“You can only fight one man at a time with a sword, but, with a pen, you can compose a lecture to bore legions of enemy troops to death.”
― Lindsay Buroker, quote from Blood and Betrayal
“I don't know why you'd want to kill Maldynado, when it's clear you'd make fabulous hat-shopping buddies.”
― Lindsay Buroker, quote from Blood and Betrayal
“You better not be dead. This team is already overflowing with ankle spankers. I was looking forward to having more women around."
Yara's eyelids fluttered open. She blinked a few times, focused on him, and frowned.
"Ankle spanker? The only thing you've got that'll reach that far is your ego.”
― Lindsay Buroker, quote from Blood and Betrayal
“Don’t question luck,” Amaranthe muttered. “It might get offended by your lack of appreciation and leave you behind.”
― Lindsay Buroker, quote from Blood and Betrayal
“Some men brought women flowers. Sicarius chose not to kill people. The latter seemed a tad more momentous.”
― Lindsay Buroker, quote from Blood and Betrayal
“They don’t make statues of people who walk behind others. You have to walk out in front.”
― Lindsay Buroker, quote from Blood and Betrayal
“You couldn’t live your life getting up and seeing the same things every day. You had to keep moving, otherwise people started to know who you were, and then they started to expect things from you. It was one step from there to being gobbled up.”
― Brandon Sanderson, quote from Edgedancer
“Luther’s room at the Wartburg contained a tiled oven for warmth, a simple desk and chair, of which he made ample use, and one especially curious object, likely a gift from Frederick, via Spalatin, though any letter in which it is referenced has been lost. It was the gargantuan vertebra of a whale, doubtless from the remains of a cetacean that had beached or washed up someplace very far away, probably on the coast of the North Sea. Whale bones were at that time prized for their healing powers, and one assumes that because Luther complained so regularly of the various maladies affecting him, Spalatin had found it and sent it along as a happy surprise and encouragement. And how could Luther help to have been cheered by something as outrageous and singular as this colossal white bone from a leviathan that once swam endless miles beneath the waves of a distant sea? Luther had never seen the ocean, and never would in his life, so the exotic quality of the object must have been all the greater.”
― Eric Metaxas, quote from Martin Luther: The Man Who Rediscovered God and Changed the World
“Love is no rose. It's a goddam weed that digs its roots in deep, there's no hope of getting it out. - Nina Valance, human novelist married to a telekinetic (circa 1977)”
― Nalini Singh, quote from Silver Silence
“At the end of that class Demian said to me thoughtfully: "There’s something I don’t like about this story, Sinclair. Why don’t you read it once more and give it the acid test? There’s something about it that doesn’t taste right. I mean the business with the two thieves. The three crosses standing next to each other on the hill are almost impressive, to be sure. But now comes this sentimental little treatise about the good thief. At first he was a thorough scoundrel, had committed all those awful things and God knows what else, and now he dissolves in tears and celebrates such a tearful feast of self-improvement and remorse! What’s the sense of repenting if you’re two steps from the grave? I ask you. Once again, it’s nothing but a priest’s fairy tale, saccharine and dishonest, touched up with sentimentality and given a high edifying background. If you had to pick a friend from between the two thieves or decide which one you’d rather trust, you most certainly wouldn’t choose the sniveling convert. No, the other fellow, he’s a man of character. He doesn’t give a hoot for ‘conversion’, which to a man in his position can’t be anything but a pretty speech. He follows his destiny to it’s appointed end and does not turn coward and forswear the devil, who has aided and abetted him until then. He has character, and people with character tend to receive the short end of the stick in biblical stories. Perhaps he’s even a descendant of Cain. Don’t you agree?"
I was dismayed. Until now I had felt completely at home in the story of the Crucifixion. Now I saw for the first time with how little individuality, with how little power of imagination I had listened to it and read it. Still, Demian’s new concept seemed vaguely sinister and threatened to topple beliefs on whose continued existence I felt I simply had to insist. No, one could not make light of everything, especially not of the most Sacred matters.
As usual he noticed my resistance even before I had said anything.
"I know," he said in a resigned tone of voice, "it’s the same old story: don’t take these stories seriously! But I have to tell you something: this is one of the very places that reveals the poverty of this religion most distinctly. The point is that this God of both Old and New Testaments is certainly an extraordinary figure but not what he purports to represent. He is all that is good, noble, fatherly, beautiful, elevated, sentimental—true! But the world consists of something else besides. And what is left over is ascribed to the devil, this entire slice of world, this entire half is hushed up. In exactly the same way they praise God as the father of all life but simply refuse to say a word about our sexual life on which it’s all based, describing it whenever possible as sinful, the work of the devil. I have no objection to worshiping this God Jehovah, far from it. But I mean we ought to consider everything sacred, the entire world, not merely this artificially separated half! Thus alongside the divine service we should also have a service for the devil. I feel that would be right. Otherwise you must create for yourself a God that contains the devil too and in front of which you needn’t close your eyes when the most natural things in the world take place.”
― Hermann Hesse, quote from Demian
“Dark Specter** - A frightening variety of Type Two ghost that manifests as a moving patch of darkness. Sometimes the apparition at the center of the darkness is dimly visible; at other times the black cloud is fluid and formless, perhaps shrinking to the size of a pulsing heart, or expanding at speed to engulf a room.”
― Jonathan Stroud, quote from Die Seufzende Wendeltreppe
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