. But in fact--as will be seen--none of these things happened. Slowly the rain ceased, the grey rack blowing away and over Windermere as first light came creeping into the sky and the remaining inmates of Lawson Park woke to another day in the care and service of humanity.”
― Richard Adams, quote from The Plague Dogs
“Sheep used to have wings. One flew into the sky and all the others followed. They took their wings off while feeding in the warm sun but the wind blew away their wings so they couldn't fly anymore. They had to return to earth by drifting to where the sky curves down and touches the land, and then walk round the long way.. i like that..”
― Richard Adams, quote from The Plague Dogs
“How do they find out with the experiments?'
'...one way they can find out a whole lot is to make an animal ill and then try different ways to make it better until they find one that works.'
'But isn't that unkind to the animal?'
'Well, I suppose it is...but I mean, there isn't a dad anywhere who would hesitate, is there, if he knew it was going to make [his child] better? It's changed the whole world during the last hundred years, and that's no exaggeration.”
― Richard Adams, quote from The Plague Dogs
“Once the moon gets to be full somebody - some man or other - goes up every day and slices bits of one side until there isn't any more,and then after a bit a new one grows. Men do that with all sorts of things, actually - rose bushes for instance.... The man who slices the bits off brings them down here and then they're used for making those lights on the cars. Clever isn't it... They only last about one night, I should think, because you hardly ever see them shining by day.”
― Richard Adams, quote from The Plague Dogs
Richard Adams
Born place: in Newbury, Berkshire, England, The United Kingdom
Born date May 9, 1920
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“I don't think there's a good reason to run unless someone's chasing me. Seriously.”
― Janet Gurtler, quote from I'm Not Her
“I don't budge, accepting my fate, thankful that for a brief moment in my life I had the opportunity to discover what life was all about: the ability to love; the courage and strength it takes to love a person, no matter how different they are. Forgiving that they have flaws and appreciating their imperfections. Knowing those are the things that define them, forming them into something that cannot be defined and shelved into a category. Understanding that's what makes them so remarkable.”
― quote from Becoming Noah Baxter
“But I am greedy for life. I do too much of everything all the time. Suddenly one day my heart will fail. The Iron Crab will get me as it got my father. But I am not afraid of The Crab. At least I shall have died from an honourable disease. Perhaps they will put on my tombstone. 'This Man Died from Living Too Much'.”
― Ian Fleming, quote from From Russia With Love
“She felt like a baton getting passed along in a relay race, completely devoid of any control over her destiny.”
― Gretchen McNeil, quote from Possess
“We all know the elementary form of politeness, that of the empty symbolic gesture, a gesture-an offer-which is meant to be rejected. In John Irving's A Prayer for
Owen Meany, after the little boy Owen accidentally kills John's-his best friend's, the narrator's-mother, he is, of course, terribly upset, so, to show how sorry he is, he discreetly delivers to John a gift of the complete collection of color photos of baseball stars, his most precious possession; however, Dan, John's delicate stepfather, tells him that the proper thing to do is to return the gift. What we have here is symbolic exchange at its purest: a gesture made to be rejected; the point, the "magic" of symbolic exchange, is that, although at the end we are where we were at the beginning, the overall result of the operation is not zero but a distinct gain for both parties, the pact of solidarity. And is not something similar part of our everyday mores? When, after being engaged in a fierce competition for a job promotion with my closest friend, I win, the proper thing to do is to offer to withdraw, so that he will get the promotion, and the proper thing for him to do is to reject my offer-in this way, perhaps, our friendship can be saved....
Milly's offer is the very opposite of such an elementary gesture of politeness: although it also is an offer that is meant to be rejected, what makes hers different from the symbolic empty offer is the cruel alternative it imposes on its addressee: I offer you wealth as the supreme proof of my saintly kindness, but if you accept my offer, you will be marked by an indelible stain of guilt and moral corruption; if you do the right thing and reject it, however, you will also not be simply righteous-your very rejection will function as a retroactive admission of your guilt, so whatever Kate and Densher do, the very choice Milly's bequest confronts them with makes them guilty.”
― Slavoj Žižek, quote from The Parallax View
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