Saira Viola · 252 pages
Rating: (49 votes)
“Reality Tv had become the preferred drug of choice for the George Clooney obsessed housewives strung out on empty promises and splintered dreams”
― Saira Viola, quote from Jukebox: a stylish London crime novel
“She was all slump and sag her spirit withering like a tuckering weed shambling for a way out”
― Saira Viola, quote from Jukebox: a stylish London crime novel
“Everyday she loses a bit more of herself , every day another nail in her coffin house payments medical bills and middle aged isolation”
― Saira Viola, quote from Jukebox: a stylish London crime novel
“A good lawyer serves you from the cradle to the grave”
― Saira Viola, quote from Jukebox: a stylish London crime novel
“... Was a combo of Sal Dali and Ronald McDonald. A fringe celeb wheeled out for Tv appearances.”
― Saira Viola, quote from Jukebox: a stylish London crime novel
“When a sex tape gets made a star is born with a publicity agent on speed dial a six figure payout and a line of tacky lingerie in the works”
― Saira Viola, quote from Jukebox: a stylish London crime novel
“Nick sat alone reading a copy of The Independent . Cocaine socialists were trying their hardest to juice up Britain's economy with super casinos”
― Saira Viola, quote from Jukebox: a stylish London crime novel
Saira Viola
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“We're attacking all accepted values. Authority, class differences, shared perceptions. We don't care what happens to our social structure -- revolutions are for suckers. Our target is people's collective consciousness. It's like throwing a cream pie in their face.”
― Fuminori Nakamura, quote from Evil and the Mask
“Her checkbook catches his eye. He takes it and hides it in the back of the freezer, underneath a bag of frozen lima beans. If she can freeze his account, he can freeze hers.”
― Mary Amato, quote from Guitar Notes
“Which was safer, going forward or going back? I didn't know”
― Amanda Sun, quote from Ink
“Land and sea.
We may think of them as opposites; as complements. But there is a difference in how we think of them; the sea, and the land.
If we are walking around in a forest, a meadow or a town, we see our surroundings as being made up of individual elements. There are many different kinds of trees in varying sizes, those buildings, these streets. The meadow, the flowers, the bushes. Our gaze lingers on details, and if we are standing in a forest in the autumn, we become tongue-tied if we try to describe the richness around us. All this exists on land.
But the sea. The sea is something completely different. The sea is one.
We may note the shifting moods of the sea. What the sea looks like when the wind is blowing, how the sea plays with the light, how it rises and falls. But still it is always the sea we are talking about. We have given different parts of the sea different names for navigation and identification, but if we are standing before the sea, there is only one whole. The Sea.
If we are taken so far out in a small boat that no land is visible in any direction, we may catch sight of the sea. It is not a pleasant experience. The sea is a god, an unseeing, unhearing deity that does not even know we exist. We mean less than a grain of sand on an elephant's back, and if the sea wants us, it will take us. That's just the way it is. The sea knows no limits, makes no concessions. It has given us everything and it can take everything away from us.
To other gods we send our prayer: Protect us from the sea.”
― John Ajvide Lindqvist, quote from Harbor
“Pišem zato što mi to spontano dolazi! Pišem zato što ne mogu da radim običan posao kao drugi. Pišem da bi se pisale knjige kao što ih ja pišem i da ih čitam. Pišem zato što se strašno ljutim na sve vas, na svakoga. Pišem zato što mi se mnogo dopada da po celi dan sedim i pišem. Pišem zato što mogu da se pomirim sa stvarnošću jedino ako je promenim. Pišem da čitav svet sazna kakav smo život živeli i živimo – ja, drugi, svi mi u Istanbulu, u Turskoj. Pišem zato što volim miris papira, pera, mastila. Pišem zato što više od svega verujem literaturi i umetnosti romana. Pišem zato što je to navika i strast. Pišem zato što se plašim da budem zaboravljen. Pišem zato što mi se sviđa slava i zanimanje koje to donosi. Pišem da bih ostao sâm. Pišem da bih možda razumeo zašto se toliko ljutim na sve vas i svakoga. Pišem zato što mi se sviđa da me čitaju. Pišem da bih najzad završio taj roman, ovaj tekst, tu stranicu koju sam jednom započeo. Pišem zato što to svi od mene očekuju. Pišem zato što detinjasto verujem u večnost biblioteka i to da će mi knjige stajati na policama. Pišem zato što je život, svet, sve oko nas toliko lepo i zadivljujuće da je to neverovatno. Pišem zato što je zabavno u reči pretočiti svu tu lepotu i bogatstvo života. Pišem ne da bih pričao priču, već da bih je stvorio.
Pišem da bih se oslobodio osećanja da postoji neko mesto u koje uvek treba ići i u koje nikako ne mogu da odem – kao u snu. Pišem zato što nikako ne mogu da budem srećan. Pišem da bih bio srećan.”
― Orhan Pamuk, quote from Other Colors: Essays and A Story
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