“At least as a single woman, I had time to pursue my own interests, read voraciously, and travel when opportunity presented.”
― Tasha Alexander, quote from And Only to Deceive
“I shall be forever grateful to you for breaking whatever unfortunate object you did in order to rescue me.”
“Something had to be done, she said, “and it was a very ugly vase.”
― Tasha Alexander, quote from And Only to Deceive
“As we experience things, they happen too quickly to be thoughly analyzed...”
― Tasha Alexander, quote from And Only to Deceive
“I think that as we experience things, they happen too quickly to be thoroughly analyzed.”
― Tasha Alexander, quote from And Only to Deceive
“If you are once sure what you do want, you find that everything else goes down before it like grass under a roller—(all other interests, your own and other people’s. I had”
― Tasha Alexander, quote from And Only to Deceive
“nice, civilized trip to Athens on your way to Santorini when you go?”
― Tasha Alexander, quote from And Only to Deceive
“thought you had liberal views on what women should be allowed to do. It’s not as if I were suggesting joining one of your hideous hunts. I imagine that there aren’t wild animals behind every rock in Turkey waiting to charge at helpless humans.” “I wouldn’t object in principle to your going to Troy, but I will admit that I don’t view you as an adventurous type.” His eyes searched my own. “Beast! You don’t know me at all.” “Would you have the wardrobe?” He was laughing, and I realized he was teasing me. “Isn’t Ephesus in Turkey? Perhaps I could visit there on the same trip. I’ll send you a note from the Temple of Artemis, where I assure you I will not appear in evening clothes.” “I didn’t realize you had an interest in antiquity.” “Philip inspired me.” We had reached the rue de Rivoli and were nearly at the Meurice. “Let’s keep walking; I would like to see the river at night.” We turned away from the hotel and walked until we reached the Pont-Neuf. The air had grown chilly, and I had not worn even a light wrap; Colin stood near me to shield me from the wind blowing over the bridge. “Can you imagine how many people have crossed this bridge?” I asked. “It must be three hundred years old. Do you think that Marie Antoinette ever stood here and looked across the Seine at the city?” “Hardly. I think she would have had a greater appreciation for the views at Versailles.” “We consider this bridge old, but if it were in Athens, would anyone even comment on it? I shouldn’t be impressed with anything less than two thousand years old if I were in Greece.” “Then you would miss some particularly fine Roman ruins, my dear. Why don’t you plan a nice, civilized trip to Athens on your way to Santorini when you go?” “I shall have to see how it fits with my plan to visit Troy.” Colin shook his head and took my arm. I let him guide me back to the hotel, but not before contemplating at some length the pleasure I derived from his standing so close to me. COLIN CALLED ON ME the next afternoon, and I confess I was delighted to see him. I planned to dine in my rooms that evening and invited him to join me. He readily accepted. “What time shall I return?” he asked. “I’ll only need to dress.” “Don’t be silly,” I replied. “We shan’t dress. I ordered a light supper and asked to have it early. It’s only the two of us, and”
― Tasha Alexander, quote from And Only to Deceive
“Happily, as you are not my husband, I do not have to give your opinion more attention than I choose,” I snapped. “Good day, Mr. Hargreaves.”
― Tasha Alexander, quote from And Only to Deceive
Tasha Alexander
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“Perhaps Mother Nature is punishing us, he thought, for our greed and selfishness. We torture her at all hours by iron and wood, fire and stone. We dig her up and dump her in the sea. We sink mineshafts into her and drag out her entrails - and all for a jewel to wear on a pretty finger. Who can blame her if she occasionally quivers with anger?”
― Robert Harris, quote from Pompeii
“В быстролётные годы расцвета женской красоты она отлично служит притворству, к которому вынуждает женщину её природная слабость и законы нашего общества. Чудесный, свежий цвет лица, блеск глаз, изящный рисунок тонких черт, богатство линий, резких или округлых, но чистых и совершенно законченных, — завеса для всех её сокровенных волнений; если она покраснеет, это не выдаст движения её души, а только оживит и без того яркие краски; огонь её глаз, горящих жизнью, в ту пору скрадывает все внутренние вспышки, и пламя страданий, вырываясь на миг, делает её ещё пленительнее. Итак, нет ничего более непроницаемого, чем молодое лицо, ибо нет ничего неподвижнее. Лицо молодой женщины безмятежно, гладко, ясно, как поверхность дремлющего озера. Своеобразие начинает появляться в женском лице лишь к тридцати годам. До этого возраста художнику не найти в нём ничего, кроме бело-розовых красок, улыбок и выражения, которое повторяет одну и ту же мысль, — мысль о радостях молодости и любви, мысль однообразную и неглубокую; но в старости, когда женщина всё уже испытала, следы страстей словно врезаются в лицо её; она была любовницей, супругой, матерью; самые сильные проявления счастья и горя в конце концов меняют облик человека, искажают черты, бороздя лицо неисчислимыми морщинами, наделяя каждую из них своим языком; и женщина становится тогда величественной в своём страдании, прекрасной в печали своей, великолепной в своей невозмутимости, и если нам позволено будет развить наше необычайное сравнение, то в высохшем озере станут тогда видны следы всех родников, питавших его; тогда лицо женщины уже не привлечёт внимания света, ибо в легкомыслии своём свет будет напуган тем, что разрушены его привычные понятия о красоте; не привлечёт оно и посредственного, ничего не смыслящего художника, зато вдохновит истинного поэта, того, кто наделён чувством прекрасного, кто свободен от всех условностей, на которых зиждется столько ложных понятий об искусстве и красоте.
Люди несчастные, привыкшие взывать к небу с мольбой об утешении в горестях жизни, сразу бы распознали по взгляду этой женщины, что и для неё молитва является единственным прибежищем в повседневных страданиях и что у неё ещё кровоточат те тайные раны, от которых гибнут все цветы души, вплоть до материнских чувств. У живописца есть краски для таких портретов, но никакими словами не передать их; сущность лица, его выражение — само по себе явление необъяснимое, и лишь зрение помогает нам уловить его; у писателя есть только один способ дать представление о страшных переменах, происшедших во внешности его героев: он должен рассказать о тех событиях, из-за которых они появились. Всё в этой женщине говорило о бесшумной ледяной грозе, о тайной борьбе между героизмом страдающей матери и убожеством наших чувств, недолговечных, как и мы сами, в которых нет ничего вечного.
Люди хорошо воспитанные, и особенно женщины, скрытны в проявлении своих чувств, и о волнении их сердца догадается лишь тот, кому довелось испытать в жизни всё, что испытывала исстрадавшаяся мать.”
― Honoré de Balzac, quote from A Woman Of Thirty
“He’s exquisite. Perfection made flesh.
Granted, he didn’t come out looking like this. A few hours ago, he bore a strong resemblance to a screaming featherless chicken.
But he was my screaming featherless chicken, so he was still the most beautiful fucking thing I’ve ever seen.”
― Emma Chase, quote from Twisted
“the depth of heartache and love, hurt and forgiveness we had experienced since the last time we were here. And my heart filled with gratitude for all of it, even the pain, because it had brought us here, to this very moment.”
― Mia Sheridan, quote from Finding Eden
“I always have felt that we are a nation that is very different . . . unique, perhaps. We were founded by thinking men, brilliant men, men who designed a system where conflicts were resolved in debate, where the decision of the majority would prevail. These men had confidence in that majority, they had faith that the design of the system would, by definition, ensure that reasonable men would reach reasonable conclusions, and so we would govern ourselves, all of us, by this new type of system, a system where our conflicts and differences would be resolved by civilized means. There is no other system like this, anywhere.”
― Jeff Shaara, quote from Gods and Generals
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