“You might not realize it now, kid, but everyone is some shade of fucked-up.”
― Riley Hart, quote from Broken Pieces
“There aren’t laws for emotions, Tristan. There isn’t a magical timeframe where it’s okay to fall in love with someone or okay to fall out of it. Emotions don’t play by rules. That’s what makes them so incredible.”
― Riley Hart, quote from Broken Pieces
“You always make me get so fuckin’ emotional. I’d get my ass beat if anyone saw me the way I am with you.”
― Riley Hart, quote from Broken Pieces
“Nothing in this world was completely black or white. Wrong or right. Or if it was, what mattered was whose eyes it was being seen from.”
― Riley Hart, quote from Broken Pieces
“He looked up as Tristan reached him. No doubt he had tears mixed with the rain sliding down his face. “It’s my birthday,” he whispered. “That’s when he gave me the queen. He said it’s because I was the strongest person he knew.”
― Riley Hart, quote from Broken Pieces
“And then he cocked his head a little bit. A slight smile tugged at Tristan’s lips. “You talked to her. This was the first day of college you missed, and it was because you spoke with her all day on the phone.”
― Riley Hart, quote from Broken Pieces
“Emotions don't play by rules. That's what makes them so incredible.”
― Riley Hart, quote from Broken Pieces
“Where are we going?” Josiah shook as he spoke. “Home.”
― Riley Hart, quote from Broken Pieces
“All he knew was all those empty rooms inside him were somehow filled when Mateo was around.”
― Riley Hart, quote from Broken Pieces
Riley Hart
Born place: in The United States
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“make away out of no way”
― Barack Obama, quote from The Audacity of Hope: Thoughts on Reclaiming the American Dream
“He saw a chair, and a ship that was not a ship; he saw a man with two shadows, and he saw that which cannot be seen — a concept; the adaptive, self-seeking urge to survive, to bend everything that can be reached to that end, and to remove and to add and to smash and to create so that one particular collection of cells can go on, can move onward and decide, and keeping moving and keeping deciding, knowing that — if nothing else — at least it lives. And it had two shadows, it was two things: it was the need and it was the method. The need was obvious: to defeat what opposed its life. The method was that taking and bending of materials and people to one purpose, the outlook that everything could be used in the fight; that nothing could be excluded, that everything was a weapon, and the ability to handle those weapons, to find them and choose which one to aim and fire; that talent, that ability, that use of weapons. A chair, and”
― Iain M. Banks, quote from Use of Weapons
“Who knew that listening to a guy sleep could be so much deeper than sleeping with a guy.”
― Jennifer Donnelly, quote from Revolution
“me gustaría recordarle que existe una diferencia entre la osadía y la ceguera. La acción decisiva está indicada cuando se conoce al enemigo y se pueden calcular aproximadamente los riesgos; pero moverse contra un potencial desconocido ya supone una osadía de por sí. Sería lo mismo que preguntar por qué un hombre salta con éxito en una carrera de obstáculos durante el día y tropieza con los muebles de su habitación por la noche.”
― Isaac Asimov, quote from The Foundation Trilogy
“It’s 1936, in Flint, Michigan. Times are hard. Ten-year-old Bud is a motherless boy on the run, and his momma never told him who his father was. But she left a clue: posters of Herman”
― Christopher Paul Curtis, quote from The Watsons Go to Birmingham - 1963
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