“The only time she's come close to being "known" was when she accidentally came out as bisexual during sophomore English class while talking about her favorite poem.”
― C.B. Lee, quote from Not Your Sidekick
“We can't just sit on our asses and not live our lives while we're trying to expose a corrupt government.”
― C.B. Lee, quote from Not Your Sidekick
“You love me," Abby says, smiling.
Jess leans forward. "Yeah, I really do. This isn't our Romeo and Juliet moment. You're going to be okay. No one is dying.
"No, it's the end. I want a goodbye kiss.”
― C.B. Lee, quote from Not Your Sidekick
“should tell you, the job description was super-vague and that I am probably not at all qualified to do any technical stuff. I made something explode in chemistry last year.”
― C.B. Lee, quote from Not Your Sidekick
“She's given up trying to stand out.”
― C.B. Lee, quote from Not Your Sidekick
“The Smashmobile is driver-operated, and she’s qualified to drive it, but only in case of emergency. Claudia”
― C.B. Lee, quote from Not Your Sidekick
“It's old-school to write by hand, but Jess likes the way the words blossom under her fingertips [. . .] These scribblings and imaginings are for no one else.”
― C.B. Lee, quote from Not Your Sidekick
“Jess is painfully aware of how young she is. Her shirtsleeves don't quite extend to her wrists; after a growth spurt last summer, her debate clothes don't fit as well as she thought. She feels as if she's playing dress-up.”
― C.B. Lee, quote from Not Your Sidekick
“She looks great in that skirt. Her butt is so cute.”
― C.B. Lee, quote from Not Your Sidekick
“Maybe Jess was caught up with these ridiculous, impossible ideas because it meant she never had to try for something real.”
― C.B. Lee, quote from Not Your Sidekick
“What's the best way to say because it's too embarrassing to talk to a crush about sex and read an explicit thing they wrote while they're right there?”
― C.B. Lee, quote from Not Your Sidekick
“Jess is too big for her skin, as if she might float away in the exhilarating possibility of the moment.”
― C.B. Lee, quote from Not Your Sidekick
“The conversation swings from the brothers Bush to the war in Iraq to the emerging rights of Muslim women to postfeminism to current cinema—Mexican, American, European (Giorgio goes spasmodically mad over Bu-ñuel), and back to Mexican again—to the relative superiority of shrimp over any other kind of taco to the excellence of Ana’s paella, to Ana’s childhood, then to Jimena’s, to the changing role of motherhood in a postindustrial world, to sculpture, then painting, then poetry, then baseball, then Jimena’s inexplicable (to Pablo) fondness for American football (she’s a Dallas Cowboys fan) over real (to Pablo) fútbol, to his admittedly adolescent passion for the game, to the trials of adolescence itself and revelations over the loss of virginity and why we refer to it as a loss and now Óscar and Tomás, arms over each other’s shoulders, are chanting poetry and then Giorgio picks up a guitar and starts to play and this is the Juárez that Pablo loves, this is the city of his soul—the poetry, the passionate discussions (Ana makes her counterpoints jabbing her cigarette like a foil; Jimena’s words flow like a gentle wave across beach sand, washing away the words before; Giorgio trills a jazz saxophone while Pablo plays bass—they are a jazz combo of argument), the ideas flowing with the wine and beer, the lilting music in a black night, this is the gentle heartbeat of the Mexico that he adores, the laughter, the subtle perfume of desert flowers that grow in alleys alongside garbage, and now everyone is singing— México, está muy contento, Dando gracias a millares… —and this is his life—this is his city, these are his friends, his beloved friends, these people, and if this is all that there is or will be, it is enough for him, his world, his life, his city, his people, his sad beautiful Juárez… —empezaré de Durango, Torreón y Ciudad de”
― Don Winslow, quote from The Cartel
“The moment you know, you destroy all poetry. The moment you know, and think that you know, you have created a barrier between yourself and that which is. Then everything is distorted. Then you don’t hear with your ears, you translate. Then you don’t see with your eyes, you interpret. Then you don’t experience with your heart, you think that you experience. Then all possibility of meeting with existence in immediacy, in intimacy, is lost. You have fallen apart. This is the original sin. And this is the whole story, the biblical story of Adam and Eve eating the fruit of the tree of knowledge. Once they have eaten the fruit of knowledge they are driven out of paradise. Not that somebody drove them out, not that God ordered them to get out of paradise, they themselves fell. Knowing they were no more innocent, knowing they were separate from existence, knowing they were egos…knowing created such a barrier, an iron barrier. You ask me, “What is innocence?” Vomit knowledge! The fruit of the tree of knowledge has to be vomited. That’s what meditation is all about. Throw it out of your system: it is poison, pure poison. Live without knowledge, knowing that “I don’t know.” Function out of this state of not knowing and you will know what beauty is. Socrates”
― Osho, quote from The Book of Wisdom
“One person. All it takes is one person."
-Severus Snape”
― John Tiffany, quote from Harry Potter and the Cursed Child - Parts I & II
“﴿ مُتَّكِئِينَ فِيهَا عَلَى الْأَرَائِكِ لاَ يَرَوْنَ فِيهَا شَمْسًا وَلاَ زَمْهَرِيرًا * وَدَانِيَةً عَلَيْهِمْ ظِلاَلُهَا وَذُلِّلَتْ قُطُوفُهَا تَذْلِيلاً * وَيُطَافُ عَلَيْهِمْ بِآنِيَةٍ مِنْ فِضَّةٍ وَأَكْوَابٍ كَانَتْ قَوَارِيرَا * قَوَارِيرَ مِنْ فِضَّةٍ قَدَّرُوهَا تَقْدِيرًا * وَيُسْقَوْنَ فِيهَا كَأْسًا كَانَ مِزَاجُهَا زَنْجَبِيلاً * عَيْنًا فِيهَا تُسَمَّى سَلْسَبِيلاً * وَيَطُوفُ عَلَيْهِمْ وِلْدَانٌ مُخَلَّدُونَ إِذَا رَأَيْتَهُمْ حَسِبْتَهُمْ لُؤْلُؤًا مَنْثُورًا * وَإِذَا رَأَيْتَ ثَمَّ رَأَيْتَ نَعِيمًا وَمُلْكًا كَبِيرًا * عَالِيَهُمْ ثِيَابُ سُنْدُسٍ خُضْرٌ وَإِسْتَبْرَقٌ وَحُلُّوا أَسَاوِرَ مِنْ فِضَّةٍ وَسَقَاهُمْ رَبُّهُمْ شَرَابًا طَهُورًا * إِنَّ هَذَا كَانَ لَكُمْ جَزَاءً وَكَانَ سَعْيُكُمْ مَشْكُورًا ﴾ [الإنسان: 13- 22].
لك أن تتخيل هذه الجنة الموعودة على شعوب القبائل الفقيرة التى تعيش تحت حرارة الصحراء الحارقة، وكم سيحاربون ويموتون طواعية من أجل بلوغ هذه الجنة.”
― E.H. Gombrich, quote from A Little History of the World
“Welcome to the Midwest, Mom used to say. Where the weather keeps you guessing and you're almost always sure to hate it.”
― Jennifer Brown, quote from Torn Away
BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
We thoughtfully gather quotes from our favorite books, both classic and current, and choose the ones that are most thought-provoking. Each quote represents a book that is interesting, well written and has potential to enhance the reader’s life. We also accept submissions from our visitors and will select the quotes we feel are most appealing to the BookQuoters community.
Founded in 2023, BookQuoters has quickly become a large and vibrant community of people who share an affinity for books. Books are seen by some as a throwback to a previous world; conversely, gleaning the main ideas of a book via a quote or a quick summary is typical of the Information Age but is a habit disdained by some diehard readers. We feel that we have the best of both worlds at BookQuoters; we read books cover-to-cover but offer you some of the highlights. We hope you’ll join us.