“...because once you've got one scar on your face or your heart, its only a matter of time before someone gives you another - and another - until a day doesn't go by when you aren't being bashed senseless, nor a town that you haven't been run out of, and you get to be such a goddamn mess that finally it doesn't feel right unless you're getting the Christ beaten out of you - amd within a year of that first damming fall, those first down borne fists, your first run out, you wind up with flies buzzing around your eyes, back at the same place, the same town, deader than when you left, bobbiong around in the swill - a dirty deadbeat whore in a roadside ditch. But a little part of you deosn't die. A little part of you lives on. And you make an orphan of that corrupt and contemtible part, dumping it right smack in the laps of the ones who first robbed you of your sweetness, for it is the wicked fruit of their crimes, it is their blood, their sin, it belongs there, this child of blood, this spawn of sin...”
― Nick Cave, quote from And the Ass Saw the Angel
“And Satan sighed and shook his head, played harp amongst the flames. ‘It’s Hell up there in Heaven too, for all that that is worth. Heaven is just a lie of mine to make it Hell on Earth.”
― Nick Cave, quote from And the Ass Saw the Angel
“Listen, ah don't wanna speak ill of the dead but have ah told you that mah mother was a great whopping whale of a cunt? Well she was precisely that - a great whopping whale of a hog's cunt with a dirty maggot for a brain.”
― Nick Cave, quote from And the Ass Saw the Angel
“And I know why our friendship must be kept a secret. Or they will kill You like they killed You in the Bible. And then we could not be together. If not for them we would live in this valley together. As best friends. But we must be careful, Jesus. I think I would die if anything happened to You...' - she cried ah think, for ah could hear her little sobs as she spoke - '...just close my eyes and die.' And she let fall a heavy tear, and it passed through the slats and exploded upon mah face, just below the right cheek. And as the droplet began to roll, ah caught it with mah tongue. And ah was shocked momentarily by that tear's sweetness, having known them only as bitter things - only bitter things - always bitter things.”
― Nick Cave, quote from And the Ass Saw the Angel
“Mummy was a swine: a scum-cunted, likkered-up, brain-sick swine. She was lazy and slothful and dirty and belligerent and altogether evil. Ma was a soak - a drunk - a piss-eyed hell-bag with a taste for the homebrew.”
― Nick Cave, quote from And the Ass Saw the Angel
“Found in a small stone cave bitten from the roadside, stitchless save for his great outsized boots and a plague of flies, fat on the human scrappage of dinners long past, Toad squatted in the slitted stomach of a warm child, eating loudly the face of her hapless, headless father, who sat a good foot off the ground impaled up the ass on a pointed post.”
― Nick Cave, quote from And the Ass Saw the Angel
“Humming softly with the child asleep in his arms, Sardus Swift looked to the winking stars and saw the moon - a smirk on the face of heaven - as he made his way home.”
― Nick Cave, quote from And the Ass Saw the Angel
“Comatose, Pa's wife, the slobstress, buried an armchair beneath her bulk.”
― Nick Cave, quote from And the Ass Saw the Angel
“How the hell do you sum up your sister in three minutes? She's your twin and your polar opposite. She's your constant companion and your competition. She's your best friend and the biggest bitch in the world. She's everything you wish you could be and everything you wish you weren't.”
― M. Molly Backes, quote from The Princesses of Iowa
“No exchange rate for the confidence of youth.”
― Elizabeth Strout, quote from The Burgess Boys
“Panty Melter: an exceedingly rare species of man blessed with so many desirable attributes he effortlessly gains access into a girl's panties.”
― Tracy Brogan, quote from Crazy Little Thing
“One and the same mother does not bring forth into the world the head without the members, nor the members without the head; for this would be a monster of nature. So in like manner, in the order of grace, the Head and the members are born of one and the same Mother; and if a member of the mystical Body of Jesus Christ—that is to say, one of the predestinate—was born of any other mother than Mary, who has produced the Head, he would not be one of the predestinate, nor a member of Jesus Christ, but simply a monster in the order of grace.”
― St. Louis de Montfort, quote from True Devotion to Mary
“Melinda Pratt rides city bus number twelve to her cello lesson, wearing her mother's jean jacket and only one sock. Hallo, world, says Minna. Minna often addresses the world, sometimes silently, sometimes out loud. Bus number twelve is her favorite place for watching, inside and out. The bus passes cars and bicycles and people walking dogs. It passes store windows, and every so often Minna sees her face reflection, two dark eyes in a face as pale as a winter dawn. There are fourteen people on the bus today. Minna stands up to count them. She likes to count people, telephone poles, hats, umbrellas, and, lately, earrings. One girl, sitting directly in front of Minna, has seven earrings, five in one ear. She has wisps of dyed green hair that lie like forsythia buds against her neck.
There are, Minna knows, a king, a past president of the United States, and a beauty queen on the bus. Minna can tell by looking. The king yawns and scratches his ear with his little finger. Scratches, not picks. The beauty queen sleeps, her mouth open, her hair the color of tomatoes not yet ripe. The past preside of the United States reads Teen Love and Body Builder's Annual.
Next to Minna, leaning against the seat, is her cello in its zippered canvas case. Next to her cello is her younger brother, McGrew, who is humming. McGrew always hums. Sometimes he hums sentences, though most often it comes out like singing. McGrew's teachers do not enjoy McGrew answering questions in hums or song. Neither does the school principal, Mr. Ripley. McGrew spends lots of time sitting on the bench outside Mr. Ripley's office, humming.
Today McGrew is humming the newspaper. First the headlines, then the sports section, then the comics. McGrew only laughs at the headlines.
Minna smiles at her brother. He is small and stocky and compact like a suitcase. Minna loves him. McGrew always tells the truth, even when he shouldn't. He is kind. And he lends Minna money from the coffee jar he keeps beneath his mattress.
Minna looks out the bus window and thinks about her life. Her one life. She likes artichokes and blue fingernail polish and Mozart played too fast. She loves baseball, and the month of March because no one else much likes March, and every shade of brown she has ever seen. But this is only one life. Someday, she knows, she will have another life. A better one. McGrew knows this, too. McGrew is ten years old. He knows nearly everything. He knows, for instance, that his older sister, Minna Pratt, age eleven, is sitting patiently next to her cello waiting to be a woman.”
― Patricia MacLachlan, quote from The Facts and Fictions of Minna Pratt
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