Quotes from Anathem

“Our opponent is an alien starship packed with atomic bombs," I said. "We have a protractor.”
― Neal Stephenson, quote from Anathem

“Nothing is more important than that you see and love the beauty that is right in front of you, or else you will have no defense against the ugliness that will hem you in and come at you in so many ways.”
― Neal Stephenson, quote from Anathem

“Boredom is a mask frustration wears.”
― Neal Stephenson, quote from Anathem

“I always tend to assume there's an infinite amount of money out there."
There might as well be, "Arsibalt said, "but most of it gets spent on pornography, sugar water and bombs. There is only so much that can be scraped together for particle accelerators.”
― Neal Stephenson, quote from Anathem

“The full cosmos consists of the physical stuff and consciousness. Take away consciousness and it's only dust; add consciousness and you get things, ideas, and time.”
― Neal Stephenson, quote from Anathem

“It is what you don't expect... that most needs looking for.”
― Neal Stephenson, quote from Anathem

“That's funny because if anyone actually did prove the existence of God we'd just tell him 'nice proof, Fraa Bly' and start believing in God.”
― Neal Stephenson, quote from Anathem

“Our opponent is an alien starship packed with atomic bomc,' I said. 'We have a protractor.'
Okay, I'll go home and see if I can scrounge up a ruler and a piece of string.”
― Neal Stephenson, quote from Anathem

“And it happened all the time that the compromise between two perfectly rational alternatives was something that made no sense at all.”
― Neal Stephenson, quote from Anathem

“They knew many things but had no idea why. And strangely this made them more, rather than less, certain that they were right.”
― Neal Stephenson, quote from Anathem

“... when I saw any of those kinds of beauty I knew I was alive, and not just in the sense that when I hit my thumb with a hammer I knew I was alive, but rather in the sense that I was partaking of something--something was passing through me that it was in my nature to be a part of.”
― Neal Stephenson, quote from Anathem

“Technically, of course, he was right. Socially, he was annoying us.”
― Neal Stephenson, quote from Anathem

“the difference between poets and mystics . . . The mystic nails a symbol to one meaning that was true for a moment but soon becomes false. The poet, on the other hand, sees that truth while it's true but understands that symbols are always in flux and that their meanings are fleeting.”
― Neal Stephenson, quote from Anathem

“An old market had stood there until I'd been about six years old, when the authorities had renamed it the Olde Market, destroyed it, and built a new market devoted to selling T-shirts and other objects with pictures of the old market. Meanwhile, the people who had operated the little stalls in the old market had gone elsewhere and set up a thing on the edge of town that was now called the New Market even though it was actually the old market.”
― Neal Stephenson, quote from Anathem

“Jad said, "The leakage was forcing choices, the making of which in no way improved matters."

Okay. So we were, in effect, locked in a room with a madman sorcerer. That clarified things a little.”
― Neal Stephenson, quote from Anathem

“So, you're worried that a pink dragon will fly over the concent and fart nerve gas on us?”
― Neal Stephenson, quote from Anathem

“The people who'd made the system thus were jealous, not of money and not of power but of story. If their employees came home at day's end with interesting stories to tell, it meant that something had gone wrong: a blackout, a strike, a spree killing. The Powers That Be would not suffer others to be in stories of their own unless they were fake stories that had been made up to motivate them.”
― Neal Stephenson, quote from Anathem

“So I looked with fascination at those people in their mobes, and tried to fathom what it would be like. Thousands of years ago, the work that people did had been broken down into jobs that were the same every day, in organizations where people were interchangeable parts. All of the story had been bled out of their lives. That was how it had to be; it was how you got a productive economy. But it would be easy to see a will at work behind this: not exactly an evil will, but a selfish will. The people who'd made the system thus were jealous, not of money and not of power but of story. If their employees came home at day's end with interesting stories to tell, it meant that something had gone wrong: a blackout, a strike, a spree killing. The Powers That Be would not suffer others to be in stories of their own unless they were fake stories that had been made up to motivate them. People who couldn't live without story had been driven into the concents or into jobs like Yul's. All others had to look somewhere outside of work for a feeling that they were part of a story, which I guessed was why Sæculars were so concerned with sports, and with religion. How else could you see yourself as part of an adventure? Something with a beginning, middle, and end in which you played a significant part? We avout had it ready-made because we were a part of this project of learning new things. Even if it didn't always move fast enough for people like Jesry, it did move. You could tell where you were and what you were doing in that story. Yul got all of this for free by living his stories from day to day, and the only drawback was that the world held his stories to be of small account. Perhaps that was why he felt such a compulsion to tell them, not just about his own exploits in the wilderness, but those of his mentors.”
― Neal Stephenson, quote from Anathem

“... you should not believe a thing only because you like to believe it. We call that 'Diax's Rake' ...”
― Neal Stephenson, quote from Anathem

“If you sincerely believed in God, how could you form one thought, speak one sentence, without mentioning Him?”
― Neal Stephenson, quote from Anathem

“As soon as you're sure you're right, there's no point in your being here.”
― Neal Stephenson, quote from Anathem

“Topology is destiny,' he said, and put the drawers on. One leg at a time.”
― Neal Stephenson, quote from Anathem

“Just aiming a speely input device, or a Farspark chambre, or whatever you call it... a speelycaptor... at something doesn't collect what is meaningful to me. I need someone to gather it in with all their senses, mix it round in their head, and make it over into words.”
― Neal Stephenson, quote from Anathem

“But your way isn't just that set of rules,” Cord said. “It's who you are — you follow that way for bigger reasons. And as long as you stay true to that, the confusion you’re talking about will sort itself out eventually.”
― Neal Stephenson, quote from Anathem

“But what little I’d heard had left me amazed by how clever people were at finding ways to make each other crazy and miserable.”
― Neal Stephenson, quote from Anathem

“The same thrust, pushing against a greatly reduced burden, would then yield acceleration that Lio had cheerfully described as 'near-fatal.' 'But it's okay,' he'd said, 'you'll black out before anything really bad happens to you.”
― Neal Stephenson, quote from Anathem

“The biggest machines, in those days, were already pushing the limits of what could be constructed on Arbre with reasonable amounts of money."

"I hadn't known that," I said. "I always tend to assume there's an infinite amount of money out there."

"There might as well be," Arsibalt said, "but most of it gets spent on pornography, sugar water, and bombs. There is only so much that can be scraped together for particle accelerators.”
― Neal Stephenson, quote from Anathem

“Cord followed up with, “I like it here, but it’s beginning to feel creepy. Does anyone else think it’s creepy?”

“You’re talking to a bunch of guys,” Yul said. “No one here is going to validate your feelings.” She tossed sand at him.”
― Neal Stephenson, quote from Anathem

“That is the kind of beauty I was trying to get you to see,” Orolo told me. “Nothing is more important than that you see and love the beauty that is right in front of you, or else you will have no defense against the ugliness that will hem you in and come at you in so many ways.”
― Neal Stephenson, quote from Anathem

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Popular quotes

“I live alone," he said simply. "I live in the open. I hear the waves at night and see the black patterns of the pine boughs against the sky. With sound and silence and color and solitude, of course I see visions. Anyone would."

"But you don't believe in them?" Doc asked hopefully.

"I don't find it a matter for belief or disbelief," the seer said. "You've seen the sun flatten and take strange shapes just before it sinks into the ocean. Do you have to tell yourself everytime that it's an illusion caused by atmospheric dust and light distorted by the sea, or do you simply enjoy the beauty of it? Don't you see visions?"

"No," said Doc.”
― John Steinbeck, quote from Sweet Thursday

“Nights with bright pivots, departure, matter, uniquely voice, uniquely naked each day. Upon your breasts of still current, upon your legs ofharshness and water, upon the permanence and pride of your naked hair, I want to lie, my love, the tears now cast into the raucous basket where they gather, I want to lie, my love, alone with a syllable of destroyed silver, alone with a tip of your snowy breast.   It is not now possible, at times, to win except by falling, it is not now possible, between two people, to tremble, to touch the river’s flower: man fibers come like needles, transactions, fragments, families of repulsive coral, tempests and hard passages through carpets of winter.   Between lips and lips there are cities of great ash and moist crest, drops of when and how, indefinite traffic: between lips and lips, as if along a coast of sand and glass, the wind passes.   That is why you are endless, gather me up as if you were all solemnity, all nocturnal like a zone, until you merge with the lines of time.   Advance in sweetness, come to my side until the digital leaves of the violins have become silent, until the moss takes root in the thunder, until from the throbbing of hand and hand the roots come down.   VALS Yo toco el odio como pecho diurno, yo sin cesar, de ropa en ropa, vengo durmiendo lejos.”
― Pablo Neruda, quote from Residence on Earth

“Somewhere, things must be beautiful and vivid. Somewhere else, life has to be beautiful and vivid and rich. Not like this muted palette -a pale blue bedroom, washed out sunny sky, dull green yellow brown of the fields. Here, I know ever twist of every road, every blade of grass, every face in this town, and I am suffocating.”
― Lisa Ann Sandell, quote from A Map of the Known World

“L'amore è l'unica costante in questo difficile mondo razionale, l'amore e la sua metà oscura, l'odio.”
― Joanne Harris, quote from Sleep, Pale Sister

“What have I done, Obie?"

Obie flung his hand in the air, the gesture encompassing all the rotten things that had occur under Archie's command, at Archie's direction. The ruined kids, the capsized hopes. Renault last fall and poor Tubs Casper and all the others including even the faculty. Like Brother Eugene.

"You know what you've done, Archie. I don't need to draw up a list-"

"You blame me for everything, right, Obie? You and Carter and all the others. Archie Costello, the bad guy. The villain. Archie, the bastard. Trinity would be such a beautiful place without Archie Costello. Right, Obie? But it's not me, Obie, it's not me...."

"Not you?" Obie cried, fury gathering in his throat, his chest, his guts. "What the hell do you mean, not you? This could have been a beautiful place to be, Archie. A beautiful time for all of us. Christ, who else, if not you?"

"Do you really want to know who?"

"Okay, who then?" Impatient with his crap, the old Archie crap.

"It's you, Obie. You and Carter and Bunting and Leon and everybody. But especially you, Obie. Nobody forced you to do anything, buddy. Nobody made you join the Vigils. Nobody twisted your arm to make you secretary of the Vigils. Nobody pain you to keep a notebook with all that crap about the students, all their weaknesses, soft points. The notebook made your job easier, didn't it, Obie? And what was your job? Finding the victims. You found them, Obie. You found Renault and Tubs Casper and Gendreau-the first one, remember, when we were sophomores?-how you loved it all, didn't you Obie?" Archie flicked a finger against the metal of the car, and the ping was like a verbal exclamation mark. "Know what, Obie? You could have said no anytime, anytime at all. But you didn't...." Archie's voice was filled with contempt, and he pronounced Obie's name as if it were something to be flushed down a toilet.

"Oh, I'm an easy scapegoat, Obie. For you and everybody else at Trinity. Always have been. But you had free choice, buddy. Just like Brother Andrew always says in Religion. Free choice, Obie, and you did the choosing....”
― Robert Cormier, quote from Beyond the Chocolate War

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